Myron Bement Smith Collection
The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.
Illustrations used in Bureau of American Ethnology and United States National Museum publications
Artwork and some photographs used to illustrate articles published in the annual reports and bulletins of the Bureau of American Ethnology and the United States National Museum. The material includes artwork by Mary Beth Chapman, Mary Wright Gill, Mary M. Hildebrant, Spencer Baird Nichols, and Antonio Zeno Shindler. Also included …
This accession consist of records that primarily document research projects that have been awarded funding through the Office of Sponsored Projects (OSP). Included are grant and contract information, budget proposals, authorizations, and correspondence. Also includes information on OSP workshops; chronological files; OSP audits, reviews, and quarterlies; and information pertaining to …
Lorenzo James Hatch and Hatch family papers
The Lorenzo James Hatch and Hatch family papers measure 1.7 linear feet and date from circa 1890-1950, with the bulk of the materials dating from 1902-1914. The papers consist of family correspondence, printed material, three scrapbooks of printed materials and photographs, and a travel account. Letters are from Lorenzo Hatch, his wife Grace Harrison Hatch, and other family members. Most of the collection concerns the family's time in Peking (Beijing), China from 1908-1914 while Hatch was assisting the Chinese government create a Bureau of Printing and Engraving. The papers reveal impressions of the social and economic conditions of the Chinese, the revolutionary events of 1911 and 1912, the Pneumonic Plague epidemic in China from 1910-1911, and sight-seeing trips. An unprocessed addition of 0.4 linear feet includes biographical material; photographs of Hatch, his family and works of art; personal correspondence; artwork; printed material, and legal and financial records relating to the estate of Lorenzo Hatch. Also included is a horseshoe from Harrison Hatch's pony "Moses" (in China).
Frederick and Mary Hill Fried Folk Art Archives
National Carousel Association.
Fried, Mary Hill
Collection primarily documents American folk art collected by Frederick Fried (1908-1994) and his wife Mary McKensie Hill Fried (1914-1988). It includes photographic materials, newspaper clippings, magazine articles, research files, lecture notes, unpublished manuscripts, brochures, drawings, printed advertisements, blueprints, books, patents, correspondence, trade literature, sheet music, auction catalogs, oral history interviews, and commercially …
William Louis Abbott collection
Hough, Walter, 1859-1935
Raven, Henry Cushier, 1889-1944
Kloss, Charles Boden
The papers in the Abbott collection appear to have been brought together in the Smithsonian's Department of Anthropology in order to process ethnological specimens from Malaya and Indonesia and to prepare an exhibit and publications. Included are some of Abbott's original letters, notes, maps, and a considerable number of photographs. Most of these materials concern the Enggano, Jakun, and Dyak. Many other documents in the collection consist of copies of or extracts from Abbott's letters, the originals of which are now in the Smithsonian Institution Archives. There are also letters and other materials of Otis Tufton Mason and Walter Hough accumulated as they worked on the collection, many simple lists of accessions compiled in the Department of Anthropology, and a few manuscripts. In addition, there are printed materials that were apparently used by the department's staff for reference purposes. Some of the photographs made in Borneo in 1914 are by Henry Cushier Raven, a field assistant of Abbott and, later, a collector financed by Abbott. Additional materials of Abbott and Raven are in the Smithsonian Institution Archives, and their material (often duplicate photographs) are included in several collections in the National Anthropological Archives.
This accession consists of records that document planning, development and production activities for the exhibitions The Coke Push: A Centennial Portfolio of Industrial Art, Abandoned Mine Scenes, Lead and Zinc Mine Scenes of the Past, Labor Day, The United States Census, 1790-1960, The Changing American Farm, 1831-1981, The Clockwork Universe: German Clocks …
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
Carl Holty papers
The Carl Holty papers are dated circa 1860s-1972 (bulk 1940-1967), measure 1.8 linear feet and contain correspondence, writings, printed material and photographs documenting Holty's career as an abstract painter and painting teacher.
Arthur d'Arazien Industrial Photographs
The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and some …