748 records — Page 21 of 75
[ ]
Collapse
[ ]
Expand
Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Ortner, Donald J.
Dates:
1963-2013
Size:
44.37 Linear feet (96 boxes, 3 map-folders)
Collection ID:
NAA.2014-07
Repository:
National Anthropological Archives

The Donald J. Ortner Papers, dated 1963 to 2013, document his research and professional activities while working in the Division of Physical Anthropology in the Department of Anthropology at the Smithsonian Institution National Museum of Natural History. They primarily deal with his contributions to the field of paleopathology and his work with specimens from Bab edh-Dhra, Jordan and Chichester, England. The bulk of this collection consists of correspondence, files related to Ortner's publications, specimen observations and analysis, and photographs.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Fischer, Ann K.
Fischer, John Lyle, 1923-1985
Dates:
ca. 1942-1985
Size:
31.71 Linear feet ((65 boxes, 1 manuscript folder, and 128 sound recordings) )
Collection ID:
NAA.2013-16
Repository:
National Anthropological Archives

This collection contains John and Ann Fischer's correspondence, field notes, manuscripts, microfilm, sound recordings, and photographs relating to their work in Micronesia, Japan, and New England. Most of the materials in this collection were produced or collected by John. Although some materials have been identified as Ann's work, not all folders containing her notes have been so identified. Since John and Ann often collaborated, some of their notes are also intermixed. Materials relating to Truk and Ponape make up the bulk of the series. They not only include John and Ann's field notes but also administrative materials relating to John's position as District Anthropologist and District Island Affairs Officer. Because they returned at various times to visit and update data, there are documents on Ponape from 1949 as well as from the 1970s and in between. The Fischers' work in Japan is also well-represented in the collection along with their research for John and Beatrice Whiting's Six Cultures Project. The collection also contains a number of psychological tests administered by John and Ann during their research in Ponape and Japan. The sound recordings are mostly related to Ponape, with additional recordings from Japan. Several of the photographs are from Micronesia, some of which were taken by Harry Clifford Fassett. There are also some photos from Japan as well as personal photographs. Additional items in the collection include John's correspondence and papers he wrote as a student.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Brinley, Putnam
Dates:
1879-1984
Size:
14.3 Linear feet
Collection ID:
AAA.brindani
Repository:
Archives of American Art

The papers of painter and muralist Daniel Putnam Brinley and his wife, linguist and writer Kathrine Sanger Brinley, date from 1879 to 1984 and measure 14.3 linear feet. The Brinleys' careers and lives are documented in biographical materials, as well as extensive correspondence with one another, family, friends, art galleries, organizations, publishers, and others. Also found within the papers are writings by both, including 16 diaries (1 by Daniel Putnam Brinley and the rest by Kathrine), essays, manuscripts, typescripts, notes and notebooks, poetry, and various other writings. There are mural commission files, files for organizations of which the Brinleys were members, financial and legal records, exhibition catalogs, news clippings, and other printed material. Also found are photographs of the Brinleys, family, friends, travels, and artwork, and six sketchbooks and original artwork by Daniel Putnam Brinley.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
DeVincent, Sam, 1918-1997
Dates:
1839-1986, undated
Size:
94 Boxes
Collection ID:
NMAH.AC.0300.S16
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 16: Country, Western, and Folk Music contains approximately 11,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards country, western, and folk music in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Morrison, James Beall, ?-1917
Reynolds, Roger
Reynolds, Allene
Medical Sciences, Division of, NMAH, SI.
More …
Dates:
1869-1873
Size:
10 Items
Collection ID:
NMAH.AC.0442
Repository:
Archives Center, National Museum of American History

Ten letters from London dentists to Morrison, a dentist and inventor, discussing his improved dental engine and improved dental chair. Eight letters are from Edwin Sercombe, with one from H. S. Garrett and another from Charles S. Tomes.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
DeVincent, Sam, 1918-1997
Dates:
circa 1828-1980
Size:
79 Boxes
Collection ID:
NMAH.AC.0300.S03
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 3: African-American Music, contains circa 7,800 pieces of sheet music and folios dating from the 1820s to the 1980s; most of the material dates from after 1890. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Dugmore, Edward, 1915-
Dates:
1937-1993
Size:
2 Linear feet
Collection ID:
AAA.dugmedwa
Repository:
Archives of American Art

The papers of painter and instructor Edward Dugmore measure 2.0 linear feet and date from 1937-1993. Found within this small collection are biographical materials, scattered business and financial records, notes, a file concerning the Drake University Summer Session, printed material, and photographs. The bulk of the papers consist of correspondence exchanged with art critic Hubert Crehan and artist colleagues including George Abend, Ernie Briggs, Herman Cherry, Lucien Day, Harvey Harris, Reuben Kadish, Mary Fuller McChesney, and Clyfford Still.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Pearse-Hocker, Anne
Dates:
1970-1973
Size:
54 contact sheets (black and white)
35 mm. (black and white, 8 x 10 in.)
Collection ID:
NMAI.AC.028
Repository:
National Museum of the American Indian

The majority of Pearse-Hocker's momentous negatives give eyewitness account to two weeks of both the mundane and brutal reality of daily life during the 1973 occupation of Wounded Knee on the Pine Ridge Indian Reservation in Pine Ridge, South Dakota. The takeover of the town and the conflict between about 200 members of AIM (American Indian Movement, the Native American civil rights activist organization begun in the 1968) and the United States Marshals Service began on February 27 and lasted for 71 days, resulting in tragedy on both sides of the conflict. Members of AIM along with some local Oglala (Lakota) Sioux from the local reservation took over the town in protest against the United States Government's history of broken treaties with various Native groups, the poverty and maltreatment of Native populations, as well as in defiance against the corruption and paternalism within the local subsidiary of the BIA (Bureau of Indian Affairs). The siege finally came to an end on May 5 when members of AIM and the assistant attorney general for the Civil Division of the US Justice Department Harlington Wood Jr. settled on a ceasefire. Kent Frizzell served as Chief Government Negotiator in the capacity of Assistant Attorney General (Land and Natural Resources Division, U. S. Department of Justice) and later as Solicitor, U. S. Department of the Interior. Among those pictured both during and post-conflict are AIM activists Dennis Banks, Clyde and Vernon Bellecourt, Ted and Russell Means, Frank Clearwater, Wallace Black Elk and Anna Mae Pictou Aquash. A small number of negatives also document AIM's takeover of the BIA building and the AIM Powwow both in Minneapolis in 1970.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Rinehart, F. A. (Frank A.)
Muhr, Adolph F., -1913
Dates:
1898
Size:
0.25 Linear feet
18 Photographic prints
Collection ID:
NMAI.AC.118
Repository:
National Museum of the American Indian

This photograph album contains 18 photographic portraits of American Indian delegates at the U.S. Indian Congress of the Trans-Mississippi and International Exposition in Omaha, Nebraska, 1898. Frank A. Rinehart and Adolph F. Muhr's photographs of the Exposition are considered one of the most comprehensive photo documentations of American Indian leaders at the turn of the century.

Found In
748 records — Page 21 of 75