Query: Oral history -- 1950-1970
Buffie Johnson papers
Creators:
Johnson, Buffie
Dates:
circa 1920-2010
Size:
3.4 Linear feet
Collection ID:
AAA.johnbuff
Repository:
Archives of American Art

The papers of New York-based painter Buffie Johnson measure 3.4 linear feet and date from circa 1920-2010. While the collection is primarily composed of printed materials that document her career and exhibition history, a small amount of biographical material, correspondence, writings, exhibition and project files, and photographic material provide more in depth documentation of her personal and professional life.

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in AAA.johnbuff for Oral history -- 1950-1970
Merrell Gage papers
Creators:
Gage, Merrell, b. 1892
Dates:
1911-1982
Size:
0.7 Linear feet
Collection ID:
AAA.gagemerr
Repository:
Archives of American Art

The papers of sculptor and educator Merrell Gage measure 0.7 linear feet and date from 1911 to 1982. The papers document his career in Kansas and California through biographical material, correspondence, writings, printed material, artwork, and photographs, as well as a scrapbook and a photograph album.

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in AAA.gagemerr for Oral history -- 1950-1970
Disability Reference Collection
Dates:
1853-2015
Size:
40 Cubic feet (89 boxes, 2 map-folders)
Collection ID:
NMAH.AC.1319
Repository:
Archives Center, National Museum of American History

This collection consists of archival materials compiled by National Museum of American History Curator Katherine Ott, on numerous subjects relating to disability and the rights of the disabled.

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in NMAH.AC.1319 for Oral history -- 1950-1970
John Marshall Ju/'hoan Bushman film and video collection
Creators:
McElwee, Ross
Blitz, Daniel
Bishop, John Melville
Baker, Peter
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Dates:
1950-2000
Size:
2 Boxes (map drawers)
3 Video recordings (published videos or video series)
99 Linear feet (714,405 feet (332 hours) 16mm film, 435 hours video tape, 309 hours audio tape, 21 published film and video titles, 29 unpublished film and video titles, 14 linear feet paper records)
Collection ID:
HSFA.1983.11
Repository:
Human Studies Film Archives

The John Marshall Ju/'hoan Bushman Film and Video Collection contains full film and video projects (outtake material), film production elements and edited films and videos, audio tapes, still photographs, negatives, transparencies, slides, published and unpublished writing by John Marshall and others, study guides for edited films, Nyae Nyae Development Foundation and Advocacy files, maps, and production files that include letters, shot logs, translations, transcriptions, editing logs, treatments, and proposals spanning from 1950-2000. This material comprises Marshall's long-term documentary record of the Ju/'hoansi of the Nyae Nyae region of the Kalahari Desert in northeastern Namibia. A great deal of the film and video footage focuses on one particular extended family, that of Toma Tsamko, whose ancestral home is at /Gautcha, an area with a large salt pan and a permanent waterhole. The life stories of some family members are captured in the footage; appearing as children in the 1950's, middle-aged parents in the 1980's, and pensioners in the final years of visual documentation. The Marshall Collection also documents other Ju/'hoansi living in Nyae Nyae and elsewhere, their relationships with neighboring ethnic groups, and national politics that affected Ju/'hoansi. Marshall also documented the local political body (the Nyae Nyae Farmers' Cooperative, or NNFC), the foundation he started (the Nyae Nyae Development Foundation of Namibia, or NNDFN), and the ways in which both groups worked with and were affected by international development organizations and foreign aid during the 1990's.

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in HSFA.1983.11 for Oral history -- 1950-1970
The Zorach Family papers
Creators:
Zorach Family
Dates:
1900-1987
Size:
4.4 Linear feet
Collection ID:
AAA.zorazora
Repository:
Archives of American Art

The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.

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in AAA.zorazora for Oral history -- 1950-1970
Howard Head Papers
Creators:
Head, Howard, 1914-1991 (inventor, business executive)
Dates:
1926-1991
bulk 1955-1991
Size:
11 Cubic feet (25 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0589
Repository:
Archives Center, National Museum of American History

The Head Papers, 1926-1991, consist of correspondence, calendars, notes, company records (Head Ski Company and Prince Manufacturing Inc.), drawings, sketches, advertisements, product information, photographs, and slides documenting the development and design of both the Head ski and Prince oversized tennis racket. The collection is arranged into eight series:

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in NMAH.AC.0589 for Oral history -- 1950-1970
Hugo Gellert papers
Creators:
Gellert, Hugo, 1892-1985
Dates:
1916-1986
Size:
6.9 Linear feet
Collection ID:
AAA.gellhugo
Repository:
Archives of American Art

The papers of graphic artist, muralist, and activist Hugo Gellert measure 6.9 linear feet and date from 1916 to 1986. They document his career as an artist and organizer for the radical political left through an interview, legal papers, financial records, family papers, artifacts, correspondence, writings, organizational records, extensive printed materials (many of them illustrated by Gellert), photographs, and artwork.

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in AAA.gellhugo for Oral history -- 1950-1970
Ilene Segalove papers
Creators:
Segalove, Ilene, 1950-
Dates:
1960-2021
Size:
7.1 Linear feet
6.06 Gigabytes
Collection ID:
AAA.segailen
Repository:
Archives of American Art

The papers of feminist, conceptual, video, and performance artist Ilene Segalove measure 7.1 linear feet and 6.06 gigabytes and date from 1964 to 2021. The collection contains a small amount of biographical material including resumes, certificates, and address lists; correspondence with family and friends; writings; and teaching files from the University of California, Santa Barbara. The bulk of the collection consists of project and exhibition files for both solo works and works in collaboration with Lowell Darling, and printed material. Also included are photographic materials such as snapshots of exhibition openings and slides of artwork; and artwork, primarily artist notebooks and video art. There is a 2.7 linear foot unprocessed addition to this collection donated in 2021 that include materials from Segalove's childhood, photographs of family events, and materials related to recent projects including sound recordings on cassette. Materials date from 1960-2021.

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in AAA.segailen for Oral history -- 1950-1970
Alexander Wetmore Papers
Creators:
Wetmore, Alexander, 1886-1978
Dates:
circa 1848-1983 and undated
Size:
116.34 cu. ft. (206 document boxes) (10 half document boxes) (1 12x17 box) (2 16x20 boxes) (29 3x5 boxes) (13 5x8 boxes) (oversize materials)
Collection ID:
Record Unit 7006
Repository:
Smithsonian Institution Archives

The papers of Alexander Wetmore were received in the Smithsonian Archives in several different accessions between 1978 and 1987. The Archives would like to thank Mrs. Beatrice T. Wetmore for her help in transferring her husband's papers to the Archives. We also appreciate the assistance of the staff of the Division of …

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in Record Unit 7006 for Oral history -- 1950-1970
S. Lane Faison papers
Creators:
Faison, S. Lane (Samson Lane), 1907-2006
Dates:
1922-1981
bulk 1950-1976
Size:
5.1 Linear feet
Collection ID:
AAA.faislane
Repository:
Archives of American Art

The papers of art historian and Monuments Man S. Lane Faison measure 5.1 linear feet and date from 1922 to 1981, bulk from 1950-1976. Faison was an art history professor at Williams College, Massachusetts and, during World War II, he was a member of the Art Looting Intelligence Unit (ALIU) of the U.S. Office of Strategic Services. The collection includes scattered correspondence; writings; teaching files; subject files on exhibitions and projects; artists files; and printed materials. There are two folders of documents and photographs related to Faison's World War II work in the U.S. Art Looting Intelligence Unit.

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in AAA.faislane for Oral history -- 1950-1970
514 records — Page 21 of 52