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Creators:
Renwick Gallery
Dates:
1957, 1961-1989, 1997-2003
Size:
25 cu. ft. (25 record storage boxes)
Collection ID:
Accession 10-128
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with m...

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Creators:
Corbino Galleries
Dates:
1979-2009
Size:
5.3 Linear feet
Collection ID:
AAA.corbgall
Repository:
Archives of American Art

The records of the Corbino Galleries, a Florida gallery representing American, Latin American, and other emerging artists, measure 5.3 linear feet and date from 1979-2007. The collection documents the gallery's activities through administrative files and business records, artist files, and printed materials.

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Creators:
Paeff, Bashka, 1894-1979
Dates:
1920-1981
Size:
1.5 Linear feet
Collection ID:
AAA.paefbash
Repository:
Archives of American Art

The papers of sculptor Bashka Paeff measure 1.5 linear feet and date from 1920 to 1981. The small collection documents her work as an artist in Boston, Massachusettes, through biographical material, two diaries, printed material, and photographs of Bashka Paeff and her artwork. Also found are an autograph book containing signatures and notes from MacDowell Colony members, one clippings scrapbook, and four photograph albums, including one from a trip to Europe in the 1920s.

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Creators:
Blum, Jerome, 1884-1956
Dates:
1915-circa 1969
bulk 1919-1935
Size:
3 Linear feet
Collection ID:
AAA.blumjero
Repository:
Archives of American Art

The papers of Jerome Blum measure 3.0 linear feet and date from 1915 to circa 1969, with the bulk of the material dating from 1919 to 1935. Biographical material, correspondence, writings and notes, printed material, artwork, and photographs document the painter's personal and professional life, and extensive travels.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1831-1984, undated
Size:
40 Boxes
Collection ID:
NMAH.AC.0300.S12
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 12: Plants and Animals contains approximately 4,000 pieces of sheet music and other materials documenting the development of and popular attitudes towards plants and animals in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1750-1988
Size:
10.02 Cubic feet (consisting of 14.5 boxes, 10 oversize folders, 4 map case folders, 6 flat boxes (2 full, 4 partial).)
Collection ID:
NMAH.AC.0060.S01.01.Art
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Art forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Silberglied, Robert E., 1946-1982
Dates:
1960-1982, with related materials to 1984
Size:
b 20 cu. ft. (20 record storage boxes)
Collection ID:
Record Unit 7316
Repository:
Smithsonian Institution Archives

The papers of Robert E. Silberglied provide comprehensive documentation of his professional career. They include materials relating to his initial interest in entomology; his academic training; his teaching career at Harvard University; his duties as a staff member of the Smithsonian Tropical Research Institute (STRI); his efforts as a conserv...

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Creators:
Burlin, Paul, 1886-1969
Dates:
1884-1974, bulk 1910s-1968
Size:
5.1 Linear feet
Collection ID:
AAA.burlpaul
Repository:
Archives of American Art

The papers of painter Paul Burlin measure 5.1 linear feet and date from 1884-1974, with the bulk of the records dating from the 1910s-1968. The records document Burlin's career through biographical material including sound recordings of interviews, general correspondence, writing files, personal business records, printed material, photographs, and some artwork.

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Creators:
Gross, Chaim, 1904-1991
Dates:
1920-2004
Size:
21.1 Linear feet
Collection ID:
AAA.groschai
Repository:
Archives of American Art

The papers of New York City sculptor and teacher Chaim Gross measure 21.1 linear feet and date from 1920-2004. The collection provides comprehensive documentation of Gross's career through biographical material, personal and professional correspondence with family, artists, writers, galleries, museums, educational institutions, and religious and philanthropic organizations, writings, personal business records, extensive printed and published material including motion picture film and video recordings of four documentaries, one hundred and fifteen sketchbooks spanning the bulk of Gross's career, and photographs of Gross, his family, many friends and colleagues from the art world, his studio, personal art collection, and works of art. An unprocessed addition of three sketchbooks was donated in 2020.

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Creators:
Hemphill, Herbert Waide
Dates:
1776-1998
bulk 1876-1998
Size:
26.7 Linear feet
Collection ID:
AAA.hempherb
Repository:
Archives of American Art

The papers of folk art collector and museum curator Herbert Waide Hemphill date from 1776-1998, bulk 1876-1998, and measure 26.7 linear feet. Found within the papers are biographical materials, personal business records, files documenting his collecting, writings, art work, minutes of meetings, a scrapbook, printed material including exhibition and auction announcements and catalogs, and miscellaneous artifacts. The collection also contains numerous photographs of Hemphill, family members, his residences, friends and colleagues, exhibitions, travel, and art work. Sound and video recordings include interviews of Hemphill.

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