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Creators:
Landon, Edward, 1911-1984
Brown, Robert F.
Dates:
1975 Apr. 17-May 28
Size:
39 Pages (Transcript)
Collection ID:
AAA.landon75
Repository:
Archives of American Art

An interview of Edward Landon conducted 1975 Apr. 17-May 28, by Robert Brown, for the Archives of American Art.

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Creators:
Kirkpatrick, Joey
Herman, Lloyd E.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2005 August 17-18
Size:
2 Items (Sound recording: 2 sound files (2 hr., 2 min.), digital, wav, 2 5/8 in.)
51 Pages (Transcript)
Collection ID:
AAA.kirkpa05
Repository:
Archives of American Art

An interview of Joey Kirkpatrick conducted 2005 August 17-18, by Lloyd E. Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, which she shares with Flora Mace, in Seattle, Washington.

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Creators:
Frank-Rush, La Vern, 1918-2011
Dates:
1936-2007
bulk 1936-1942
Size:
0.2 Linear feet
0.277 Gigabytes
Collection ID:
AAA.franla
Repository:
Archives of American Art

The La Vern Frank-Rush papers regarding the WPA Art Center in Sioux City, Iowa, measure 0.2 linear feet and 0.277 GB and date from 1936 to 2007 with the bulk dated 1936 to 1942. Two scrapbooks compiled by Frank-Rush between 1936 and 1942 contain introductory and concluding statements added by her in 2006. A memoir, circa 2007, documents activities, achievements, staff, and participants of the WPA Art Center in Sioux City, Iowa. Also included are digital images of the scrapbooks and memoir, along with seven images of Frank-Rush's artwork.

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Creators:
Harrow, Gustave
Dates:
1957-1986
Size:
34.6 Linear feet
Collection ID:
AAA.harrgust2
Repository:
Archives of American Art

The Gustave Harrow legal records relating to the Estate of Mark Rothko measure 34.6 linear feet and date from 1957-1986. The records document the case brought by the New York State Attorney General's Office as cross-petitioner to the case brought by Rothko's daughter Kate, against the executors of Rothko's estate, Frank Lloyd and the Marlborough Gallery, for mismanagement and self-dealing. There are also records related to Harrow's writings about the case. Lastly, included in the collection are materials relating to art law issues in connection with the Metropolitan Museum of Art.

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Creators:
Davis, Lenore , 1936-1995
Helwig, Harold B., 1938-2012
Dates:
1940-2013
Size:
14.5 Linear feet
7.85 Gigabytes
Collection ID:
AAA.helwharo
Repository:
Archives of American Art

The papers of artists and art educators Harold Helwig and Lenore Davis measue 14.5 linear feet and 7.85 GB and date from 1940 to 2013. The papers document Davis' career and personal life more heavily than Helwig's, however, material related to both individuals are present. Included is biographical information; correspondence; exhibition and business files; research and printed material; artwork and sketches; photographs; and papers and digital material related to both Helwig and Davis' teaching endeavors.

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Creators:
Winter, Charles Allan, 1869-1942
Winter, Alice Beach, 1877-ca. 1970
Dates:
circa 1890-1949
circa 1974
Size:
6.7 Linear feet
Collection ID:
AAA.wintchar
Repository:
Archives of American Art

The papers of New York City and Gloucester, Massachusetts painters Charles Allan Winter (1869-1942) and Alice Beach Winter (1877-1970) measure 6.7 linear feet and date from circa 1890-1949, and circa 1974. The papers include biographical material, news clippings, a scrapbook of illustrations by Charles Allan Winter published in Cosmopolitan magazine, original artwork, and photographic prints, acetate negatives, and 699 glass plate negatives of the Winters, their artist friends, family, and artwork.

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Creators:
Larsen, Susan C.
Dates:
1973-1978
Size:
0.4 Linear feet
Collection ID:
AAA.larssusa
Repository:
Archives of American Art

The oral history interviews conducted by Susan C. Larsen measure 0.4 linear feet and date from 1973 to 1978. The majority of the interviews were conducted by Susan Larsen in preparation for her dissertation, "The American Abstract Artists Group: A History and Evaluation of Its Impact Upon American Art, 1936-1974" at Northwestern University in 1975. Interviews on this topic include Rosalind Bengelsdorf Browne, Ilya Bolotowsky, George McNeil, Ruth Vollmer, Balcomb Greene, and Vaclav Vytlacil. Also included are an interview with Charles Carpenter, executor of the Charles Greene Shaw estate; an interview conducted by Sandra Kraskin, at the request of Larsen, with Willem and Elaine de Kooning regarding the Albert Eugene Gallatin Collection and its impact upon artists in the 1930s and 1940s; and an interview with Richard Diebenkorn. These interviews were not used in Larsen's dissertation.

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Creators:
Lynes, Russell, 1910-1991
Dates:
1930-1986
Size:
2.9 Linear feet
Collection ID:
AAA.lyneruss
Repository:
Archives of American Art

The papers of author, art critic, and art historian Russell Lynes, measure 2.9 linear feet and date from 1930-1986. The bulk of the material is related to Lynes's research for his 1973 book, The Good Old Modern: An Intimate Portrait of the Museum of Modern Art. Also included are some personal papers and photographs.

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Creators:
Lovejoy, Rupert Scott, 1885-1975
Dates:
1904-1979
Size:
0.58 Linear feet
Collection ID:
AAA.loverupe
Repository:
Archives of American Art

The papers of Portland, Maine, dentist and painter Rupert Scott Lovejoy, measure 0.58 linear feet and date from 1904-1979. The collection includes biographical material, letters and sketches from painter Walter Griffin, research material on Griffin collected by Lovejoy, printed material including exhibition catalogs for Lovejoy's exhibitions, two portrait reliefs of Walter Griffin and Edward Souther Griffin, and photographs and nine glass plate negatives of Walter Griffin and his home in Stroudwater, Maine.

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Creators:
MacDonald, Kevin John, 1946-2006
Dates:
1958-2006
Size:
8 Linear feet
Collection ID:
AAA.macdkevi
Repository:
Archives of American Art

The papers of Washington, D.C. painter and printmaker Kevin MacDonald measure 8 linear feet, and date from 1958-2006. The collection contains correspondence with friends and colleagues; journals, notebooks, and other writings; printed material; artwork by MacDonald and others; 29 sketchbooks; sound and video recordings; and home movies. Of note are several files regarding his work with the Washington Project for the Arts.

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