The papers of Hale Woodruff measure 0.6 linear feet and date from 1920 to 1977 with the bulk of the collection dating from the 1960s to the 1970s. The papers contain biographical material, professional files, writings, printed material, photographs, and photocopies of a scrapbook, and of artwork.

The Mollie Garfield papers measures 0.2 linear feet and date from 1874 to 1883 and consist primarily of an album of 26 signed pencil sketches, ink drawings, and watercolors of various subjects by American painters and illustrators, including James Carter Beard, Harry Fenn, William Henry Holmes, Joseph Pennell, and others. Also found are a few items of correspondence and notes regarding the album and the artists, and a few scattered miscellaneous documents from the 1870s.

The papers of painter and educator Edwin Ambrose Webster measure 2.2 linear feet and date from 1821 to 1968. Found within the papers are biographical material; business and personal correspondence; writings; teaching and research files, including information on Webster's participation in the 1913 Armory show; printed material; artwork; and photographic materials of Webster, his family and friends, and his work.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Publishing forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

The Charles D. Walcott Collection Papers (Record Unit 7004) were given to the Smithsonian by his wife, Mary Vaux Walcott, with certain more recent additions. The Archives would like to thank Dr. Ellis L. Yochelson, United States Geological Survey, and Frederick J. Collier, Department of Paleobiology, National Museum of Natural History, for th...

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

The collection is comprised of digital surrogates previously available on the 44 rolls of microfilm described in the NARA publication M869. These digital surrogates reproduced the records of the Assistant Commissioner for the state of South Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–70. A few of the records are dated as early as 1863. The records consist of 38 volumes and approximately 30 cubic feet of unbound records. The volumes include letters and endorsements sent, registers of letters received, and orders issued. The unbound records consist mainly of reports, letters received, and applications for restoration of property. The documents were primarily created or received by the Assistant Commissioner and his assistant adjutants. A few of the documents were created or received by Capt. Alexander P. Ketchum, one of Commissioner Oliver Otis Howard's staff officers, who was sent to South Carolina to mediate a dispute over restoration of abandoned land on the sea islands of South Carolina and Georgia.

The largest number of items in the collection are publicity portrait photoprints, autographed by the subjects and presented to Albert Moglie; obviously they were professional musicians for whom Moglie did repair and restoration work. Most of the musicians are violinists, such as Fritz Kreisler and Rubinoff, although cellists, including Pablo Casal...

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

The records of the Charles Scribner's Sons Art Reference Department measure 7.0 linear feet and date from 1839 to 1962. The records of the department include original art works, photographs, scattered letters, and miscellaneous printed material reflecting the portraiture and other illustration work completed in support of the wide range of materials and topics published by Charles Scribner's Sons over the company's long publishing history.