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Creators:
Colp, Norman
Dates:
circa 1973-2005
Size:
4 Linear feet
0.031 Gigabytes
Collection ID:
AAA.colpnorm
Repository:
Archives of American Art

The papers of conceptual artist and curator Norman B. Colp measure 4 linear feet and 0.031 GB and date between circa 1973 and 2005. The papers shed light on Colp's career through biographical material, project files, personal business records, printed and digital material, and sound and video recordings.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1794-1965
Size:
11.33 Cubic feet (consisting of 21 boxes, 4 folder, 29 oversize folders, 3 map case folders, 2 flat boxes (1 full, 1 partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Insurance
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Insurance forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Dates:
circa 1854-1959
Size:
18.5 cu. ft. (37 document boxes)
Collection ID:
Record Unit 105
Repository:
Smithsonian Institution Archives

This collection consists of correspondence of the Division of Birds, most of which was conducted by the three curators listed above. There is a lesser amount of correspondence of Associate Curators. Also included is material concerning the history of the Division and distribution and destruction of specimens.

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Creators:
Hanson, James A.
Conner, Stuart W.
Dempsey, Hugh A.
Ewers, John C. (John Canfield), 1909-1997
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Dates:
1945-1993
Size:
97 Linear feet
Collection ID:
NAA.1998-35
Repository:
National Anthropological Archives

The John Canfield Ewers Papers document his wide ranging anthropological interests from early White depictions of Native Americans to the material culture of the Plains tribes through correspondence, exhibit catalogs, field notes, illustrations, lectures, maps, photocopies of archival materials, photographs, and writings. The collection includes ma...

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Creators:
National Museum of Natural History. Pacific Ocean Biological Survey Program
Dates:
circa 1961-1973, with data from 1923
Size:
122.58 cu. ft. (234 document boxes) (1 half document box) (1 16x20 box) (5 3x5 boxes) (4 5x8 boxes) (14 oversize folders) (20 microfilm reels)
Collection ID:
Record Unit 245
Repository:
Smithsonian Institution Archives

These records document the administration, field work, and research activities of the Pacific Ocean Biological Survey Program, especially its bird banding, island survey, and pelagic survey programs. Included are reports, correspondence, field records, office records, contracts, data, notes, manuscripts, maps, and photographs. The records also...

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Creators:
Duffy, Harry A.
Duffy, Duane A.
Duffy, Glenn E.
Dates:
1560-2005, undated
Size:
3 Cubic feet (9 boxes)
Collection ID:
NMAH.AC.1162
Repository:
Archives Center, National Museum of American History

Collection documents Harry A. Duffy, an appraiser and dealer in rare stringed instruments. Before opening his own shop he was taught by, and an employee of, Rembert Wurlitzer, well-known appraiser and dealer in rare stringed instruments.

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Creators:
Koppelman, Chaim, 1920-2009
Dates:
circa 1930s-2006
bulk 1942-2005
Size:
4 Linear feet
Collection ID:
AAA.koppchai
Repository:
Archives of American Art

The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

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Creators:
Smithsonian Institution. Archives
Dates:
circa 1977-1993
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 96-063
Repository:
Smithsonian Institution Archives

This accession consists of administrative subject files created and maintained by William W. Moss, former Director of the Smithsonian Institution Archives (SIA), 1983-1993. Materials include reports, memoranda, budget material, position descriptions for archivists and archives technicians, annual reports, conservation and preservation informat...

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Dates:
1958-1997
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 99-169
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Clayton Edward Ray, Curator in the National Museum of Natural History Division of Vertebrate Paleontology. Materials include correspondence and administrative records regarding the Douglas Ralph Emlong Collection, exhibition records, and administrative records regarding the Remington...

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Creators:
Solomon, Alan R., 1920-1970
Dates:
1907-1970
bulk 1944-1970
Size:
9.9 Linear feet
Collection ID:
AAA.soloalan
Repository:
Archives of American Art

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

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