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Creators:
National Museum of African Art. Curatorial
Dates:
1981-2011
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 12-375
Repository:
Smithsonian Institution Archives

This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic ...

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Creators:
Brooklyn Museum
Dates:
1965-1968
Size:
7 Linear feet
Collection ID:
AAA.broomuse
Repository:
Archives of American Art

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.

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Creators:
Revista Aérea Latinoamericana
Dates:
1937-2003
Size:
61.8 Cubic Feet
158 boxes
Collection ID:
NASM.2003.0028
Repository:
National Air and Space Museum Archives

The subject reference files of Revista Aérea Latinoamericana regarding aviation in Latin America during 1937-2003.

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Creators:
Pelton, Agnes, 1881-1961
Dates:
1885-1989
Size:
1.8 Linear feet
Collection ID:
AAA.peltagne
Repository:
Archives of American Art

The papers of painter Agnes Pelton measure 1.8 linear feet and date from 1885-1989. Found within the papers are biographical materials; business and personal correspondence, many addressed to Jane Levington Comfort; writings; printed material; 3 mixed media scrapbooks; artwork, including loose sketches and 9 sketchbooks; and photographs of Pelton, her family and friends, and her work.

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Creators:
Sotomayor, Antonio, 1904-
Dates:
circa 1920-1988
Size:
1.6 Linear feet
Collection ID:
AAA.sotoanto
Repository:
Archives of American Art

The collection documents the career of painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community. Materials found in the collection include letters, writings, sketches and sketchbooks, printed material and photographs.

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Creators:
Smithsonian Astrophysical Observatory
Dates:
1923-1954
Size:
2.9 linear meters.
Collection ID:
Record Unit 85
Repository:
Smithsonian Institution Archives

Record Unit 85, records of the Smithsonian Astrophysical Observatory, covers the years 1923-1965. Most records end by 1954, with the exception of Quarterly Progress Reports, which extend through the year 1965. Most of the documentation is of the field stations: Table Mountain, California; Montezuma, Chile; Mount St. Katherine, Egypt; and ...

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Creators:
Buhl (Buhl-Verville Aircraft Co, Buhl Aircraft Co)
Verville, Alfred V.
Verville Aircraft Company
Dates:
1886-1969
Size:
53.375 Linear feet (102 containers: 89 legal size document boxes, 2 shoeboxes, 10 flatboxes, 1 large format folder)
5 Film reels (1 35mm, two 16mm, and 2 8mm films)
50.008 Cubic feet
Collection ID:
NASM.XXXX.0173
Repository:
National Air and Space Museum Archives

This collection contains Verville's personal papers. The material relates mainly to his various aeronautical concerns as well as his involvement with military aviation. The collection includes a large number of photos tracing the development of Curtiss aircraft and Naval Aviation, and especially documenting the design, construction, and flights of a replica of the Navy's first aircraft, the Curtiss A-1 'Triad', built under Verville's direction by the Bureau of Aeronautics to commemorate the Fiftieth Anniversary of Naval Aviation in 1961. Also included are a large number of blueprints and photos of Verville-designed aircraft, especially those developed by the Verville Aircraft Co. in 1928 - 1931

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Creators:
Bohm, Max, 1868-1923
Dates:
1873-1970
bulk 1880-1959
Size:
5.6 Linear feet
Collection ID:
AAA.bohmmax
Repository:
Archives of American Art

The papers of painter Max Bohm measure 5.6 linear feet and date from 1873-1970, with the bulk of the material dating from 1880-1959. Biographical material includes a file concerning the Provincetown artist's club The Beachcombers. Also found is detailed family correspondence, as well as general correspondence that includes exchanges with patron Mary Beecher Longyear and dealer William Macbeth. The papers contain scattered business records; five diaries written by Bohm's wife Zella; other notes and writings; art work including fifteen sketchbooks, loose drawings, and oil paintings; printed material; and photographs of Bohm, his family, and colleagues including artists attending a Salmagundi dinner. There is also a motion picture film Six Foot Art, in Which Max Bohm, Member of the National Academy Tells How He Does It.

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Creators:
Kuhn, Walt, 1877-1949
Dates:
1859-1984
bulk 1900-1949
Size:
31 Linear feet
Collection ID:
AAA.kuhnwalt
Repository:
Archives of American Art

The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.

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Creators:
Shinn, Everett, 1876-1953
Dates:
1877-1958
Size:
3.1 Linear feet
Collection ID:
AAA.shinever
Repository:
Archives of American Art

The collected papers of Everett Shinn measure 3.1 linear feet and date from 1877 to 1958. Found within the papers are biographical material; correspondence with friends and colleagues; personal business records; art work, including two sketchbooks of designs for Belasco's Stuyvesant Theatre; notes and writings; eight scrapbooks; printed material; and numerous photographs of Shinn, his colleagues, and his work.

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