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Creators:
Stewart, T. D. (Thomas Dale), 1901-1997
Dates:
1875-1991, bulk 1931-1991
bulk 1927-1991
Size:
65 Linear feet
Collection ID:
NAA.1988-33
Repository:
National Anthropological Archives

Thomas Dale Stewart was a physical and forensic anthropologist and worked at the Smithsonian National Museum of Natural History from 1931 until his death in 1997. He worked under Ales Hrdlicka until 1943, became the head curator in 1960, director of the museum in 1962, and retired in 1971. Stewart's research interests included physical and forensic anthropology and archaeology, mostly in North and South America. He also worked with the F.B.I. frequently to aid in homicide investigations, and worked extensively with the U.S. Army to identify skeletal remains from the Korean War in Operation Glory. The Thomas Dale Stewart Papers primarily deal with his life and career at the Smithsonian, particularly his research projects and publications between 1931 and 1991. Materials consist mainly of correspondence, photographic material, dossiers based on writings and research projects, and administrative files.

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Creators:
National Museum of Natural History. Division of Mammals
Dates:
1860-1973 and undated
Size:
8.5 cu. ft. (17 document boxes)
Collection ID:
Record Unit 7320
Repository:
Smithsonian Institution Archives

This collection contains a variety of materials documenting the lives and careers of scientists from a wide range of fields, including mammalogy, ornithology, ichthyology, herpetology, botany, entomology, paleontology and geology. Also included are files on conservationists, taxidermists, historical figures, explorers, frontiersmen, and hunter...

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Creators:
Herskovits, Melville J. (Melville Jean), 1895-1963
Dates:
1928-1934
Size:
736 Negatives (photographic) (+contact prints (5 v.), black & white, 3 x 4 in.)
736 Photographic prints ((6 v.), black & white, 3 x 4 in.)
Collection ID:
EEPA.1986-029
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Melville J. Herskovits during his trips with his wife, Frances Shapiro Herskovits, to Surinam (1928-29); Dahomey, now Republic of Benin (1931); Haiti (1934); and Brazil (1941-42). From 1928 to 1943 Melville Herskovits and his wife, Frances Herskovits (nee Shapiro) traveled together throughout West Africa and the Americas to collect evidence of the legacy of African culture. The contributions of Frances Herskovits to her husband's research were fully recognized in an exhibition held by the Mary and Leigh Block Museum of Art at Northwestern University, from April 2-August 9, 1998. Entitled, "Living Tradition in Africa & the America: The Legacy of Melville J. and Frances S. Herskovits," the brochure noted, "On each trip, Frances was a full partner in the research...Until Melville's death in 1963, they worked together on the analysis of their data and the writing of books and articles; and after he died, she edited a collection of his papers."

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Creators:
Smithsonian Institution. Office of the Secretary
Dates:
1953-2009
Size:
10.43 cu. ft. (10 record storage boxes) (1 12x17 box)
Collection ID:
Accession 10-126
Repository:
Smithsonian Institution Archives

This accession consists of records that document the administrative activities of Sidney Dillon Ripley, Robert McCormick Adams, Ira Michael Heyman, Lawrence M. Small, and G. Wayne Clough as Secretary of the Smithsonian Institution, and Cristián Samper as Acting Secretary. The records document issues with regard to museums and buildings; s...

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Creators:
LaDuke, Betty
Dates:
circa 1981-2018
Size:
2 Electronic discs (DVD)
4 Boxes (Printed Material (non-photographic))
11 Posters ((Oversize))
24 Prints (visual works)
2488 Negatives (photographic) (color , 35 mm)
3,194 Photographs (color , 20 x 24 inches or smaller)
Collection ID:
EEPA.2007-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from circa 1981 to 2018 and consists of photographic prints, negatives, posters, art prints, DVDs and printed and manuscript materials. Photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.

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Creators:
Marcus, Marcia, 1928-
Dates:
1928-2016
bulk 1950-2000
Size:
0.389 Gigabytes
8.42 Linear feet
Collection ID:
AAA.marcmarc
Repository:
Archives of American Art

The papers of New York painter and educator Marcia Marcus measure 8.42 linear feet and .389 gigabytes (1 computer file), and date from 1928-2016, with the bulk of the materials dating from 1950-2000. The papers include biographical material, correspondence, interviews, writings (including two diaries), project files, personal business records, printed material, photographic material, eight sketchbooks, and artwork. Extensive personal and professional correspondence is with her husband and close friends, galleries, museums, and other arts organizations. Notable correspondents include Sally Avery, Dody Müller, and Robert (Bob) Richenburg, and, to a lesser extent, Dorothy Gill Barnes, Elaine Benson, Elaine de Kooning, Grace Hartigan, and Myron Stout. Photographic material includes photographs of Marcus at all stages of her life and photographs and slides documenting her paintings.

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Creators:
Herbert, David, 1920-1995
Dates:
circa 1909-1996
bulk 1945-1995
Size:
5.8 Linear feet
Collection ID:
AAA.herbdavi
Repository:
Archives of American Art

The papers of New York gallery owner and art dealer David Herbert measure 5.8 linear feet and date from circa 1909-1996, with the bulk of the material dating from 1945-1995. Herbert's papers document his years working for Betty Parsons Gallery, Sidney Janis Gallery, Graham Gallery, and others; the operation of the David Herbert Gallery from 1959-1962; Herbert's partnerships and agreements with Richard Feigen and others; and his activities as an independent dealer. Records include biographical material, correspondence, notebooks, subject files, artist files, exhibition files, business records, printed material, and photographs.

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Creators:
De Forest, Roy, 1930-2007
Dates:
1916-2015
bulk 1948-2007
Size:
11.2 Linear feet
111.86 Gigabytes
Collection ID:
AAA.deforoy
Repository:
Archives of American Art

The papers of artist Roy De Forest measure 11.2 linear feet and 111.86 gigabytes and date from 1916 to 2015, with the bulk of the collection dating from 1948 to 2007. The collection documents De Forest's painting career and involvement in the funk art movement through biographical material, correspondence, writings, professional records, printed material, photographic material, artwork, digital audio and video recordings, and artifacts.

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Creators:
National Museum of Natural History. Division of Echinoderms and Lower Invertebrates
Dates:
1920-1953
Size:
1 cu. ft. (2 document boxes)
Collection ID:
Record Unit 209
Repository:
Smithsonian Institution Archives

This collection consists of annual and quarterly reports of the Division together with some official correspondence.

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Creators:
Susan Conway Gallery (Washington, D.C.)
Dates:
circa 1928, 1940s-2003
bulk 1987-2003
Size:
23.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.susacong
Repository:
Archives of American Art

The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.

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