Marcel Breuer papers
The Marcel Breuer papers, 1920-1986, contain biographical material, correspondence, business and financial records, interviews, notes, writings, sketches, project files, exhibition files, photographs, and printed material that document the career of architect and designer Marcel Breuer.
This accession consists of the curatorial records of Carl H. Scheele during his tenure as Associate Curator in Charge and Curator in the Division of Postal History, 1964-1977; Curator in the Division of Community Life, 1978-1987; and as Curator Emeritus, 1987-1989. Materials primarily include correspondence, memoranda, and notes documenting professional activities, collections development …
Hundred Acres gallery records
The records of New York City gallery Hundred Acres measure 3.2 linear feet and date from 1969 to 1977. The collection contains files documenting the activities of artists such as John Baeder, Nancy Blanchard, Frederick John Eversley, John Fekner, Richard Haas, Eleanor Hubbard, Stevan Jennis, Noel Mahaffey, Ed Paschke, Liliana Porter, and Mark Wilson. Also included are gallery files consisting of administrative records, sales and inventory records, correspondence, exhibition files, and a file regarding the Radical Realism I print portfolio.
This record unit consists of audiotape recordings of Smithsonian Institution (SI) special events including concerts, exhibitions, lectures, interviews, symposia, and openings. Of special interest are recordings of the 1876 exhibition opening, 1976; Festival of American Folklife events; Smithsonian National Associates Program events; and a few copies of The World is Yours broadcasts …
Scurlock Studio Records, Series 5: Color Negatives
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 primarily consists of color negatives, but occasionally includes order forms, envelopes, and other photographic materials associated with the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
This accession consists of correspondence of the Patuxent Wildlife Research Center, Biological Survey Unit of the United States Geological Survey (formerly the Bird Section of the United States Fish and Wildlife Service, Bird and Mammal Laboratories). Correspondence concerns specimens, donations, loans, research, papers, conferences, field work, and public inquiries. Materials …
These records consist of biographical files collected by the Office of Public Affairs primarily for the use and convenience of that office. Like many biographical files, the records were added to as bits of information were collected, from the newspaper, from press releases, from The Torch, or from SI announcements …
These records consist of publications produced by SITES, often in conjunction with the Smithsonian Institution Press, including brochures, posters, guides, and catalogs documenting traveling exhibitions. The set is probably not complete. Information for each publication appears in the following order: publication title, author, date, and type.
LeRoy Neiman papers
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
This record unit documents the activities of the Office of the Registrar staff and consists of temporary loan files; temporary exhibition files, including shipping, insurance information, and loan agreements; general correspondence files; administrative files; and the files of the Smithsonian Art Commission, 1963-1975.