Query: Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
American Petroleum Institute Photograph and Film Collection
Creators:
American Petroleum Institute.
Dates:
1860s-1980s
bulk 1955-1990
Size:
45 Cubic feet (122 boxes)
Collection ID:
NMAH.AC.0711
Repository:
Archives Center, National Museum of American History

Collection includes historic photographs, slides and films on subjects relating to all aspects of the petroleum industry, including exploration, drilling, refineries, tankers, pipelines, automobiles, trucks, aviation, refueling, buildings, coal, gasification, plants, mining, surface mining, fields, land reclamation, coastal zone management, corporate public service, educational programs, crude oil, deepwater ports, and watercraft It also documents numerous products other than gasoline produced by the petroleum industry, such as propane, lubricants, heating oil, and plastics.

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in NMAH.AC.0711 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
More …
Dates:
undated
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S04.01 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Production Records
Dates:
1979-1991
Size:
24 cu. ft. (24 record storage boxes)
Collection ID:
Accession 03-022
Repository:
Smithsonian Institution Archives

This accession includes records documenting the production Smithsonian World, an educational television series that explored people, ideas, and events shaping world culture and blending art, science, history, and the humanities to create a harmony among disciplines. The production was narrated by historian David G. McCullough and co-produced by WETA-TV for …

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in Accession 03-022 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Photographs of Native Americans and Other Subjects
Creators:
Smithsonian Institution. Bureau of American Ethnology
National Museum of Natural History (U.S.). Department of Anthropology
Dates:
1840s-1960s
Size:
18,000 Items (ca. 18,000 items)
Collection ID:
NAA.PhotoLot.24
Repository:
National Anthropological Archives

The collections consists mostly of original and copy prints. There are also some negatives, artwork, photographs of artwork, and printed materials. Included is a large miscellany of ethnological, historical, and some archaeological subjects collected by the Bureau of American Ethnology from a wide variety of sources. To these have been …

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in NAA.PhotoLot.24 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Charlene Hodges Byrd collection
Creators:
Byrd, Charlene Hodges, 1929-2009
Dates:
circa 1750-2009
bulk 1880-1960
Size:
43 Linear feet (35 document boxes and 39 oversize boxes)
Collection ID:
NMAAHC.A2010.26
Repository:
National Museum of African American History and Culture

The Charlene Hodges Byrd collection measures 43 linear feet, and dates from circa 1750-2009, with the bulk of the material dating from 1880-1960. The collection documents the personal life and professional career of Charlene Hodges Byrd, an African American teacher from Washington, D.C., along with material for several related families from Pennsylvania, Maryland, and Washington, D.C. Family members prominently represented include Sarah A. Shimm, teacher and essayist under the name Faith Lichen; her daughters Erminie F. Shimm and Grace E. Shimm Cummings, both teachers; and Byrd's mother, Joyce Ethel Cummings Hodges, also a teacher. Correspondence and writings chiefly discuss family life, religion, race, education, and the relationship with Frederick Douglass and his family. The collection is arranged in 10 series: Biographical Material, Correspondence, Writings, Subject Files, Financial and Legal Records, Printed Material, Volumes, Memorabilia, Textiles, and Photographs.

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in NMAAHC.A2010.26 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Records
Creators:
Smithsonian Resident Associate Program. Office of Public Affairs
Dates:
1974-1991
Size:
27 cu. ft. (27 record storage boxes)
Collection ID:
Record Unit 632
Repository:
Smithsonian Institution Archives

These records document the activities of the publicist and include information on special events sponsored by the Resident Associate Program. They consist of events files, correspondence, staff memoranda, photographs and slides, brochures, press releases, and news clippings. Most records are dated from 1983 to 1991, with some historical files dating from 1974. Of …

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in Record Unit 632 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Parke, Davis Research Laboratory Records.
Creators:
Parke, Davis Company
Dates:
1866-1992
Size:
365 Cubic feet (510 boxes, 43 map folders)
Collection ID:
NMAH.AC.0001
Repository:
Archives Center, National Museum of American History

The collection documents Parke, Davis and Company, one of the largest and oldest pharmaceutical firms in America.

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in NMAH.AC.0001 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Martin Moyer film collection
Creators:
Martin Moyer Productions
Dates:
circa 1950-1985
Size:
Film reels (black-and-white, color, sound, silent; 179,000 feet, 16mm)
Linear feet
Collection ID:
HSFA.1996.06
Repository:
Human Studies Film Archives

Film collection created by Martin Moyer primarily consists of 59 edited film titles produced and distributed for the educational film market by his independent film company Martin Moyer Productions based in Seattle, Washington. Film subjects include social and cultural studies, geography, environmental sciences, art, mathematics, forestry, and physical education. Collection also …

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in HSFA.1996.06 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Andy Granatelli Collection
Creators:
Granatelli, Andy, 1923-2013
Granatelli, Vincent
Grancor Automotive Specialists
Hurricane Hot Rod Association
More …
Dates:
1932-2008
Size:
66 Cubic feet (108 boxes, 16 map-folders)
Collection ID:
NMAH.AC.1403
Repository:
Archives Center, National Museum of American History

The collection documents Granatelli's lifelong involvement with automobiles, from his youth through his career as an auto industry executive, and as a racing car owner, designer and promoter. The collection consists primarily of files, photographs, scrapbooks, and drawings. Some of the earliest files relate to Grancor, a company founded by …

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in NMAH.AC.1403 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Records
Creators:
Smithsonian Institution. Management Analysis Office
Dates:
1949-1991
Size:
25 cu. ft. (25 record storage boxes)
Collection ID:
Record Unit 486
Repository:
Smithsonian Institution Archives

These records consist of Smithsonian Announcements, Office Memoranda, Special Memoranda, Staff Handbooks, and various forms used in Smithsonian offices. The records include correspondence, drafts and other background materials surrounding the creation of these documents. The Announcements concern office name changes, reorganizations, personnel title and duty changes, and the appointment of …

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in Record Unit 486 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
257 records — Page 22 of 26