[ ]
Collapse
[ ]
Expand
Creators:
Singer Manufacturing Company
Singer Company (The), (Fairfield, New Jersey)
Dates:
1927-1983
bulk 1960-1977
Size:
11 Cubic feet (3 oversize folders, 20 boxes)
Collection ID:
NMAH.AC.0169
Repository:
Archives Center, National Museum of American History

The bulk of the collection consists of renderings of sewing machines and related products by industrial designers such as Henry Dreyfuss, Robert P. Gersin, Eliot Noyes, and Malcolm S. Park; by designers of Singer's in-house design department; and by consultants to the firm. Materials include decals, photographs, negatives, patents, and renderings and sketches. This collection documents the influence of industrial design on Singer sewing machines as well as other household products such as vacuum cleaners.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Ritchie, Andrew Carnduff
Dates:
1907-1983
Size:
10.3 Linear feet
Collection ID:
AAA.ritcandr2
Repository:
Archives of American Art

The papers of museum director, professor, writer, and post-World War II Monuments Men Andrew Carnduff Ritchie measure 10.3 linear feet and date from 1907 to 1983. Found within the papers are biographical material, including materials and photographs concerning his military service in the Monuments, Fine Arts, and Archives Section of the U.S. Army; correspondence, including letters from numerous artists; writings; committee and organization files; exhibition and project files, teaching files; printed material; and photographs, including portrait images of Ritchie taken by Hans Namuth.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Kazanjian, Dodie, 1952-
Tomkins, Calvin
Dates:
1927-1999
Size:
7.8 Linear feet
Collection ID:
AAA.kazadodi
Repository:
Archives of American Art

The Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman measures 7.8 linear feet and date from 1927-1999. The collection contains sound recordings of interviews, interview transcripts, correspondence, biographical material, clippings, and some photographs. The papers and recordings were predominantly compiled during Kazanjian and Tomkin's preparation for their book, Alex: The Life of Alexander Liberman (1993).

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Outterbridge, John, 1933-
Dates:
1953-1997
Size:
4.8 Linear feet
Collection ID:
AAA.outtjohn
Repository:
Archives of American Art

The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Gonzalez, Xavier, 1898-1993
Dates:
1908-1997
Size:
14.1 Linear feet
Collection ID:
AAA.gonzxavi
Repository:
Archives of American Art

The papers of Xavier Gonzalez, a New York and Massachusetts painter, sculptor, educator, and owner of the Wellfleet Art Gallery, measure 14.1 linear feet and date from 1908 to 1997. The collection consists of biographical materials, correspondence, writings, project files, business records, printed materials, scrapbooks, photographs, and artwork.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
American Zoo and Aquarium Association
Dates:
1924-1997
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Accession 99-102
Repository:
Smithsonian Institution Archives

This accession consists of records which document the activities and history of the American Zoo and Aquarium Association (AZAA). Materials include subject files; information on the Species Survival Plan, the Taxon Advisory Group, the Scientific Advisory Group, and committees; regional and annual proceedings; and master microfilm of AZAA board...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Taylor, Prentiss, 1907-1991
Dates:
1885-1991
Size:
20.4 Linear feet
Collection ID:
AAA.taylpren
Repository:
Archives of American Art

The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

Found In
[ ]
Collapse
[ ]
Expand
Dates:
1868-1923
Size:
1.2 linear meters.
Collection ID:
Record Unit 7075
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
More …
Dates:
1948-1949
Size:
2 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.09
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.9 consists of negatives used for publication. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Modern Multiples
Duardo, Richard, 1952-2014
Dates:
1970s-2017
Size:
25.2 Linear feet
Collection ID:
AAA.modemult
Repository:
Archives of American Art

The records of Modern Multiples printmaking workshop measure 25.2 linear feet and date from the 1970s to 2017. The collection contains administrative files related to the daily operations of the print workshop, gallery, and other associated businesses owned and operated by Richard Duardo. Also included are correspondence with artists and arts institutions, as well as some personal correspondence; project and artist files; printed material; photographic material, including photograph albums; artwork; and a small amount of material related to Richard Duardo, including biographical statements, a recorded interview, and journals.

Found In