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Creators:
Gonzalez, Xavier, 1898-1993
Dates:
1908-1997
Size:
14.1 Linear feet
Collection ID:
AAA.gonzxavi
Repository:
Archives of American Art

The papers of Xavier Gonzalez, a New York and Massachusetts painter, sculptor, educator, and owner of the Wellfleet Art Gallery, measure 14.1 linear feet and date from 1908 to 1997. The collection consists of biographical materials, correspondence, writings, project files, business records, printed materials, scrapbooks, photographs, and artwork.

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Creators:
Bearden, Romare, 1911-1988
Dates:
1937-1982
Size:
2.1 Linear feet
Collection ID:
AAA.bearroma
Repository:
Archives of American Art

The papers of Romare Bearden measure 2.1 linear feet and date from 1937 to 1982. The collection includes biographical information, correspondence, writings by and about Bearden, miscellaneous legal and financial material, photographs, drawings, and printed material. Found are numerous letters referring to African-American arts movements of the 1960s and 1970s, including exhibitions, publications, associations, and scattered letters of a more personal nature.

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Creators:
Tremaine, Emily Hall, 1908-1987
Dates:
circa 1890-2004
Size:
8.9 Linear feet
Collection ID:
AAA.trememil
Repository:
Archives of American Art

The papers of art collector Emily Hall Tremaine measure 8.9 linear feet, date from circa 1890 to 2004, and document the development of Tremaine's seminal collection of modernist, pop, and contemporary art. The papers comprise biographical material including a sound recording, personal correspondence, art collection files, artist files, exhibition loan files including a video recording, and reproduction request files. Also found are two scrapbooks documenting Tremaine's first marriage to Baron Maximilian von Romberg; and photographs of Tremaine, her family and friends, and works of art from her collection.

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Creators:
Golub, Leon, 1922-2004
Dates:
1930s-2009
Size:
16.5 Linear feet
4.13 Gigabytes
Collection ID:
AAA.goluleon
Repository:
Archives of American Art

The papers of painter, political activist, and educator Leon Golub are dated 1930s-2009 and measure 16.5 linear feet and 4.13 GB. His career as a painter and educator – and, to a far lesser extent, his personal interests and activities – are documented by correspondence, interviews, writings by Golub and other authors, subject files, printed and digital material, and audiovisual recordings. Also included are biographical materials, personal business records, and photographs of Leon Golub and wife Nancy Spero. Posthumously dated items are mostly condolence letters, obituaries, printed material, and inventories of his work.

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Creators:
Medicine, Beatrice
Dates:
1914, 1932-1949, 1952-2003 (bulk dates, 1945-2003).
Size:
28 Linear feet (65 document boxes, 1 box of oversize materials, 1 box of ephemera, 1 shoebox of index cards, 1 map drawer)
Collection ID:
NAA.1997-05
Repository:
National Anthropological Archives

The Beatrice Medicine papers, 1913-2003 (bulk 1945-2003), document the professional life of Dr. Beatrice "Bea" Medicine (1923-2005), a member of the Standing Rock Sioux tribe, anthropologist, scholar, educator, and Native rights activist. The collection also contains material collected by or given to Medicine to further her research and activism interests. Medicine, whose Lakota name was Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman," focused her research on a variety of topics affecting the Native American community: 1) mental health, 2) women's issues, 3) bilingual education, 4) alcohol and drug use, 5) ethno-methodologies and research needs of Native Americans, and 6) Children and identity issues. The collection represents Medicine's work as an educator for universities and colleges in the United States and in Canada, for which she taught Native American Studies courses. Additionally, because of the large amount of research material and Medicine's correspondence with elected U.S. officials and Native American leaders, and records from Medicine's involvement in Native American organizations, the collection serves to represent issues affecting Native Americans during the second half of the 20th century, and reflects what Native American leaders and organizations did to navigate and mitigate those issues. Collection materials include correspondence; committee, conference, and teaching material; ephemera; manuscripts and poetry; maps; notes; periodicals; photographs; training material; and transcripts.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1780-1952
Size:
1.64 Cubic feet (consisting of 3.5 boxes, 2 oversize folders, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Engraving
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Engraving forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Barnard, George Grey, 1863-1938
Dates:
circa 1860-1969
bulk 1880-1938
Size:
12 Linear feet
Collection ID:
AAA.barngeor
Repository:
Archives of American Art

The papers of New York sculptor, collector, and dealer George Grey Barnard measure 12 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.

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Creators:
Norman, Irving, 1906-1989
Norman, Hela
Dates:
circa 1920-2010
Size:
10 Linear feet
142.32 Gigabytes
Collection ID:
AAA.normirvi
Repository:
Archives of American Art

The papers of Irving and Hela Norman measure 10.0 linear feet and 142.32 GB and date from circa 1920 to 2010. The papers document the career of painter Irving Norman through biographical material; correspondence with family, friends, curators, art galleries, and museums; writings, exhibition records, personal business records, printed material, personal photographs, and photographs of his artwork. Also found are numerous audio and video interviews of Irving and Hela Norman. Some of the materials, interviews and photographs are digital.

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Creators:
Wildenhain, Marguerite
Dates:
1930-1982
Size:
3.7 Linear feet
Collection ID:
AAA.wildmarg
Repository:
Archives of American Art

The papers of California ceramicist and educator Marguerite Wildenhain measure 3.7 linear feet and date from 1930 to 1982. Found within the papers are biographical sketches; correspondence with patrons, students, and colleagues, including Eugene Anderson, T. S. Eliot, and Gerhard Marcks; writings by Wildenhain and others; designs for pottery and other artwork; one scrapbook; news clippings, exhibition catalogs, and scattered printed material. Also found are photographs of Marguerite and Frans Wildenhain, Pond Farm, workshops, exhibitions,and artwork, as well as two film reels depicting Wildenhain lecturing and in her studio. There is a 0.3 linear foot unprocessed addition to this collection donated in 2020 that includes photographs and negatives of Wildenhain's works of art, circa 1960-1970, (many in the collection of Forrest L. Merrill or Luther College) taken by David Stone and photographs at Pond Farm, circa 1980. Additional photographs are of Wildenhain and her works of art, circa 1950 (possibly taken by Otto Hagel).

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Creators:
Weir family
Dates:
1809-circa 1961
bulk 1830-1920
Size:
0.8 Linear feet
Collection ID:
AAA.weirweir
Repository:
Archives of American Art

The papers of the prominent New York and Connecticut Weir family of artists measure 0.8 linear feet and date from 1809-circa 1961, with the bulk of the material dating from 1830-1920. The papers are a collection of correspondence and photographs that constitute a small but vivid record of the influence and relationships of this family of Hudson River School, landscape, and miniature painters. Correspondence consists primarily of letters to painter John Ferguson Weir when he was director of the Yale School of Fine Arts, with scattered letters to his daughter Edith Weir (Perry), and a small amount of correspondence of Robert Weir, his daughter Carrie M. Mansfield, son-in-law Lewis William Mansfield, and Julia Bayard. Letters to John F. Weir are from many late-19th century artists, as well as actors, poets, lawyers, scholars, and clergymen, often concerning arrangements for visiting lectures at the school. Photographs are of Robert Walter Weir, Susan Bayard Weir, Julian Alden Weir, and artwork.

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