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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 2010
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2010
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Kantor, Morris, 1896-1974
Dates:
1905-1977
Size:
3.6 Linear feet ((on 4 microfilm reels))
0.7 Linear feet (Addition)
Collection ID:
AAA.kantmorr
Repository:
Archives of American Art

Correspondence, exhibition materials, writings, printed materials, photographs, sketchbooks, and scrapbooks.

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Strohmeyer & Wyman
Young, R.Y.
Underwood & Underwood
American Stereoscopic Co.
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Dates:
circa 1893-1904
Size:
0.15 Cubic feet (1 box)
Collection ID:
NMAH.AC.0402
Repository:
Archives Center, National Museum of American History

This collection is composed of two series: (1) 22 stereographs by several publishers, many of which relate to or were actually printed from negatives in the Underwood & Underwood Glass Stereograph Collection; and (2) a pamphlet. The fourth group of cards illustrates certain aspects of how stereographs were used by various companies, including two...

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Creators:
United States National Museum
Dates:
1877-1975
Size:
337.16 cu. ft. (672 document boxes) (116 microfilm reels)
Collection ID:
Record Unit 192
Repository:
Smithsonian Institution Archives

Records prior to 1907 consist mostly of incoming correspondence (outgoing correspondence can be found in record unit 112). After 1907 the records contain both incoming and outgoing correspondence. Much of the material consists of routine public inquiries. In addition, these records document museum accessions and Smithsonian expeditions and ...

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Creators:
National Museum of the American Indian. Curatorial Office
Dates:
1979-2003
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 08-029
Repository:
Smithsonian Institution Archives

This accession consists of records which document the activities of the curatorial staff of the National Museum of the American Indian (NMAI). Subjects covered include the exhibition master plan, workshops, repatriation, exhibitions, councils, collections management, collection research, conservation treatment, budgetary matters, and research....

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Creators:
Perrot, Paul N., interviewee
Dates:
2004
Size:
3 audiotapes (reference copies).
Collection ID:
Record Unit 9618
Repository:
Smithsonian Institution Archives

The Oral History Program is part of the Smithsonian Institution Archives. The purpose of the program is to conduct interviews with current and retired members of the Smithsonian staff who have made significant contributions, administrative and scholarly, to the Institution. The project's goal is to supplement the published record and manuscrip...

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Department of Education
Dates:
1988-2014
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 16-115
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning, development, and execution of educational activities, workshops, events, and other outreach at the Freer Gallery of Art and Arthur M. Sackler Gallery, as well as the administration of tours, docents, and the ImaginAsia and ExplorAsia programs. In approximately 2007, the department ...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 2009
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2009
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Matsukata, Miye, 1922-1981
Dates:
circa 1900-1982
bulk 1964-1981
Size:
13.45 Linear feet
Collection ID:
AAA.matsmiye
Repository:
Archives of American Art

The papers of jewelry designer and metalsmith Miye Matsukata measure 13.45 linear feet and date from circa 1900 to 1982, with the bulk of the material dating from 1964 to 1981.The papers include correspondence, interviews, journals, writings and lectures, exhibition files, Janiye business records, printed materials, scrapbooks, artwork, sketchbooks, and photographic materials that document Matsukata's work as a jeweler and owner of Janiye, an atelier located in Boston, Massachusetts.

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