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Dates:
2010
Size:
0.25 cu. ft. (1 half document box)
Collection ID:
Record Unit 9627
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Progra...

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Creators:
Willis, Bailey, 1857-1949
McGee, W J, 1853-1912
Dates:
circa 1903-1904
Size:
6 Prints (duplicates not counted, silver gelatin)
1 Color lithograph
Collection ID:
NAA.PhotoLot.121
Repository:
National Anthropological Archives

Photographs and a lithograph probably collected by W J McGee during the first decade of the 20th century. The photographs were probably made by Bailey Willis during his 1903 expedition to China and were collected by W. J. McGee for his US Department of Agriculture bulletin on Soil Erosion (1911). Photos document terraced rice fields in China. The l...

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Creators:
Segre, Rosa, Estate of
Segre, Emilio
Dates:
1942-1997
Size:
0.25 Cubic feet (1 box, 1 map-folder)
Collection ID:
NMAH.AC.0691
Repository:
Archives Center, National Museum of American History

Papers relating to the career of the nuclear physicist Emilio Segre, including a set of previously classified, now unclassified government documents including correspondence, laboratory reports and memoranda, relating to Segre's research; several diplomas and honorary awards and the programs from the ceremonies at which they were conferred.

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Creators:
James Graham & Sons
Dates:
1821
1815
circa 1896-2011
Size:
103.2 Linear feet
Collection ID:
AAA.jamegras
Repository:
Archives of American Art

The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.. There is a 8.0 linear foot unprocessed addition to this collection donated in 2018 that includes artists' files regarding exhibitions and photographs of works of art.

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Creators:
Hirshhorn Museum and Sculpture Garden. Communications and Marketing.
Dates:
circa 1980-2015
Size:
3.69 cu. ft. (3 record storage boxes) (1 16x20 box)
Collection ID:
Accession 15-293
Repository:
Smithsonian Institution Archives

This accession consists of records documenting publicity and outreach activities for the Hirshhorn Museum and Sculpture Garden and its exhibitions, events, programs, and activities. Materials include brochures, flyers, pamphlets, invitations, announcements, guides, press packets, educational materials, advertisement mockups, stationary, p...

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Creators:
Hirshhorn Museum and Sculpture Garden
Dates:
1964-2008
Size:
15.5 cu. ft. (13 record storage boxes) (5 document boxes)
Collection ID:
Accession 11-004
Repository:
Smithsonian Institution Archives

This accession consists of video and audio recordings and film created or maintained by the Hirshhorn Museum and Sculpture Garden (HMSG). The majority of the recordings document lectures, speeches, talks, prominent visitors, exhibitions and other events at the museum, including the HMSG groundbreaking and dedication. Other recordings are ...

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Creators:
Clark, Edward, 1926-2019
Dates:
1923-2017
Size:
8.9 Linear feet
Collection ID:
AAA.clarked
Repository:
Archives of American Art

The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.

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Creators:
Schoener, Allon
Dates:
1966-2007
Size:
3 Linear feet
0.371 Gigabytes
Collection ID:
AAA.schoallo
Repository:
Archives of American Art

The Harlem on My Mind exhibition records measure 3.0 linear feet and 0.371 GB and date from 1966-2007. The records contain exhibition and book files, correspondence, research material, printed and digital material and photographs from the Metropolitan Museum of Art exhibition. Also included is material documenting additional exhibitions, conferences and events relating to the original exhibition.

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
circa 1968-1976
Size:
14.5 cu. ft. (29 document boxes)
Collection ID:
Record Unit 361
Repository:
Smithsonian Institution Archives

Records in this record unit document the exhibition research and activities of the National Portrait Gallery and its Office of Exhibitions. Particularly well represented are exhibitions mounted between 1974 and 1976, with materials documenting research and publications on numerous artists, paintings, prints, broadsides, books, documents and ...

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Creators:
Tuttle, Richard, 1941-
Dates:
circa 1935-2019
Size:
26.6 Linear feet
4.14 Gigabytes
Collection ID:
AAA.tuttrich
Repository:
Archives of American Art

The papers of New York City and New Mexico based postminimalist artist Richard Tuttle date from circa 1935-2018. The collection measures 26.6 linear feet and 4.14 GB. The evolution of Tuttle's art practice is well documented through biographical material; paper correspondence and email; writings and over 200 richly illustrated notebooks; exhibition and gallery files; residency and visiting artist files; book projects and print edition files; personal business records; printed material; photographic material; and sketches. The illustrated notebooks comprise a significant bulk of the collection and document Tuttle's visual explorations, travel, language studies, and inner life over six decades. Paper correspondence, particularly Tuttle's frequent letters to his parents over four decades, communicate personal and professional developments in detail. Other notable collection material includes biographical items documenting Tuttle's childhood, high school, and college life, as well as limited edition and one of a kind artist books. The collection contains born-digital material, consisting of emails, writings, images of artwork and installations, a presentation, and video recording. There is a 2.1 linear feet unprocessed addition to the collection including fabric samples for projects, receipts, printed material, sketches, installation photographs, notes and notebooks, and correspondence. A portion of the addition contains electronic media.

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