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Creators:
Gordon, Elizabeth, 1906-2000
Dates:
1958-1987
Size:
3 Linear feet
Collection ID:
FSA.A1988.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

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Creators:
Cunningham, Imogen, 1883-1976
Dates:
1903-1991
Size:
5.9 Linear feet
Collection ID:
AAA.cunnimog
Repository:
Archives of American Art

The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.

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Creators:
Hirshhorn Museum and Sculpture Garden
Dates:
1969-2005
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 10-140
Repository:
Smithsonian Institution Archives

This accession consists of audio recordings created or maintained by the Hirshhorn Museum and Sculpture Garden (HMSG). The majority of the recordings document lectures, speeches, talks, and other events at the museum, including the HMSG groundbreaking and dedication. Other recordings are interviews of artists performed by staff or interviews ...

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Creators:
Emmet family
Dates:
1792-1989
bulk 1851-1989
Size:
9.1 Linear feet
Collection ID:
AAA.emmefami
Repository:
Archives of American Art

The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.

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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
circa 1973-1985
Size:
7.5 cu. ft. (7 record storage boxes) (1 document box)
Collection ID:
Accession 87-040
Repository:
Smithsonian Institution Archives

These records consist of contracts, cost estimates, blueprints, correspondence, and reports pertaining to construction projects in Smithsonian facilities. Also included are budget (1981-1982), and administrative files, mostly pertaining to personnel. Museums and buildings include: Museum Support Center, Chesapeake Bay Center for Environmental ...

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Creators:
LaDuke, Betty
Dates:
circa 1981-2018
Size:
2 Electronic discs (DVD)
4 Boxes (Printed Material (non-photographic))
11 Posters ((Oversize))
24 Prints (visual works)
2488 Negatives (photographic) (color , 35 mm)
3,194 Photographs (color , 20 x 24 inches or smaller)
Collection ID:
EEPA.2007-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from circa 1981 to 2018 and consists of photographic prints, negatives, posters, art prints, DVDs and printed and manuscript materials. Photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.

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Creators:
Lipchitz, Jacques, 1891-1973
Dates:
circa 1910-2001
bulk 1941-2001
Size:
52.8 Linear feet
Collection ID:
AAA.lipcjacq2
Repository:
Archives of American Art

The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.

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Creators:
Davidovich, Jaime, 1936-2016
Dates:
1949-2014
Size:
2.3 Linear feet
Collection ID:
AAA.davijaim
Repository:
Archives of American Art

The papers of New York-based, Argentinian born conceptual and performance artist Jaime Davidovich, measure 2.3 linear feet and date from 1949 to 2014. The collection document's Davidovich's transition from Argentina to the United States, his early artistic career in both countries, specific projects and exhibitions, and the way in which Davidovich's work intersected with audiovisual media and the New York avant-garde in the 1960s and 1970s. Papers include biographical materials, correspondence, writings including memoirs, exhibition and project files, scrapbooks, and printed materials.

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Creators:
Audubon Artists (New York, N.Y.)
Dates:
1944-2001
Size:
6.7 Linear feet
Collection ID:
AAA.auduarti
Repository:
Archives of American Art

The records of New York based Audubon Artists, a national exhibiting organization of painters, sculptors, and graphic artists, measure 6.7 linear feet and date from 1944-2001. The collection documents the organization's adoption of its constitution and first major expansion in the mid-1940s, and its subsequent growth to the present day. The records include correspondence with artist members, administrative files, exhibition files, financial records, printed material including an almost complete run of annual exhibition catalogs and prospectuses, and photographs of artwork, juries, and other groups involved in the annual exhibitions from the 1970s to 1999.

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Creators:
Smithsonian Institution. Office of Physical Plant
Dates:
1982-2000
Size:
111 cu. ft. (111 record storage boxes)
Collection ID:
Accession 04-013
Repository:
Smithsonian Institution Archives

This accession includes project files documenting Office of Physical Plant (OPP) renovation and reconstruction activities of Smithsonian museums and facilities. Materials include correspondence, memoranda, and notes; blueprints and drawings; budget summaries; proposals; reports; and photographs. Each folder includes the OPP project number, ...

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