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Creators:
Rattner, Abraham
Dates:
1891-1986
Size:
26.3 Linear feet
Collection ID:
AAA.rattabra
Repository:
Archives of American Art

The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.

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Creators:
Parker, Richard Bordeaux, 1923-
Dates:
1965-1979
Size:
1.75 Linear feet (200 Prints: black & white; 2 contact sheets: black & white; 481 Negatives (photographic): black & white)
Collection ID:
FSA.A2002.06
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

A collection of black and white prints and negatives of Islamic monuments taken by former ambassador Richard B. Parker. The collection includes 200 prints and 481 negatives. The images document Islamic architecture throughout Algeria, Cairo, Lebanon, Syria, Jordan, Morocco, and Spain.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1833-1943
Size:
2.9 Cubic feet (consisting of 5 boxes, 1 folder, 5 oversize folders, 2 map case folders, 2 flat boxes (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Lighting
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Lighting forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Russell, Morgan, 1886-1953
Dates:
1891-1977
Size:
6.8 Linear feet
Collection ID:
AAA.russmorg
Repository:
Archives of American Art

The Morgan Russell papers, 1891-1977, present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence, biographical material, transcripts of lectures given by Russell, illustrated notebooks and sketches, printed material and photographs.

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Creators:
Pelletier, Sujatha
Dates:
1992-1995
Size:
80 slides (photographs) (color)
Collection ID:
EEPA.1998-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of people and architecture taken by Sujatha Pelletier in Nigeria, Ghana, Cote d'Ivoire, Niger, Morocco and Mali from June of 1992 through June of 1995.

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Creators:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-
Dates:
1831-1979
Size:
73 Items (Letters, written in ink, ball point, graphite, typewriter)
26 Items (Stamps)
3 Items (Photographs)
Collection ID:
FSA.A2009.06
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

This collection is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American Art. Included in the collection is a significant portion of letters from Abbott Thayer to correspondents from his circle of family, friends and art world figures such as Maria Oakey Dewing and Samuel Coleman.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1724 -1976
Size:
3.56 Cubic feet (consisting of 8 boxes, 3 folders, 5 oversize folder, 1 map case folder, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Religion
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Religion forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Museum of the American Indian. Office of Exhibitions and Public Spaces
Dates:
1987-2007
Size:
22 cu. ft. (22 record storage boxes) (4 oversize folders)
Collection ID:
Accession 08-030
Repository:
Smithsonian Institution Archives

This accession consists of materials related to the development, research, and production of exhibitions at the National Museum of the American Indian (NMAI), both at the Mall museum site and at the George Gustav Heye Center (GGHC) in New York, New York. Exhibitions covered include The Art of Being Kuna: Layers of Meaning Among the Kuna o...

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Dates:
1987-1990
Size:
15 videotapes (Reference copies). 23 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9536
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Hare, Raymond A.
Dates:
1930s -1960s
Size:
6 Linear feet (2300 photographs)
Collection ID:
FSA.A1989.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Ambassador Raymond A. Hare (1901-1994) created this collection to document the architecture, cities, and landscapes of the Middle East, including Afghanistan, Egypt, Greece, Iraq, Jordan, Israel and Palestine, Iran, Syria, Turkey, and Yemen.A photograph album of 90 silver-gelatin photographs depicts minarets in Cairo, Egypt, with annotations in Arabic and English describing the date and title of each minaret. Two portfolios of photographs presented to Ambassador Hare in 1965 by the senior staff of the U.S. Agency for International Development Mission to Turkey to commemorate his service as Ambassador to Turkey from 1961-1965. Included are 52 matted photographs, many signed by the photographer Ara Guler and dated and captioned, documenting the art and architecture of the Seljuks and the Armenians at the Armenian center of Ani. The slides, 1930s - 1960s, created by Hare document Islamic architecture and people and place views of North Africa, Turkey, Egypt, and Syria.

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