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Creators:
Lozowick, Louis, 1892-1973
Dates:
1898-1974
Size:
5.9 Linear feet
Collection ID:
AAA.lozoloui
Repository:
Archives of American Art

The Louis Lozowick Papers measure 5.9 linear feet and are dated 1898-1974. Correspondence, writings, business records, printed material and photographs document Lozowick's career. Also included are biographical documents, sketches, and records relating to organizations that interested him.

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Creators:
National Museum of Natural History. Division of Echinoderms and Lower Invertebrates
Dates:
1907-1982
Size:
16 cu. ft. (32 document boxes)
Collection ID:
Record Unit 325
Repository:
Smithsonian Institution Archives

These records consist primarily of incoming and outgoing correspondence of the curatorial staff of the Division of Echinoderms, 1907-1980. Most of the correspondence dates from 1965, with a small amount created before that date. Some photographs and slides are included in the records and are noted in the folder listing. The correspondence ...

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Creators:
Ottenberg, Simon
Ottenberg, Simon
Dates:
between 1978-1992
Size:
3145 Slides (photographs) (color)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection primarily includes photographs of Limba peoples taken by anthropologist Simon Ottenberg during field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, and Guinea, from October 1978 through July 1980. The collection also includes photographs taken while conducting field research at an Afikpo village-group, in southeastern Nigeria, from January 30, 1988 to February 5, 1988 and in 1992.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1841-1986, undated
Size:
98 Boxes
Collection ID:
NMAH.AC.0300.S11
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 11: Entertainment contains more than 12,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards entertainers and entertainment in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Rosenblum, Walter, 1919-2006
Dates:
ca. 1945-1976
Size:
38.7 Linear feet ((7,396 negatives, with black-and-white study prints))
Collection ID:
SAAM.Photo.ROS
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Walter Rosenblum Collection is comprised of 7,396 silver gelatin negatives taken by noted photographer Walter Rosenblum (1919-2006) for New York art galleries, collectors and artists between 1945 and 1976. The collection reflects the art of his time and is particularly strong in American and European avant-garde, surreal and abstract works.

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Creators:
Voigt, Walter H.
Dates:
1891-1979
Size:
3 Cubic feet (8 boxes)
Collection ID:
NMAH.AC.1195
Repository:
Archives Center, National Museum of American History

The collection documents the history of the brewing beer industry in the mid-Atlantic region primarily between the 1890s and the 1960s. Materials includeing correspondence, class notes, beer labels, journal reprints, technical papers, trade literature, legal papers, magazine articles, cartoons, books, and literature from the Master Brewers Association of America.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1619-1965
Size:
4.7 Cubic feet (consisting of 8.5 boxes, 1 folder, 17 oversize folders, 3 map case folders, 1 flat box (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Ladies
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Ladies' Clothing forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1795-1965
Size:
6.1 Cubic feet (consisting of 7.5 boxes, 3 folders, 87 oversized folders, 46 map case folders.)
Collection ID:
NMAH.AC.0060.S01.01.Newspapers
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Newspapers forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Museum of American Art and Portrait Gallery. Library
Dates:
circa 1910-1986
Size:
10.43 cu. ft. (20 document boxes) (1 12x17 box)
Collection ID:
Record Unit 333
Repository:
Smithsonian Institution Archives

This collection consists primarily of brochures, booklets, and books cataloging single exhibitions at the National Gallery of Art, the National Collection of Fine Arts, the National Museum of American Art, and the Renwick Gallery. Also included are a few catalogs from exhibitions of SITES. There are catalogs from exhibitions staged by the ...

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Creators:
Moore, John McDonald, 1919-1999
Dates:
1948-2015
bulk 1968-1999
Size:
21.5 Linear feet
Collection ID:
AAA.moorjohn
Repository:
Archives of American Art

The papers of art historian and educator John McDonald Moore measure 21.5 linear feet and date from 1948-2015, with the bulk dating from 1968-1999. Included are biographical material regarding Moore; his writings, including book proposals and lectures; correspondence regarding teaching and letters from students; voluminous notecards for lectures; and sound recordings of lectures.

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