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Creators:
Stable Gallery
Dates:
1916-1999
bulk 1953-1970
Size:
2.9 Linear feet
Collection ID:
AAA.stabgall
Repository:
Archives of American Art

The Stable Gallery records measure 2.9 linear feet and are dated 1916-1999 (bulk 1953-1970). The gallery was known for its representation of the New York School. Records consist mainly of artist files containing biographical notes, correspondence, price lists, sales and payment information, printed matter, and photographs. A small number of gallery administrative and financial records are included, along with printed matter, photographs, and personal papers and estate records of gallery founder and owner Eleanor Ward. There are also reminiscences by gallery owner Eleanor Ward and her assistant Alan Groh, a sound cassette recording of Eleanor Ward, and a videoreel (1/2 inch) documentary of a 1973 Sotheby auction of works from the Robert C. Scull collection.

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Creators:
Science, Medicine and Society, Division of (NMAH, SI).
Dates:
1985-1992
bulk 1987-1989
Size:
4 Cubic feet (8 boxes)
Collection ID:
NMAH.AC.0538
Repository:
Archives Center, National Museum of American History

The collection was assembled by Museum curators and documents the efforts of persons in eight states to have the Superconducting Super Collider (SSC), a particle accelerator, built in their state. Also documents efforts in each state to oppose locating the SSC in their state. The collection contains correspondence, press kits, posters, signs, bumper stickers, leaflets, handbills, clippings, photographs, and a videotape.

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Creators:
d'Arazien, Arthur
Dates:
circa 1930-2002
Size:
11 Cubic feet (28 boxes)
Collection ID:
NMAH.AC.0314
Repository:
Archives Center, National Museum of American History

The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...

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Creators:
Slobodkina, Esphyr, 1908-2002
Bolotowsky, Ilya, 1907-1981
Dates:
circa 1925-1995
Size:
1.9 Linear feet
Collection ID:
AAA.slobesph
Repository:
Archives of American Art

The papers of painter, sculptor, author, and illustrator Esphyr Slobodkina measure 1.9 linear feet and date from circa 1925 to 1995. Found within the papers are personal and professional correspondence, including letters from Ilya Bolotowsky, George L.K. Morris, and Paul Kelpe; writings, including a copy of the autobiography Notes for a Biographer (vol. 1); printed materials; photographs; and material on the American Abstract Artists, including administrative records, business correspondence, and publications.

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Creators:
Kihn, W. Langdon
Dates:
1904-1990
bulk 1904-1957
Size:
8.5 Linear feet
Collection ID:
AAA.kihnwlan
Repository:
Archives of American Art

The papers of painter and illustrator W. Langdon Kihn measure approximately 8.5 linear feet and date from 1904-1990, with the bulk of the materials dating from 1904-1957. Papers document Kihn's career and travels associated with his interests in documenting the native American tribal nations of the United States and Canada in portraiture and writings. Found here are biographical materials, voluminous correspondence, memoirs and writings, one travel diary, printed material, financial records, three sketchbooks, sketches, and photographs.

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Creators:
Swinney, Holman J
Dates:
circa 1926-1991
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 94-084
Repository:
Smithsonian Institution Archives

These papers document many aspects of Swinney's life and career. They contain income tax returns dating from 1943; report cards from primary school; documentation of his WWII military service; and records of his home ownership. In addition, the papers include correspondence from Swinney's directorships of the Adirondack Museum and the Str...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1743-1963
bulk 1846-1962
Size:
7.38 Cubic feet (consisting of 12 boxes, 2 folders, 11 oversize folders, 1 map case folder, 3 boxes (1 full, 2 partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Whiskey
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Conservation Advisory Council
Dates:
1973-1979
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Accession 81-033
Repository:
Smithsonian Institution Archives

This accession consists of reports and correspondence in connection with the various study committees of the National Conservation Advisory Council (NCAC); and financial, chronologic, correspondence, and meeting files. These materials were created and maintained by David A. Shute, Executive Director of NCAC.

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Creators:
Association of Systematics Collections
Dates:
circa 1972-1988
Size:
34 cu. ft. (34 record storage boxes)
Collection ID:
Record Unit 7459
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Knaths, Karl, 1891-1971
Dates:
1890-1973
bulk 1922-1971
Size:
8.9 Linear feet
Collection ID:
AAA.knatkarp
Repository:
Archives of American Art

The papers of cubist painter Karl Knaths measure 8.9 linear feet and date from 1890 to 1973, with the bulk of the materials dating from 1922 to 1971. The collection includes biographical material, personal and professional correspondence, four diaries, 22 notebooks and notes on theoretical color and compositional approaches to painting, published and draft copies of essays on art, miscellaneous printed material, 132 sketchbooks and other artwork.

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