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- Creators:
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National Postal Museum
- Dates:
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2011-2012
- Collection ID:
- Accession 12-558
- Repository:
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Smithsonian Institution Archives
This accession consists of three websites and a blog maintained by the National Postal Museum. The main National Postal Museum website, crawled November 14, 2011, includes information about the museum and its exhibits, collections, research, events, and educational resources. It also includes the online exhibitions Fire and Ice: Hindenberg an...
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- Creators:
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Sievan, Maurice
- Dates:
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1934-1983
- Size:
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0.2 Linear feet ((partially microfilmed on 1 reel))
- Collection ID:
- AAA.sievmaur
- Repository:
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Archives of American Art
Correspondence, biographical information, exhibition catalogs, photographs, and printed material.
Found In
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- Creators:
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Adams, Kenneth M.
United States. Dept. of the Treasury. Section of Fine Arts
Treasury Relief Art Project
Public Works of Art Project
More … - Dates:
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1933-1938
- Size:
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1 Microfilm reel (21 items on partial microfilm reel)
- Collection ID:
- AAA.adamkenn
- Repository:
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Archives of American Art
This microfilm collection of the Kenneth Miller Adams papers consists of a letter, dated December 1933, from a Public Works of Art Project official on a routine matter, and a letter, dated May 1933, from Cecil H. Jones of the Treasury Relief Art Project in which Jones tells Adams he is trying to have him transferred to the WPA Federal Arts Project....
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- Creators:
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Benton, Thomas Hart, 1889-1975
Cummings, Paul
- Dates:
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1973 July 23-24
- Size:
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68 Pages (Transcript)
- Collection ID:
- AAA.benton73
- Repository:
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Archives of American Art
Interview of Thomas Hart Benton conducted 1973 July 23-24, by Paul Cummings, for the Archives of American Art. Benton speaks of his childhood in Missouri and Washington, D.C., working as a newspaper cartoonist, and classes at the Chicago Art Institute (1907-1908) and the Academie Julian in Paris (1908). He discusses the New York art world, painting...
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- Creators:
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Schmidt, Katherine, 1898-1978
- Dates:
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circa 1921-1971
- Size:
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0.2 Linear feet
- Collection ID:
- AAA.schmkath
- Repository:
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Archives of American Art
The papers of painter and arts advocate Katherine Schmidt measure 0.2 linear feet and date from circa 1921 to 1971. Scattered correspondence, speeches, proposals, meeting minutes, and notes focus primarily on Schmidt's advocacy for federal and state government support of the arts. Printed materials includes exhibition catalogs, clippings, press releases documenting Schmidt's painting career and arts advocacy work. Photographs include portrait photos of Schmidt and photographs of Schmidt's drawings. There are two photographs taken by her first husband Yasuo Kuniyoshi of Schmidt with friends at a party.
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- Creators:
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Pisano, Ronald G.
- Dates:
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circa 1972-2008
- Size:
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14.6 Linear feet
- Collection ID:
- AAA.pisarona
- Repository:
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Archives of American Art
Papers mainly relate to Pisano's research on William Merrit Chase including lectures, articles, notes, photographs, slides, book manuscripts, photocopies, and Pisano's research on Chase in Holland and interviews with Chase's students including Ethel Paxson, Caroline van Hook Bean, and James Daugherty on casssette. Also included are subject files, c...
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- Creators:
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Marsh, Felicia Meyer, 1912-1978
Meyer, Herbert W. (Herbert William)
Meyer, Anne
- Dates:
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circa 1880-1977
- Size:
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4.9 Linear feet
- Collection ID:
- AAA.marsfeli
- Repository:
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Archives of American Art
The papers of painter Felicia Meyer Marsh and the Meyer family measure 4.9 linear feet and date from circa 1880 to 1977. The collection is comprised of biographical materials including family business records, writings by Marsh, and other family documents; and Marsh's correspondence with her husband Reginald Marsh, her parents Herbert and Anne Meyer, and with numerous artists such as Peggy Bacon, Alexander Brook, Olin Dows, Philip Evergood, Lloyd Goodrich, Edward Hopper, George Tooker, and Andrew Wyeth after her husband's death in July 1954. Also found are 24 diaries belonging to Marsh and her parents; printed materials documenting the art careers of Marsh and Herbert Meyer; artwork including 20 sketchbooks; and photographic materials containing 19th and 20th-Century photographs of Felicia and Reginald Marsh, the Meyer family, and friends.
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- Creators:
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Hale, Philip Leslie, 1865-1931
- Dates:
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1818-1962
bulk 1877-1939
- Size:
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7.4 Linear feet
- Collection ID:
- AAA.halephil
- Repository:
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Archives of American Art
The papers of Boston painter, teacher, critic, and writer Philip Leslie Hale measure 7.4 linear feet and date from 1818 to 1962, with the bulk of the material dating from 1877 to 1939. Biographical information; correspondence with family, friends, and colleagues, including many artists; sketches and 9 sketchbooks; writings; printed material; and photographs document the artist's career and personal life. The collection also includes research materials and catalogs compiled by Albert J. Kennedy for a never-published Philip Leslie Hale memorial volume.
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- Creators:
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Barney, Alice Pike, 1857-1931
- Dates:
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circa 1889-1995
- Size:
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15.63 cu. ft. (26 document boxes) (4 12x17 boxes) (1 21x25 box) (1 oversize folder)
- Collection ID:
- Record Unit 7473
- Repository:
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Smithsonian Institution Archives
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
Found In
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- Creators:
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Weber, Max, 1881-1961
- Dates:
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1902-2008
- Size:
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11.8 Linear feet
- Collection ID:
- AAA.webemax
- Repository:
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Archives of American Art
The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.