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Creators:
Stocksdale, Kay Sekimachi
Stocksdale, Bob
Dates:
circa 1900-2015
Size:
19.5 Linear feet
Collection ID:
AAA.stockbob
Repository:
Archives of American Art

The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1988
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1988
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
McGrath, James A.
Dates:
1950-2011
Size:
5.3 Linear feet
Collection ID:
AAA.mcgrjame
Repository:
Archives of American Art

The papers of arts educator James A. McGrath measure 5.3 linear feet and date from 1950-2011. Included are McGrath's papers concerning his artist's residencies and workshops for the United States Information Agency (USIA) in the Yemen Republic, Saudi Arabia, and the Republic of the Congo, 1990-1995. Also found are McGrath's papers concerning artist William Wiley. These papers date from Wiley's high school days and includes correspondence, writings, student files, printed materials, photographs, and artwork. Letters from Wiley to McGrath span several decades and provide details about his artwork, family, and travels.

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Creators:
Medellin, Octavio, 1907 or 1908-1999
Dates:
circa 1935-circa 1979
Size:
3.6 Linear feet
Collection ID:
AAA.medeocta
Repository:
Archives of American Art

The papers of painter, sculptor, and educator Octavio Medellin measure 3.6 linear feet and date from circa 1935 to circa 1979. The collection is comprised of correspondence with Carlos Mérida, Stanley Marcus, Lucy Maverick, Bess Hubbard, Xavier Gonzalez, and others; commission files for projects in Texas; professional files that include notes, biographical essays, and material for the Medellin School of Sculpture, Mendocino Art Center, International Institute of Arts and Letters, and the San Antonio Religious Show; printed and documentary materials consisting of an art reproduction, booklets, exhibition catalogs, magazines and yearbooks, and video recordings of Swank in the Arts; and photographic materials of Medellin, his studio, family and friends, travel in Mexico, his students, and works of art.

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Creators:
Goode, G. Brown (George Brown), 1851-1896
Dates:
circa 1814-1897 and undated, with related materials to 1925
Size:
15.43 cu. ft. (30 document boxes) (1 12x17 box)
Collection ID:
Record Unit 7050
Repository:
Smithsonian Institution Archives

The bulk of the George Brown Goode Collection (Record Unit 7050) predates the establishment of the present-day Smithsonian Institution Archives. A small addition of autograph letters was received from the Division of Political History, National Museum of American History in 1983 under accession number 83-081.

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Creators:
Art Foundry
Art Foundry Editions
Dates:
circa 1975-circa 2007
Size:
25.7 Linear feet
0.891 Gigabytes
Collection ID:
AAA.artfoued
Repository:
Archives of American Art

The Art Foundry and Art Foundry Editions records measure 25.7 linear feet and 0.891 GB and date from circa 1975 to circa 2007. Records include administrative files; correspondence with artists, collectors, dealers, galleries, and others; eight gallery appointment books and fourteen notebooks; exhibition files; extensive artists' files; financial and legal materials; sculpture production and inventory files; and photographic and digital materials.

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
Rosenblum, Walter, 1919-2006
Dates:
ca. 1945-1976
Size:
38.7 Linear feet ((7,396 negatives, with black-and-white study prints))
Collection ID:
SAAM.Photo.ROS
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Walter Rosenblum Collection is comprised of 7,396 silver gelatin negatives taken by noted photographer Walter Rosenblum (1919-2006) for New York art galleries, collectors and artists between 1945 and 1976. The collection reflects the art of his time and is particularly strong in American and European avant-garde, surreal and abstract works.

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Creators:
Ball, Fred Uhl, 1945-1985
Dates:
1936-2002
Size:
1 Linear foot
Collection ID:
AAA.ballfred
Repository:
Archives of American Art

The papers of enamelist and sculptor, Fred Uhl Ball, measure 1.0 linear feet and date from 1936 to 2002. The collection provides scattered documentation of Ball's career through biographical material, family photographs, photographs of artwork, and printed material. The collection also includes a small group of papers concerning Ball's father, ceramicist F. Carlton Ball, his mother, illustrator and enamelist Kathryn Uhl Ball, and his grandfather, silversmith George Uhl.

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Creators:
Jenness, Aylette
Dates:
1967-1969
Size:
2293 negatives (photographic) (black and white, 35 mm)
46 negatives (photographic) (black and white, 120. mm)
72 contact sheets (black and white)
Collection ID:
EEPA.2015-019
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes photographs taken by Aylette Jenness in northern Nigeria between 1967 and 1969. They document daily life in a remote part of Yauri Emerite, focusing on the townspeople of Yelwa and those in its environs.

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