Query: Crossroads: Historical Perspectives on Topics Related to September 11 (Colloquium) (2001-2003: Washington, D.C.)
Macbeth Gallery records
Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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in AAA.macbgall for Crossroads: Historical Perspectives on Topics Related to September 11 (Colloquium) (2001-2003: Washington, D.C.)
Editor's Records
Creators:
National Portrait Gallery (Smithsonian Institution). Charles Willson Peale Papers
Dates:
circa 1971-1998
Size:
16 cu. ft. (16 record storage boxes)
Collection ID:
Accession 98-171
Repository:
Smithsonian Institution Archives

This accession consists of the records of Lillian B. Miller, the late Editor of the Charles Willson Peale Papers, and document her tenure as Editor. Records contain information pertaining to the planning and development of the Peale Papers Project and related exhibitions, conferences, and events. The records also document Dr …

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in Accession 98-171 for Crossroads: Historical Perspectives on Topics Related to September 11 (Colloquium) (2001-2003: Washington, D.C.)
Downtown Gallery records
Creators:
Downtown Gallery
Dates:
1824-1974
bulk 1926-1969
Size:
109.56 Linear feet
Collection ID:
AAA.downgall
Repository:
Archives of American Art

The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

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in AAA.downgall for Crossroads: Historical Perspectives on Topics Related to September 11 (Colloquium) (2001-2003: Washington, D.C.)
Walter Pach papers
Creators:
Pach, Walter, 1883-1958
Dates:
1857-1980
Size:
20.7 Linear feet
Collection ID:
AAA.pachwalt2
Repository:
Archives of American Art

The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.

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in AAA.pachwalt2 for Crossroads: Historical Perspectives on Topics Related to September 11 (Colloquium) (2001-2003: Washington, D.C.)
George Deem papers
Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear feet
10.71 Gigabytes
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

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in AAA.deemgeor for Crossroads: Historical Perspectives on Topics Related to September 11 (Colloquium) (2001-2003: Washington, D.C.)
Ruth Landes papers
Creators:
Mead, Margaret, 1901-1978
Boas, Franz, 1858-1942
Wallis, Ruth Sawtell, 1895-1978
Wagley, Charles, 1913-1991
More …
Dates:
1928-1992
Size:
26.5 Linear feet ((63 document boxes and 1 oversized box))
Collection ID:
NAA.1991-04
Repository:
National Anthropological Archives

Most of Ruth Landes's papers relate directly or indirectly to Landes's American Indian research, her work in Brazil, and her study of bilingualism. There is also a considerable amount of material that relates to her experiences (sometimes fictionalized) at Fisk University. There is only small amount of material related to her other interests. Her collection also has material of and relating to the Brazilian folklorist and journalist Edison Carneiro. There is also noteworthy material concerning Herbert Baldus, Ruth Benedict, Elmer C. Imes, Charles S. Johnson, and Robert E. Park. There is a large amount of printed and processed materials in the collection, mainly in the form of newspaper clippings and a collection of scholarly papers.

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in NAA.1991-04 for Crossroads: Historical Perspectives on Topics Related to September 11 (Colloquium) (2001-2003: Washington, D.C.)
Myron Bement Smith Collection
Creators:
Smith, Myron Bement, 1897-1970
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

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in FSA.A.04 for Crossroads: Historical Perspectives on Topics Related to September 11 (Colloquium) (2001-2003: Washington, D.C.)
Grant Records
Creators:
Smithsonian Institution. Office of International Relations
Dates:
circa 1964-1997
Size:
28 cu. ft. (28 record storage boxes)
Collection ID:
Accession 01-030
Repository:
Smithsonian Institution Archives

This accession consists of accepted Smithsonian Foreign Currency Program grant records, which document international funding requests for development in museum collections, scholarly research initiatives, and public programs. The material consists of correspondence, memoranda, and notes; grant applications; applicant proposals; financial reports; biographical information; review committee summaries; audit information; and meeting …

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in Accession 01-030 for Crossroads: Historical Perspectives on Topics Related to September 11 (Colloquium) (2001-2003: Washington, D.C.)
Cook Labs records
Creators:
Cook Labs
Cook, Emory, 1913-2002
Dates:
1908-2002, bulk 1948-1965
Size:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Collection ID:
CFCH.COOK
Repository:
Ralph Rinzler Folklife Archives and Collections

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

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in CFCH.COOK for Crossroads: Historical Perspectives on Topics Related to September 11 (Colloquium) (2001-2003: Washington, D.C.)
Exhibition Records
Creators:
National Museum of American History.
Dates:
circa 1983-1994 and undated
Size:
27 cu. ft. (27 record storage boxes)
Collection ID:
Accession 00-002
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and installation of American Encounters, a permanent exhibition at the National Museum of American History (NMAH) commemorating the Columbus Quincentenary. The exhibition opened in 1992. The records primarily include the correspondence, memoranda, and research files of NMAH staff involved in the …

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in Accession 00-002 for Crossroads: Historical Perspectives on Topics Related to September 11 (Colloquium) (2001-2003: Washington, D.C.)
290 records — Page 23 of 29