348 records — Page 23 of 35
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Creators:
Jones, Shirley May, 1922-2004
Connick, Kathleen D.
Leonard, Shirley, 1922-2004
Dates:
1931-1998
bulk 1938-1957
Size:
4 Cubic feet (16 boxes)
Collection ID:
NMAH.AC.0919
Repository:
Archives Center, National Museum of American History

Papers documenting the life and career of Shirley May Jones, stage name Shirley Leonard, an exotic dancer from Cincinnati, Ohio. The papers, photographs, and clippings document her childhood, early life, and professional career.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
circa 1971-1991
Size:
63.38 cu. ft. (56 document boxes) (61 tall document boxes)
Collection ID:
Record Unit 591
Repository:
Smithsonian Institution Archives

This record unit consists of master audiotapes for "Radio Smithsonian" programs 750-1098, 1984-1989; elements, or original, unedited tapes for "Radio Smithsonian" programs 837-1098, 1985-1989; audio elements for the television series "Here at the Smithsonian," volumes 3-8, 1984-1989; master audiotapes for "Folk Masters" radio series, 1991; scr...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1723-1962
Size:
6.22 Cubic feet (consisting of 12 boxes, 2 half boxes, 5 folders, 9 oversize folders, 1 map case folder, 1 flat box (partial).)
Collection ID:
NMAH.AC.0060.S01.01.Medicine
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Medicine forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Swanton, John Reed, 1873-1958
Dates:
circa 1900s-1910s
Size:
175 Lantern slides
415 Prints (duplicates not counted, silver gelatin)
601 Negatives (nitrate)
Collection ID:
NAA.PhotoLot.76
Repository:
National Anthropological Archives

Photographs of Southeastern Native American people, homes, ceremonial grounds, and events made circa 1900s-1910s by John Reed Swanton. The lantern slides include images of southeastern rivers and bayous and historical maps. Additionally, there are a number of slides with notes and charts relating to linguistic comparisons.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 2009
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2009
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Carter, Benny, 1907-2003
Dates:
1928-2000
Size:
67.5 Cubic feet (182 boxes, 3 oversize folders)
Collection ID:
NMAH.AC.0757
Repository:
Archives Center, National Museum of American History

The majority of the material in the Benny Carter Collection is dated from the late 1920s through the later half of the 1990s. Donated to the Smithsonian Institution in December, 2000, the bulk of the collection is comprised of original music manuscripts (full scores and parts), band books, and published sheet music from Benny Carter's prolific care...

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Creators:
Jenness, Aylette
Dates:
1967-1969
Size:
2293 negatives (photographic) (black and white, 35 mm)
46 negatives (photographic) (black and white, 120. mm)
72 contact sheets (black and white)
Collection ID:
EEPA.2015-019
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes photographs taken by Aylette Jenness in northern Nigeria between 1967 and 1969. They document daily life in a remote part of Yauri Emerite, focusing on the townspeople of Yelwa and those in its environs.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
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Dates:
1923-1940
Size:
15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Ottenberg, Simon
Dates:
between 1951-1960
Size:
1068 Slides (photographs) (color)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Simon Ottenberg in Southeastern Nigeria within the Afikpo Village Group, at the time a group of 22 Eastern Igbo villages (sometimes considered part of the Cross River Igbo grouping) in southeastern Nigeria, while on a pre-doctoral Social Science Research Grant from December of 1951 through March of 1953 and during field research from September of 1959 to December of 1960. Also included are photographs taken from June of 1960 to December of 1960 of Abakaliki, a town and the administrative center of the northestern Igbo people, north of Afikpo. According to Dr. Ottenberg in his publication about masked Afikpo rituals, "The Afikpo belong to an Igbo subgroup called Ada or Edda (Forde and Jones 1950, pp. 51-56), which includes the Okpaha, Edda, Amaseri, and Unwana village-groups, all of which border on the Afikpo, and the Nkporo and Adaeze, both short distances away" (Masked Rituals of Afikpo, 1975, p. 3).

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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348 records — Page 23 of 35