355 records — Page 23 of 36
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Creators:
Rosenak, Chuck
Dates:
circa 1938-2008
Size:
17.6 Linear feet
Collection ID:
AAA.rosechuc
Repository:
Archives of American Art

The Chuck and Jan Rosenak research material dates from circa 1938-2008 and measures 17.6 linear feet. The collection contains research files for four books by the Rosenaks and includes letters, writings, notes, printed matter, tape-recorded interviews with artists, and photographic material.

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Creators:
Howard Wise Gallery
Dates:
1943-1989
Size:
11.4 Linear feet
Collection ID:
AAA.howawisg
Repository:
Archives of American Art

The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
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Dates:
1931-1971
Size:
320 Boxes
The materials in the subseries are black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.02
Repository:
Archives Center, National Museum of American History

The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of boxes were reduced and the old freezer box numbers were...

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Creators:
National Museum of American History. Office of Curatorial Affairs
Dates:
1994-2011
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 13-194
Repository:
Smithsonian Institution Archives

This accession consists of records which document the oversight and review process at the National Museum of American History (NMAH) in regards to exhibitions, public programs, symposia, websites, productions, and performances. In particular, the activities of the Exhibitions and Program Committee (EPC) which was created in 1996. The EPC ...

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Creators:
National Collection of Fine Arts. Department of Twentieth Century Painting and Sculpture
Dates:
1965-1975
Size:
23.02 cu. ft. (23 record storage boxes) (1 microfilm reel)
Collection ID:
Record Unit 315
Repository:
Smithsonian Institution Archives

These records contain exhibition material, including staff research notes on artists and artwork; administrative records concerning the shipment of exhibited artwork, loan correspondence, security and display of the exhibited material, photographs of display items, and installation photographs; staff correspondence including correspondence ...

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Creators:
Lipchitz, Jacques, 1891-1973
Dates:
circa 1910-2001
bulk 1941-2001
Size:
52.8 Linear feet
Collection ID:
AAA.lipcjacq2
Repository:
Archives of American Art

The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1639-1960
Size:
2.1 Cubic feet (consisting of 4 boxes, 2 folder, 11 oversize folders, 2 map case folders.)
Collection ID:
NMAH.AC.0060.S01.01.Real
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Real Estate forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Parish Gallery
Dates:
1940-2013
bulk 1991-2013
Size:
6.4 Linear feet
11.73 Gigabytes
Collection ID:
AAA.parigall
Repository:
Archives of American Art

The records of Parish Gallery, located in Washington, D.C., measure 6.4 linear feet and 11.73 gigabytes and date from 1940 to 2013, with the bulk of the collection dating from 1991 to 2013. This collection consists primarily of exhibition files, but also includes administrative files, as well as some biographical material related to Norman Parish's career before opening the gallery.

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Creators:
U.S. Fish and Wildlife Service
Dates:
1860-1961
Size:
66 cu. ft. (132 document boxes)
Collection ID:
Record Unit 7176
Repository:
Smithsonian Institution Archives

This collection consists primarily of reports, notebooks, notes, photographs, maps, and related materials documenting field research conducted by staff naturalists of the United States Fish and Wildlife Service and its predecessor, the Bureau of Biological Survey. The reports, which primarily concern biological surveys conducted in the Un...

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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355 records — Page 23 of 36