Query: John Reed Club
Paul S. Conger Papers
Dates:
1913-1979
Size:
5.5 cu. ft. (5 record storage boxes) (1 document box)
Collection ID:
Record Unit 7292
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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in Record Unit 7292 for John Reed Club
Records
Creators:
National Museum of American Art. Department of Twentieth Century Painting and Sculpture
Dates:
circa 1961-1980
Size:
29 cu. ft. (29 record storage boxes)
Collection ID:
Record Unit 458
Repository:
Smithsonian Institution Archives

These records document the work of the Department and its curators in the late 1960s and in the 1970s, with some material dated as early as 1961. The files include correspondence concerning proposed and rejected works of art, some administrative actions, and the Department's relationship with other museums. The majority of the records …

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in Record Unit 458 for John Reed Club
Records
Creators:
National Museum of American History. Department of History of Science
Dates:
1923-1980
Size:
15.5 cu. ft. (31 document boxes)
Collection ID:
Accession T90005
Repository:
Smithsonian Institution Archives

This accession consists of miscellaneous correspondence, fiscal records, annual reports, incoming and outgoing curatorial correspondence, personnel files, and records pertaining to the Computer History Project. Staff documented include Susan Faye Cannon.

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in Accession T90005 for John Reed Club
Jimmy Ernst papers
Creators:
Ernst, Jimmy, 1920-1984
Dates:
1802-2010
bulk 1930-2005
Size:
16.3 Linear feet
0.001 Gigabytes
Collection ID:
AAA.ernsjimm
Repository:
Archives of American Art

The papers of painter Jimmy Ernst measure 16.3 linear feet and 0.001 GB and date from 1802 to 2010, with the bulk of the records dating from the 1930s to 2005. The collection documents Ernst's work as a professional artist, educator and lecturer, and his involvement with the abstract expressionist art movement in the United States through biographical material, correspondence, writings, some personal business papers, teaching materials and lecture notes, printed and digital material, photographs as well as sound and video recordings. Also found is a series of research material, drafts, notes, publicity, correspondence, and interviews pertaining to the writing of Ernst's memoir, A Not So Still-Life (1984).

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in AAA.ernsjimm for John Reed Club
Warshaw Collection of Business Americana Subject Categories: Toys, Models, and Hobbies
Creators:
Warshaw, Isadore, 1900-1969
Dates:
1845-1965
Size:
3.27 Cubic feet (consisting of 7 boxes, 2 folders, 4 oversize folders, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Toys
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Toys, Models, and Hobbies forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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in NMAH.AC.0060.S01.01.Toys for John Reed Club
Scurlock Studio Records, Series 5: Color Negatives
Creators:
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
More …
Dates:
1964-1994, undated
Size:
72 Boxes
Collection ID:
NMAH.AC.0618.S05
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 primarily consists of color negatives, but occasionally includes order forms, envelopes, and other photographic materials associated with the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S05 for John Reed Club
Warren M. Robbins Papers
Creators:
Robbins, Warren M.
Dates:
circa 1927-2009
Size:
83.1 cu. ft. (80 record storage boxes) (4 12x17 boxes) (2 16x20 boxes)
Collection ID:
Accession 11-001
Repository:
Smithsonian Institution Archives

These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul …

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in Accession 11-001 for John Reed Club
Tape Recordings
Creators:
Smithsonian Institution
Dates:
1958-1992
Size:
17.16 cu. ft. (32 document boxes) (2 tall document boxes)
Collection ID:
Record Unit 106
Repository:
Smithsonian Institution Archives

These records include tape recordings made or received by the Office of Public Affairs, usually of Smithsonian Institution events or by Smithsonian Institution staff. They also include tapes made of animal sounds for the National Museum of Natural History Audioguide and other tapes received by the Archives, regardless of origin …

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in Record Unit 106 for John Reed Club
Records
Dates:
1851-1982 and undated
Size:
58.76 cu. ft. (39 record storage boxes) (9 document boxes) (26 tall document boxes) (9 microfilm reels)
Collection ID:
Record Unit 73
Repository:
Smithsonian Institution Archives

The Archives would like to thank the staff of the Division of Mollusks for their cooperation in transferring the records to the Archives. We especially appreciate the help of Clyde Roper, Richard Houbrick, and Michael Sweeney.

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in Record Unit 73 for John Reed Club
Edward Bruce papers
Creators:
Bruce, Edward, 1879-1943
Dates:
1902-1960
bulk 1932-1942
Size:
8.9 Linear feet
Collection ID:
AAA.brucedwa
Repository:
Archives of American Art

The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with artists, art collectors and dealers, arts associations, galleries, and government officials, including President and Mrs. Franklin D. Roosevelt.

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in AAA.brucedwa for John Reed Club
320 records — Page 23 of 32