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Creators:
Romero, Victor
Romero, Christine Solinski
Dates:
May 12, 1992
Size:
6 Film reels (16mm)
3 Sound tape reels (1/4 inch)
5 videocassettes (betacam)
0.25 Linear feet
Collection ID:
NMAI.AC.401
Repository:
National Museum of the American Indian

This collection contains an unpublished documentary film shot on May 12, 1992 that depicts an interview with artist Allan Houser [Warm Springs Chiricahua Apache (New Mexico)] discussing his remembrances of painting murals at the U.S. Department of the Interior headquarters in Washington, DC in 1939-1940. The film was shot by Victor Romero (Isleta Pueblo) and Christine Romero.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 2010
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2010
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Association of Cilivian Conservation Corps Alumni
Ward, C.E.
Civilian Conservation Corps (U.S.)
Bidwell, Timothy
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Dates:
1853-2009, undated
bulk 1933-1942
Size:
155 Cubic feet (330 boxes, 57 map folders)
Collection ID:
NMAH.AC.0930
Repository:
Archives Center, National Museum of American History

The Archival collections of the National Association of Civilian Conservation Corps Alumni (NACCCA) donated in 2006. The Civilian Conservation Corps (CCC), created as part of the New Deal legislation initiated by President Franklin D. Roosevelt in 1933, was a public work relief program for unemployed men designed to reduce high unemployment during the Great Depression. The CCC carried out a broad natural resource conservation program on national, state, and municipal lands from 1933 to 1942. This collection contains papers, photographs, and ephemera collected and created by alumni of the CCC and donated to the NACCCA archives.

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Public Programs/Curatorial Division
Dates:
circa 1975-1997
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 98-013
Repository:
Smithsonian Institution Archives

This accession consists of records produced by Judith Zilczer, Curator of Painting at the Hirshhorn Museum and Sculpture Garden (HMSG), which primarily document planning for the Richard Lindner and Sean Scully exhibitions at HMSG. Also included are Zilczer's curatorial files pertaining to research on HMSG collections, as well as papers from ...

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Creators:
Cooper Hewitt, Smithsonian Design Museum. Education Department
Dates:
1990-2015
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 18-081
Repository:
Smithsonian Institution Archives

This accession consists of records documenting public programs at the Cooper Hewitt, Smithsonian Design Museum. The museum was renamed from the Cooper-Hewitt, National Design Museum in 2014. Materials include events programs, mailings, pamphlets, calendars, program descriptions, speaker biographies, photographs of events, clippings, and p...

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Creators:
Claussen, Pete
Dates:
1941-1943
Size:
7 Cubic feet (21 boxes)
Collection ID:
NMAH.AC.0860
Repository:
Archives Center, National Museum of American History

American magazines and magazine covers dating from 1941 through 1943 with illustrations of the American flag collected and donated by Pete Claussen.

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Creators:
Bruce, Edward, 1879-1943
Dates:
1902-1960
bulk 1932-1942
Size:
8.9 Linear feet
Collection ID:
AAA.brucedwa
Repository:
Archives of American Art

The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with artists, art collectors and dealers, arts associations, galleries, and government officials, including President and Mrs. Franklin D. Roosevelt.

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Creators:
National Museum of American History. Office of Public Affairs
Dates:
circa 1980-1993
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Accession 95-150
Repository:
Smithsonian Institution Archives

This accession consists primarily of videotapes featuring news related stories about exhibitions, special events, and curatorial activities at the National Museum of American History (NMAH). Some noteworthy videotapes include television interviews with Roger G. Kennedy, former Director of NMAH; coverage of opening events for the Duke Elli...

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Creators:
National Museum of American History. Dwight D. Eisenhower Institute for Historical Research
Dates:
circa 1964-1984
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Record Unit 377
Repository:
Smithsonian Institution Archives

These records consist of a few files relating to NAFMAB, including some documents concerning its history, its project to raise the Union ship Tecumseh, and the later meetings of the Board. Most of the record unit consists of files of Pogue's activities, speeches, professional memberships, and relationships of the Institute with Smithsonian ...

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Creators:
Aikins, Russell Chorley, 1896-
U.S. Steel Corporation
Dates:
circa 1940s
Size:
3 Cubic feet (8 boxes)
Collection ID:
NMAH.AC.1037
Repository:
Archives Center, National Museum of American History

The collection comprises of 21 albums depicting the steel making and finishing operations of the United States Steel Corporation. All of the images were made by Russell Aikins around 1940. The albums contain photographic prints (8" x 9-1/2"). The majority of prints are mounted on spiral-bound pages. The photographs were created for public relations...

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