232 records — Page 23 of 24
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Creators:
National Museum of American Art. Curatorial Department
Dates:
1994-1996
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 00-014
Repository:
Smithsonian Institution Archives

This accession consists of exhibition proposals declined by the National Museum of American Art (NMAA) and the Renwick Gallery. Materials include correspondence, notes, memoranda, proposals, brochures, and color slides.

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1996-2001
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 08-057
Repository:
Smithsonian Institution Archives

This accession consists of exhibition proposals declined by the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Also includes records from when SAAM was known as the National Museum of American Art (NMAA). Materials include correspondence, notes, memoranda, proposals, brochures, press kits, and color slides.

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Creators:
Starr, Nina Howell, 1903-2000
Dates:
circa 1933-1996
Size:
21.2 Linear feet
Collection ID:
AAA.starnina
Repository:
Archives of American Art

The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

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Creators:
White, Charles, 1918-1979
Dates:
1933-1987
bulk 1960s-1970s
Size:
12.9 Linear feet
Collection ID:
AAA.whitchar
Repository:
Archives of American Art

The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material, including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.

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Creators:
Smithsonian Institution. Office of the Secretary
Dates:
1950, 1964-1984
Size:
14.5 cu. ft. (14 record storage boxes) (1 document box)
Collection ID:
Accession 84-219
Repository:
Smithsonian Institution Archives

This accession consists primarily of photocopies of S. Dillon Ripley's speeches, and includes three audiotapes; subject personal/confidential files including correspondence, reports and memoranda; draft copies of the Secretary's Statement; journal articles for various publications by Ripley; and Administrative Assistant to the Secretary Mary L...

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 Copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Smithsonian Resident Associate Program. Office of Public Affairs
Dates:
1989-1992
Size:
7.5 cu. ft. (7 record storage boxes) (1 document box)
Collection ID:
Accession 94-048
Repository:
Smithsonian Institution Archives

This accession consists of publicity files for programs sponsored by the Resident Associate Program (RAP). The programs consist of special events, including performances, lectures, and films; performance series; and courses. The files contain information on the publicity developed for each program, such as press releases and clippings.

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Creators:
Smithsonian Institution. Traveling Exhibition Service
Dates:
circa 1963-2005
Size:
17.69 cu. ft. (17 record storage boxes) (1 16x20 box)
Collection ID:
Accession 06-059
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, execution, administration, and promotion of traveling exhibitions. Materials include correspondence, memoranda, press releases, press kits, photographs, catalog text, itineraries, fact sheets, checklists, meeting agendas, clippings, budgets, proposals, brochures, notes and rel...

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Creators:
Princeton University
Dates:
1863-1950
Size:
135 Cubic feet (10,690 posters)
Collection ID:
NMAH.AC.0433
Repository:
Archives Center, National Museum of American History

Primarily war-related posters.

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Creators:
Artists Talk on Art
Dates:
circa 1974-2018
Size:
64.4 Linear feet
317.43 Gigabytes
Collection ID:
AAA.artitalk
Repository:
Archives of American Art

The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

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232 records — Page 23 of 24