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Creators:
National Museum of American Art. Curatorial Office
Dates:
1973-1993
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 97-035
Repository:
Smithsonian Institution Archives

This accession consists of records which document planning for and the installation of the following exhibitions: Art, Design and the Modern Corporation: The Collection of the Container Corporation of America; The Martha Jackson Memorial Collection; Patrick Ireland: Drawings, 1965-1985; Close Focus: Prints, Drawings and Photographs; Franz...

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Creators:
Maertz, J.F., Department Store (Milwaukee, Wis.).
Stanley-Brown, Joseph, 1858-1941
Keystone View Company
Rau, William H.
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Dates:
1887-1930
bulk 1900-1930
Size:
8 Cubic feet ((29 boxes))
Collection ID:
NMAH.AC.0945
Repository:
Archives Center, National Museum of American History

Collection consists of lantern slides and stereographs produced by several companies: Keystone View Company, Better America Lecture Service, Incorporated, American Press Association, J. Stanley-Brown, William H. Rau, and J. F. Maertz Department Store. The lantern slides were primarily intended to be used for educational presentations about the United States, other countries, history, and society. Many of the slides and stereographs are accompanied by descriptive text and in some instances by small cards--one card for each slide--and in other instances directly on the back of a stereoview. The majority of images were taken from 1900 to 1930.

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Dates:
1974-2008
Size:
13 Linear feet
Collection ID:
NAA.2009-16
Repository:
National Anthropological Archives

Blair Arnold Rudes was a linguist who specialized in Native American languages. The Blair Rudes papers document his research and professional activities from 1974-2008 and primarily deal with dictionaries and other linguistic materials he created and studied, as well as the culture and history of various Native American groups around the Eastern United States and the rest of North America. His involvement in language education, federal recognition of tribes, and the use of authentic Native American dialog in film are also represented. The collection consists of research files, linguistic research and data, correspondence, papers and other writings written by Rudes and his colleagues, movie scripts and related materials, and audio/visual recordings.

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Creators:
Gropius, Walter, 1883-1969
Gropius, Ise
Dates:
1883-1981
Size:
0.4 Linear feet ((24 microfilm reels))
Collection ID:
AAA.gropwalt
Repository:
Archives of American Art

Biographical material, correspondence with architects and artists (1903-1978), writings (1923-1969), a diary, an autograph book, subject files, printed material, photographs (1883-1979) and 5 photograph albums reflect the career of Walter Gropius, the activities of his wife Ise, and her recollections of the Bauhaus. Also included are 5 cassette tap...

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Creators:
Smithsonian Center for Education and Museum Studies
Dates:
1975-2006
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 06-236
Repository:
Smithsonian Institution Archives

This accession consists of program files created and maintained by Nancy J. Fuller. These records cover various symposiums, lectures, workshops and programs, including Fuller's work with ecomuseums and Native American museums. Materials include bibliographies, correspondence, reports and projects, audiotapes, photographs, serials and transcrip...

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Creators:
Smithsonian Institution. Office of Museum Programs
Dates:
circa 1974-1989
Size:
18 cu. ft. (18 record storage boxes)
Collection ID:
Record Unit 631
Repository:
Smithsonian Institution Archives

These records document the museological work of the Office of Museum Programs (OMP) among its various constituencies - international, national, and local. The records focus on training for smaller museums in all aspect of museum work, including security, registration, conservation, graphics, education, development, and the like.

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Dates:
1863–1872
Size:
111 Reels
Collection ID:
NMAAHC.FB.M1905
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 111 rolls of microfilm described in the NARA publication M1905. These digital surrogates reproduced the records of the staff officers of the Assistant Commissioner and the subordinate field offices of the Louisiana headquarters of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1863–1872. These records consist of bound volumes and unbound records containing materials that include letters sent and received, monthly reports, registers of complaints, labor contracts, and other records relating to freedmen's claims and bounty payments.

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Creators:
National Museum of American Art. Office of Educational Programs
Dates:
circa 1980-1993
Size:
16.5 cu. ft. (16 record storage boxes) (1 document box)
Collection ID:
Accession 94-147
Repository:
Smithsonian Institution Archives

This accession consists of records that document the activities of the National Museum of American Art (NMAA), Office of Educational Programs, which is responsible for developing NMAA educational outreach programs, special events, and learning material for the general public, school systems, and professional organizations. Earlier records ...

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Creators:
Cooper-Hewitt, National Design Museum. Education Department
Dates:
1979-1995
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 97-015
Repository:
Smithsonian Institution Archives

This accession primarily consists of program records which document lecture series and seminars; family and school programs; workshops; museum and gallery tours; and special events. Materials include the correspondence, memoranda, and notes of Dorothy Dunn, Program Coordinator for Schools; planning information on program content and logistics;...

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Creators:
Boris Mirski Gallery (Boston, Mass.)
Dates:
circa 1936-2000
bulk 1945-1972
Size:
6.2 Linear feet
Collection ID:
AAA.mirsbori
Repository:
Archives of American Art

The Boris Mirski Gallery records measure 6.2 linear feet and date from 1936-2000, bulk 1945-1972. They include gallery administrative files; artist files including correspondence, exhibition and loan paperwork as well as photographic documentation of artwork; gallery correspondence; financial materials including outgoing and incoming invoices and sales records; printed materials promoting the gallery and its artists; press materials; and a number of photographs of Boris Mirski at events and with others, as well as photographs of artwork. Artists particularly well represented in the collection include David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.

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