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Creators:
Kardon, Janet
Dates:
1905
circa 1950-1995
Size:
6.7 Linear feet
Collection ID:
AAA.kardjane
Repository:
Archives of American Art

The Janet Kardon papers measures 6.7 linear feet and date from 1905, and circa 1950-1995, with the bulk of the records dating from 1975-1991. Papers include exhibition files, professional records, legal records, photographs, printed material, and some audiovisual material. The collection primarily documents Kardon's work on various exhibitions during her time at the Philadelphia College of Art (PCA) and the Institute of Contemporary Art (ICA), University of Pennsylvania.

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Creators:
National Air and Space Museum. Exhibits Design Department
Dates:
1971-2007
Size:
6.5 cu. ft. (6 record storage boxes) (1 document box)
Collection ID:
Accession 18-273
Repository:
Smithsonian Institution Archives

This accession consists of a central set of scripts for new exhibitions, revisions to existing exhibitions, and proposed exhibitions at the National Air and Space Museum (NASM). Some records document NASM exhibits at the Arts and Industries building before the museum had its own building as well as exhibits at NASM's Paul E. Garber Preservatio...

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Creators:
National Museum of History and Technology. Office of the Deputy Director
Dates:
1958-1978
Size:
11 cu. ft. (22 document boxes)
Collection ID:
Record Unit 277
Repository:
Smithsonian Institution Archives

These records, generated by John C. Ewers, Assistant Director, 1959-1964, and Silvio A. Bedini, Assistant Director, 1965-1972, and Deputy Director, 1972-1978, document the role of these positions within the National Museum of History and Technology (NMHT) administrative hierarchy. A small portion of the records also covers Ewers' position ...

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Creators:
Renwick Gallery
Dates:
1981, 1988, 1994-2003
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 10-106
Repository:
Smithsonian Institution Archives

This accession consists of records related to the research and planning of exhibitions at the Renwick Gallery. The majority of the records document the research of Kenneth R. Trapp, Curator-in-Charge for the proposed exhibition, Silver on the High Seas: United States Navy Presentation Silver Services which was to open in fall 2004. Also i...

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Creators:
Johnson, Buffie
Dates:
circa 1920-2010
Size:
3.4 Linear feet
Collection ID:
AAA.johnbuff
Repository:
Archives of American Art

The papers of New York-based painter Buffie Johnson measure 3.4 linear feet and date from circa 1920-2010. While the collection is primarily composed of printed materials that document her career and exhibition history, a small amount of biographical material, correspondence, writings, exhibition and project files, and photographic material provide more in depth documentation of her personal and professional life.

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Creators:
Smithsonian Institution. Office of Physical Plant. Horticulture Services Division. Office of the Director
Dates:
1972-1990
Size:
9 cu. ft. (9 record storage boxes) (1 map case folder)
Collection ID:
Accession 94-035
Repository:
Smithsonian Institution Archives

This accession consists of the administrative, correspondence, and subject files of James R. Buckler, who was hired in July 1972 to oversee the Smithsonian Institution's horticultural program. The records document the development of the program into the Office of Horticulture, of which Buckler became director. The records were not consistently...

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Creators:
Brinley, Putnam
Dates:
1879-1984
Size:
14.3 Linear feet
Collection ID:
AAA.brindani
Repository:
Archives of American Art

The papers of painter and muralist Daniel Putnam Brinley and his wife, linguist and writer Kathrine Sanger Brinley, date from 1879 to 1984 and measure 14.3 linear feet. The Brinleys' careers and lives are documented in biographical materials, as well as extensive correspondence with one another, family, friends, art galleries, organizations, publishers, and others. Also found within the papers are writings by both, including 16 diaries (1 by Daniel Putnam Brinley and the rest by Kathrine), essays, manuscripts, typescripts, notes and notebooks, poetry, and various other writings. There are mural commission files, files for organizations of which the Brinleys were members, financial and legal records, exhibition catalogs, news clippings, and other printed material. Also found are photographs of the Brinleys, family, friends, travels, and artwork, and six sketchbooks and original artwork by Daniel Putnam Brinley.

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Creators:
Herbert, David, 1920-1995
Dates:
circa 1909-1996
bulk 1945-1995
Size:
5.8 Linear feet
Collection ID:
AAA.herbdavi
Repository:
Archives of American Art

The papers of New York gallery owner and art dealer David Herbert measure 5.8 linear feet and date from circa 1909-1996, with the bulk of the material dating from 1945-1995. Herbert's papers document his years working for Betty Parsons Gallery, Sidney Janis Gallery, Graham Gallery, and others; the operation of the David Herbert Gallery from 1959-1962; Herbert's partnerships and agreements with Richard Feigen and others; and his activities as an independent dealer. Records include biographical material, correspondence, notebooks, subject files, artist files, exhibition files, business records, printed material, and photographs.

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Creators:
Smithsonian Institution. Office of Museum Programs
Dates:
1972-1982
Size:
8 cu. ft. (6 record storage boxes) (4 document boxes)
Collection ID:
Accession 86-052
Repository:
Smithsonian Institution Archives

This accession consists of audiotapes and videotapes of interviews; lectures of the exhibit, Drugs: A Special Exhibition; and conservation training programs.

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Creators:
Smithsonian Institution. Assistant Secretary for the Arts and Humanities
Dates:
circa 1985-1992
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Accession 96-006
Repository:
Smithsonian Institution Archives

This accession consists of records of three projects of the Assistant Secretary for the Arts and Humanities. The majority of the records document the Special Exhibition Fund, established by Office Memorandum (OM) 833 dated October 26, 1984. The OM decreed that the Fund was meant only to fund significant exhibitions beyond the normal financial ...

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