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Creators:
Finch College. Museum of Art
Varian, Elayne H.
Dates:
1943-1975
bulk 1964-1975
Size:
20.9 Linear feet
Collection ID:
AAA.finccoll
Repository:
Archives of American Art

The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.

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Creators:
Worman, Eugene C.
Dates:
1835-1995
Size:
4.1 Linear feet
Collection ID:
AAA.wormeuge
Repository:
Archives of American Art

The Eugene C. Worman research material on William H. Bartlett measures 4.1 linear feet and dates from 1835-1995. The collection reflects Worman's interest in Bartlett's career as an illustrator, and includes material on Bartlett's work and travels, his publisher, George C. Virtue, and the museums and institutions in which his artwork is represented. Records include biographical material, correspondence, notes, writings, articles, printed material, reproductions, photographs, slides, and transparencies.

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Creators:
Pearmain, William Robert, 1888-1912
Dates:
1888-1955
Size:
0.4 Linear feet
Collection ID:
AAA.pearwill
Repository:
Archives of American Art

The papers of painter and activist William Robert Pearmain (1888-1912) and the Pearmain family measure 0.4 linear feet and date from 1888-1955. Papers are found for William Robert Pearmain, his wife Nancy Douglas Brush (later Bowditch), their daughter Mary "Polly" Pearmain, and other members of the Pearmain family. There are biographical materials; family correspondence; a watercolor; a travel diary and school essays by Pearmain; printed materials, including clippings and two publications by the Industrial Workers of the World; and photographs of the Pearmain family and artwork.

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Creators:
Weber, Max, 1881-1961
Dates:
1902-2008
Size:
11.8 Linear feet
Collection ID:
AAA.webemax
Repository:
Archives of American Art

The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1544-1955
Size:
2.25 Cubic feet
Collection ID:
NMAH.AC.0060.S01.01.Maps
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Maps forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Layton, Benjamin
Dates:
circa 1865-1977
Size:
3.45 Linear feet (5 boxes; 1 folder)
Collection ID:
ACMA.06-031
Repository:
Anacostia Community Museum Archives

The Benjamin Layton collection documents the life, family history, and interests of Benjamin T. Layton. Items date from circa 1865 to 1977. The collection measures 3.45 linear feet and is composed of newsletters, clippings, pamphlets, newspapers, correspondence, certificates, photographs, memorabilia, books, stamps, etchings, and programs.

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Dates:
1924-1997
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Accession 99-102
Repository:
Smithsonian Institution Archives

This accession consists of records which document the activities and history of the American Zoo and Aquarium Association (AZAA). Materials include subject files; information on the Species Survival Plan, the Taxon Advisory Group, the Scientific Advisory Group, and committees; regional and annual proceedings; and master microfilm of AZAA board...

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Creators:
Varian, Dorothy, 1895-1985
Dates:
circa 1902-1984
Size:
2.3 Linear feet
Collection ID:
AAA.varidoro
Repository:
Archives of American Art

The papers of painter Dorothy Varian date from circa 1902 to 1984 and measure 2.3 linear feet. This collection documents Varian's life primarily through scattered biographical material; correspondence with family, friends, artists and art galleries; personal business records; a few writings; exhibition catalogs, news clippings, and other printed material; photographs of Varian, her friends, and artwork; and original sketches by Varian and fellow artist Peggy Bacon.

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Creators:
Jumping Bull
Sitting Bull, 1831-1890
Kimball, James C.
Dates:
circa 1870
Size:
55 Drawings (54 leaves, ink and colored pencil)
1.5 Linear feet
Collection ID:
NAA.MS1929A
Repository:
National Anthropological Archives

55 Drawings of war deeds of Sitting Bull and Jumping Bull. Drawings are copies of ones made by Sitting Bull and Jumping Bull.

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Creators:
Schmidt, Katherine, 1898-1978
Dates:
circa 1921-1971
Size:
0.2 Linear feet
Collection ID:
AAA.schmkath
Repository:
Archives of American Art

The papers of painter and arts advocate Katherine Schmidt measure 0.2 linear feet and date from circa 1921 to 1971. Scattered correspondence, speeches, proposals, meeting minutes, and notes focus primarily on Schmidt's advocacy for federal and state government support of the arts. Printed materials includes exhibition catalogs, clippings, press releases documenting Schmidt's painting career and arts advocacy work. Photographs include portrait photos of Schmidt and photographs of Schmidt's drawings. There are two photographs taken by her first husband Yasuo Kuniyoshi of Schmidt with friends at a party.

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