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Creators:
Lopez, Joe, 1945-
Dates:
1966-2016
Size:
1.7 Linear feet
32.93 Gigabytes
Collection ID:
AAA.lopejoe
Repository:
Archives of American Art

The Joe Lopez papers and Gallista Gallery records measure 1.7 linear feet and 32.93 GB and date from 1966 to 2016. The collection is comprised of biographical records that include interviews with Lopez, autobiographical writings by Lopez and writings by others, printed and digital materials, artwork, and photographic and moving image materials. Records for the Gallista Gallery include trademark files and legal records pertaining to the lawsuit against Lopez by E and J Gallo Winery over the use of the word "gallo."

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1833-1975
Size:
3.21 Cubic feet (consisting of 7 boxes, 3 oversize folders.)
Collection ID:
NMAH.AC.0060.S01.01.Office
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Office Equipment forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1787-1964
Size:
1.45 Cubic feet (consisting of 3 boxes, 2 folders, 2 oversize folders, 1 map case folder, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Women
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1748-1994
Size:
2.58 Cubic feet (consisting of 5.5 boxes, 4 oversize folders, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Wines
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Wines forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Serrano, Andres, 1950-
Dates:
1986-2013
Size:
2.8 Linear feet
Collection ID:
AAA.serrandr
Repository:
Archives of American Art

The papers of photographer Andres Serrano, measure 2.8 linear feet and date from 1986 to 2013. The collection documents Serrano's work as a photographer through correspondence, writings, professional files, personal business records, and printed materials.

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Creators:
Sturtevant, 1924-2014
Dates:
circa 1960-2014
bulk 1990-2014
Size:
5.2 Linear feet
0.003 Gigabytes
Collection ID:
AAA.sturelai
Repository:
Archives of American Art

The papers of multi-media artist Elaine Sturtevant date from circa 1960-2014, with the bulk of material dating from the period of the artist's resurgence, 1990-2014. The collection measures 5.2 linear feet and 0.003 GB. The papers document Sturtevant's career and artistic process through correspondence with artists and curators, writings and illustrated notes, exhibition and catalog files, project files, and printed material. Sturtevant's voice and artistic mission emerge through the many items of correspondence, essays, and project notes in the collection. The collection also contains a few born-digital files of scans of exhibition photographs dating from the 1960s.

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Creators:
Castleman, Riva
Dates:
1871
1930-2013
Size:
10.6 Linear feet
7.83 Gigabytes
Collection ID:
AAA.castriva
Repository:
Archives of American Art

The papers of curator Riva Castleman measure 10.6 linear feet and 7.83 GB, and date from 1930-2013 with one printed item dating from 1871. The collection contains biographical material, correspondence including mail art, writing project files, notebooks, interviews, project files, printed material, photographic material, and artwork. The collection richly documents Castleman's writing and research process and contains dozens of manuscripts for books, catalogs, and essays, as well as related correspondence and research including audio interviews and sound recordings. Several of Castleman's books about contemporary printmaking, such as Prints of the 20th Century (1976) and American Impressions (1985), are extensively documented, as are many of the catalogs she produced to accompany Museum of Modern Art exhibitions, including Jasper Johns: A Print Retrospective (1987) and The Prints of Andy Warhol (1990). Some records are in born-digital form including correspondence, manuscript drafts, and audio conversations with Tatyana Grosman. Other interviews are on sound cassettes.

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Creators:
Susanne Hilberry Gallery
Hilberry, Susanne, 1943-2015
Dates:
1964-2016
bulk 1976-2016
Size:
5.8 Linear feet
10.1 Gigabytes
Collection ID:
AAA.susahilb
Repository:
Archives of American Art

The records of the Susanne Hilberry Gallery measure 5.8 linear feet and 10.1 gigabytes, and date from 1964-2017, with the bulk of the material dating from 1976-2016. Gallery artists include Richard Artschwager, Lynda Benglis, Jun Kaneko, Ellen Phelan, Italo Scanga, Joel Shapiro, Alex Katz, Judy Pfaff, Warren MacKenzie, and Nancy Mitchnick, among many others. The collection consists largely of files grouped by artist containing correspondence, sales records, and exhibition records documenting the activities of the gallery including outside or traveling exhibitions and other initiatives. Also included are significant amounts of visual materials (photographs, slides, transparencies, and digital images) documenting gallery exhibitions and the oeuvres of the gallery artists, as well as digital video recordings in the form of video works, recordings of artist talks, and artwork documentation.

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Creators:
Neel, Alice, 1900-1984
Dates:
1933-1983
Size:
1 Linear foot
Collection ID:
AAA.neelalic
Repository:
Archives of American Art

The papers of New York painter Alice Neel measure 1.0 linear foot and date from 1933 to 1983. The bulk of the collection documents the last fifteen years of Neel's career as an artist. Found within the papers are letters from galleries, museums, and art organizations; writings and notes by Neel; exhibition catalogs, clippings, and other printed material; and photographs depicting Neel, exhibitions, and her artwork.

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Creators:
Saroff, Raymond
Dates:
1953-2009
Size:
1.2 Linear feet
Collection ID:
AAA.saroraym
Repository:
Archives of American Art

The Raymond Saroff papers are dated 1953-2009 and comprise 1.2 linear feet. Letters, printed material and photographs compiled by Saroff document his interest in Claes Oldenburg and "Happenings." Also included are a videotape of Saroff's film Claes Oldenburg's "Ray Gun Theater – 1962" and receipts for artwork purchased for his modern art collection. The 2014 addition includes a catalog essay by curator and collector Howard Rose, Saroff's partner, for an exhibition of their folk art collection at Bard College (1991). Also found are financial records regarding his collections, related printed material, and photographs of artwork.

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