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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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Creators:
White, Dale L., Sr., 1899-1977
Dates:
1932-2013
bulk 1932-1939
Size:
2.26 Linear feet (2 legal-sized boxes; 1 flat box)
Collection ID:
NASM.2013.0050
Repository:
National Air and Space Museum Archives

The Dale L., White, Sr., Papers consist of material relating to the aviation career of Dale L. White, Sr., including his attendance at the Curtiss Wright Aeronautical University and his piloting of the "Goodwill Flight" from Chicago, Illinois, to Washington, DC, to lobby for African-Americans to be able to join the US Army Air Corps. The bulk of the collection covers his flying years between 1932 and 1941, though personal materials from a later date are also included. Materials included are photographs, negatives, telegrams, a scrapbook, aeronautical textbooks, aeronautical notebook, DVDs, newspaper and magazine articles, pilot log books, pilot licenses, and related information.

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Creators:
Laderman, Carol
Dates:
1970-2009
Size:
6 Linear feet ((15 boxes and 1 manuscript envelope) and 154 cassette tapes)
Collection ID:
NAA.2012-09
Repository:
National Anthropological Archives

Carol Laderman was a medical anthropologist best known for her research on Malay traditional medicine. Her work focused on beliefs and practices regarding childbirth and nutrition as well as shamanic healing practices in rural Malaysia. This collection consists of the professional papers of Carol Laderman, medical anthropologist and university professor. The bulk of the collection pertains to her research on childbirth, nutrition, and shamanic healing practices in rural Malaysia. These materials include field notes, surveys, transcripts of Main Peteri ceremonies, grant applications, photographs, and sound recordings. Of special interest are her photographs of midwives and shamans treating patients, including Main Peteri ceremonies, as well as traditional Malay weddings and festivals. Also noteworthy are her recordings of Main Peteri ceremonies and her interviews with midwives and shamans. The collection also contains her unpublished and published writings; her dissertation; a report on her undergraduate fieldwork with pregnant Puerto Rican teenagers; her lecture notes and files as a university professor; files documenting her involvement in professional associations; and correspondence with colleagues.

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Creators:
André Emmerich Gallery
Dates:
circa 1929-2009
Size:
311.4 Linear feet
Collection ID:
AAA.andremmg
Repository:
Archives of American Art

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. TheA small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

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Creators:
National Museum of Natural History. Office of Public Affairs
Dates:
1992-2002
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 12-545
Repository:
Smithsonian Institution Archives

This accession consists of press releases related to the National Museum of Natural History's exhibitions, public programs, research, events, and administrative changes. Materials also include statements to the press, fact sheets, and related materials. Some press releases were issued by partnering organizations or the Smithsonian Institution,...

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Creators:
Smithsonian Astrophysical Observatory. Assistant Director (Management)
Dates:
1956-1967
Size:
12.5 cu. ft. (25 document boxes)
Collection ID:
Record Unit 259
Repository:
Smithsonian Institution Archives

This record unit consists primarily of records maintained by Assistant Director Carlton W. Tillinghast, 1961-1969, with smaller amounts created by his predecessor Kenneth H. Drummond, 1959-1961, and the executive officer, Vaughan Harmon. Also included is correspondence and memoranda addressed to Smithsonian Astrophysical Observatory (SAO) Dire...

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Creators:
National Museum of American Art. Curatorial Department
Dates:
1982-1990
Size:
8.5 cu. ft. (8 record storage boxes) (1 document box)
Collection ID:
Record Unit 461
Repository:
Smithsonian Institution Archives

These records consist of correspondence and memoranda documenting the activities of the Curatorial Department and its predecessors. Included are general correspondence; correspondence with artists, dealers, and institutions; and the files of Harry Rand concerning his research and curation of The Art of Paul Manship.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1784-1970
Size:
12.77 Cubic feet (consisting of 26.5 boxes, 1 folder, 7 oversize folders, 2 map case folders, 1 flat box (partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Textiles
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Bellcomm, Inc.
Dates:
1959-1972
Size:
81.71 Cubic feet (222 letter document boxes, 1 slim letter document box, 4 flatboxes)
Collection ID:
NASM.XXXX.0093
Repository:
National Air and Space Museum Archives

This collection contains the non-book portion of Bellcomm's Technical Library. The material in the collection consists of technical reports prepared by NASA subcontractors and/or NASA facilities during the first decade of space exploration (1960-1970). The collections also includes some reports issued by the California Institute of Technology's Jet Propulsion Lab (JPL) at Pasadena, CA, including Space Program and Research Summaries, as well as technical and engineering documents.

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Creators:
Poor, Henry Varnum, 1887-1970
Dates:
1873-2001
bulk 1904-1970
Size:
12.9 Linear feet
Collection ID:
AAA.poorhenr
Repository:
Archives of American Art

The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.

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