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Creators:
DeVincent, Sam, 1918-1997
Dates:
1834-1983
Size:
11 Boxes
Collection ID:
NMAH.AC.0300.S07
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 7: Sports contains 1,254 pieces of sheet music and song folios. Most of the sheet music is either piano or piano/ vocal arrangements. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Vargus, Ione
Dates:
1910-2006
Size:
8 Linear feet
Collection ID:
NMAAHC.A2014.39
Repository:
National Museum of African American History and Culture

Edward Dugger (1894-1939) served as a first lieutenant and commanding officer in the African American unit, 372nd Infantry, during the 1920s and 1930s. The 372nd Infantry Regiment was a troop that was part of the 93rd Infantry Division (Colored) which served with the French Army during World War I. He retired in 1936 with the rank of Lieutenant Colonel with the Massachusetts National Guard and passed away in 1939.

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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
circa 1960-1980
Size:
107.16 cu. ft. (105 record storage boxes) (2 document boxes) (2 tall document boxes)
Collection ID:
Record Unit 638
Repository:
Smithsonian Institution Archives

This record unit consists of project files documenting the repairs, improvement, and renovation of existing Smithsonian buildings. The records include memoranda with Smithsonian offices, correspondence with contractors, blueprints, cost analyses, specifications, and photographs. Buildings and museums documented in this collection include: the...

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Creators:
Rockwell, David Hadley
Dates:
1980-2004, undated
Size:
3.2 Cubic feet (11 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1342
Repository:
Archives Center, National Museum of American History

An extensive collection of advertisements, club cards, ephemera, and invitations publicizing venues and events at entertainment clubs and venues in New York City, New York, New Jersey, and Florida. The materials make use of a variety of graphic arts styles.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1841-1976
Size:
4.06 Cubic feet (consisting of 7 boxes, 1 folder, 57 oversized folders, 1 flat box (partial).)
Collection ID:
NMAH.AC.0060.S01.01.Calendars
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Calendars forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Museum of American History. Program in Black American Culture
Dates:
circa 1976-1987
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 98-136
Repository:
Smithsonian Institution Archives

This accession consists of the records of Bernice Johnson Reagon, former Director of the Program in Black American Culture, 1982-1988. The material consists primarily of Reagon's correspondence and memoranda concerning the program and its administration; information on projects such as "Music of the Black American Composer" and "Voice of ...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1787-1938
Size:
0.55 Cubic feet (consisting of 1 box, 2 folders, 3 oversize folders.)
Collection ID:
NMAH.AC.0060.S01.01.Poetry
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Poetry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Smithsonian Institution. Office of Physical Plant
Dates:
1982-1996
Size:
58 cu. ft. (58 record storage boxes) (3 oversize folders)
Collection ID:
Accession 98-130
Repository:
Smithsonian Institution Archives

This accession consists of project files for renovation and reconstruction activities of the Office of Physical Plant, including memoranda, correspondence, photographs, blueprints and drawings, and other materials pertaining to each project. Box listings show Project Number, Project Name, and Facility. Museums, buildings and events do...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 1996
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1996
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Blackburn, Robert Hamilton, 1920-
Cummings, Paul
Dates:
1970 December 4
Size:
52 Pages (Transcript)
Collection ID:
AAA.blackb70
Repository:
Archives of American Art

An interview of Robert Blackburn conducted 1970 December 4, by Paul Cummings, for the Archives of American Art. Blackburn speaks of his early life in Jamaica and New York; the influences of his youth including school, gangs, religion, art, music, and culture; the Harlem Community Art Center; studying with Charles Alston; the difficulties suffered b...

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