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Creators:
Susan Conway Gallery (Washington, D.C.)
Dates:
circa 1928, 1940s-2003
bulk 1987-2003
Size:
23.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.susacong
Repository:
Archives of American Art

The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.

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Creators:
Stephens, Alice Barber, 1858-1932
Dates:
1884-1986
Size:
0.3 Linear feet
Collection ID:
AAA.stepalic
Repository:
Archives of American Art

The papers of engraver and illustrator Alice Barber Stephens measure 0.3 linear feet and date from 1884 to 1986. The collection includes letters, photographs, printed material, and miscellaneous items.

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Creators:
West, Benjamin, 1738-1820
Dates:
1771-circa 1879
Size:
0.3 Linear feet
Collection ID:
AAA.westbenj
Repository:
Archives of American Art

This collection measures 0.3 linear feet and consists of 19 items dated 1771-circa 1879, relating to expatriate painter Benjamin West. West, who settled in London and was renowned for his portraits and his paintings of historical events, was the first internationally known American painter. The collection provides scattered documentation of West's activities including during the time of his appointment as historical painter to King George III, and contains letters from West, artwork including 2 engravings of the artist, 2 pages of West's accounts, and a ticket to a lecture at the Royal Academy of Art.

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Creators:
Fields, Earl T., 1900-
Bestor, Dorothy K., 1913-
New Deal and the Arts Oral History Project
Dates:
1965 June 9
Size:
1 Sound tape reel (Sound recordings, 7 in.)
9 Pages (Transcript)
Collection ID:
AAA.fields65
Repository:
Archives of American Art

An interview of Earl T. Fields conducted 1965 June 9, by Dorothy Bestor, for the Archives of American Art. Speaks of his work for the Federal Art Project and later, as the official photographer for the Seattle Art Museum. Fields mentions the work of his father, Grant Wood. He discusses the friction within the WPA and criticisms of the WPA.

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Creators:
Schmeckebier, Laurence Eli, 1906-1984
Dates:
1909-1988
Size:
13.5 Linear feet
Collection ID:
AAA.schmlaur
Repository:
Archives of American Art

Biographical materials, correspondence, files, notes, writings, art works, scrapbooks, photographs, and printed materials relating chiefly to Laurence E. Schmeckebier's academic career and to his publications.

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Creators:
National Collection of Fine Arts. Office of the Director
Dates:
1912-1965
Size:
28.5 cu. ft. (57 document boxes)
Collection ID:
Record Unit 312
Repository:
Smithsonian Institution Archives

Record Unit 312 was transferred from the National Museum of American Art (NMAA) Archives to the Smithsonian Institution Archives in October 1984. The NMAA Archives, which was created in January 1975, and located in the Fine Arts and Portrait Gallery Building, came under the daily administration of the NMAA, with technical supervision and ...

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Creators:
Cramer, Konrad, 1888-1963
Dates:
1897-1968
Size:
8.5 Linear feet
Collection ID:
AAA.cramkonr
Repository:
Archives of American Art

The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, where Florence Ballin first attended art classes in 1906, and where the couple settled in 1911. Records include biographical materials, correspondence, a Christmas card album, diaries, writings, business records, personal financial records, printed materials, photographs, and artwork.

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Creators:
Challis Galleries (Laguna Beach, Calif.)
Dates:
1950-1994
Size:
2.2 Linear feet
Collection ID:
AAA.chalgall
Repository:
Archives of American Art

The records of Challis Galleries located in Laguna Beach, California, measure 2.2 linear feet and date from 1950 to 1994. The bulk of the records consist of artists' files and sales ledgers. Also included are a few administrative files and business correspondence.

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Creators:
Adelman, Lucy
Dates:
1971-1992
Size:
13 Linear feet
Collection ID:
AAA.artspac
Repository:
Archives of American Art

The records of Los Angeles Art Space gallery measure 13 linear feet and date from 1971 to 1992. The majority of the collection consists of the gallery's exhibition files which contain correspondence, clippings, exhibition catalogs and announcements, slides, photos, invoices, price lists, loan records, and other materials. There is also correspondence with artists and organizations, financial and administrative records, and slides of artwork and exhibitions.

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Creators:
Houlberg, Marilyn
Dates:
circa 1973-circa mid-1980s
Size:
1,615 color slides (color, 35 mm)
circa 400 Photographic prints (3 x 5 inches, 5 x 7 inches)
1 box manuscripts (document genre)
52 Cassettes (Audiocassettes- music, lectures, field records, interviews)
1 Videocassette
1 cd-r (CD-ROM)
1 Notebook
Collection ID:
EEPA.2015-015
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection contains a variety of materials including (1,615) 35 mm color slides, circa 400 photographic prints, 1 box of manuscript materials, 1 notebook, 52 audio and 1 video cassettes, and 1 CD-ROM. Many of the slides and photographs were taken during Houlberg's field work in Nigeria (1973-1975) and depict Ibeji figures, wood carvings, Egungun masquerades and masks, twins, portraits, hairstyles, festivals, shrines, textiles, and peoples including the Yoruba, Ekoi, Ibibio, and Ogoni. The audiocassettes consist of lectures, music, field records, and interviews.

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