William J. Heaslip Aviation Reference Files
bulk 1920s to 1940s
William John Heaslip (1898--1970) was a prominent artist whose aviation-themed work, especially during World War II, was known for its accuracy and detail. This collection consists of approximately 4.82 cubic feet of reference files used Heaslip in the creation of his art.
National Air and Space Museum Technical Reference Files: Biographies
The Technical Reference Files comprise an artificial collection that currently contains 1,900 cubic feet of aviation and space related materials, organized in 22 subject series. File materials include photographs, press releases, clippings, correspondence, reports, and brochures, on individuals, organizations, events, and objects.
C. Earle Smith Jr. papers
C. Earle Smith Jr. (1922-1987) was one of the founders of the modern field of paleobotany. This collection documents his research and professional activities through correspondence, research notes, data, manuscripts, publications, and photographs. Represented in the collection is his fieldwork in Mexico, Peru, Venezuela, and Costa Rica.
Exhibition Records (Declined)
This accession consists of exhibition proposals declined by the National Museum of American Art (NMAA) and the Renwick Gallery. Materials include correspondence, notes, memoranda, proposals, brochures, and color slides.
Arnold B. Grobman Papers
These papers document the professional career of Arnold B. Grobman. Included are correspondence with colleagues on scientific topics, professional societies business, and files documenting his activities on numerous boards and committees. As a general rule, his files as an academic administrator are not in these papers, nor are some files …
These records consist of curator's day journals, 1946-1956; a manuscript copy, Wheels and Wheeling: The Smithsonian Cycle Collection, 1974; and administrative files of the Division of Transportation concerning such matters as gifts and grants, annual budgets, minutes of meetings, publications, and historical inquiries regarding objects. Also included are records concerning exhibition planning …
Albert Duveen collection of artists' letters and ephemera
The Albert Duveen collection of artists' letters and ephemera measures 1.1 linear feet and dates from 1807 to 1946. Unrelated letters written by over 170 mostly 19th and early 20th century American artists are found in this compiled collection of art critic, dealer, and collector Albert Duveen. Additional ephemera includes printed material and photographs of artwork.
Ivan C. Karp papers and OK Harris Works of Art gallery records
O.K. Harris Gallery (New York, N.Y.)
The Ivan C. Karp papers and OK Harris Works of Art gallery records measure 80.3 linear feet and are dated 1960-2014. The collection documents the operation and activities of the contemporary art gallery founded by Ivan C. Karp in the SoHo area of Manhattan. Exhibition files, artist files, printed material and photographic materials reveal the wide range of artists represented by OK Harris and the gallery's role in introducing Photo-realism to the public. Aso included are administrative files, prints by OK Harris artists, business and personal correspondence, 39 journals by Karp spanning a period of 62 years, and other personal papers. Material pre-dating the 1969 establishment of OK Harris Works of Art consists of printed items and a few letters.
This accession consists of records which document administrative issues, projects, and special events at the Archives of American Art and regional offices. Materials include correspondence, memoranda, and notes pertaining to grants, loans, fundraising, membership, contributions, policies and goals, marketing, public relations, educational outreach, acquisitions, publications, collections management, closing of regional …
Nam June Paik Papers
The archive is comprised of the papers of the artist (his writings, notes, scores, plans and designs, photographs and assorted print ephemera), his library (books, magazines, trade catalogs, etc.), as well as three dimensional artifacts from his studio (objects, toys, televisions, radios, the artist's desk, etc.) and over 200 videotapes (the artist's single-channel videotapes, installation videotapes, and videotape records of performances and interviews).