Arthur Monroe papers
The papers of African American abstract expressionist painter, arts administrator and educator Arthur Monroe measure 22.6 linear feet and 6.3 gigabytes and date from circa 1940 to 2019. Monroe was the registrar at the Oakland Museum and American Studies professor at University of California, Berkeley and San Jose State University. This collection documents his career through biographical material, correspondence, writings, FESTAC records, professional files, research files, teaching files, printed material, and photographic material.
Linda Nochlin papers
The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and 3.9 gigabytes and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.
Richard Murray research material regarding Abbott Handerson Thayer
The Richard Murray research material regarding Abbot Handerson Thayer measures 9.0 linear feet and dates from 1948 to 2004, with the bulk of the material dating from 1994 to 2001. Project files primarily document Murray's work on the 1999 exhibition "Abbott Thayer: The Nature of Art" and subsequent Thayer book project. Also found are extensive research files on Abbott Handerson Thayer and his specific works of art as well as photographic materials depicting Thayer, his family, studio, house, and works of art.
Judith S. Brown papers
The papers of sculptor, painter, and dancer Judith Brown measure 3.3 linear feet and date from circa 1940 to 2002. The papers document Brown's career through personal and professional files, printed material, photographs, artwork, and one videocassette recording.
Alliance of Figurative Artists lectures and panel discussions
The lectures and panel discussions of the Alliance of Figurative Artists measures 2.0 linear feet and 1.24 GB and date from 1969 to 1970. The collection consists of twenty-four tape recordings and two recordings in digital format of panel discussions, and lectures held in conjunction with meetings of the Alliance of Figurative Artists in New York. Artists represented include: Lennart Anderson, Milet Andrejevic, Noah Baen, William Bailey, Rosemarie Beck, William Beckman, Leland Bell, Robert Birmelin, John Bradford, Joel Brody, Harold Bruder, Rudy Burckhardt, John Button, Gretna Campbell, Richard Chiriani, Bruno Chivitico, Thomas Cornell, Lucien Day, Lois Dodd, Ben Einhorn, Walter Erlebacher, Lawrence Faden, Louis Finkelstein, Joseph Fiore, Jane Freilicher, Stanley Friedman, Joel Galker, Paul Georges, Gregory Gillespie, Lloyd Glasson, Joel Goldblatt, Nancy Grilikhes, Nathan Hale, Aaron Kersen, John Koch, Majorie Kramer, Al Kresh, Gabriel Laderman, Alfred Leslie, Frank McCall, Edward Melcarth, Raoul Middleman, Richard A. Miller (Richard McDermott), Philip Pearlstein, Joseph Pollet, Paul Resika, Ben Rifkin, Anthony Siani, Bonnie Sklarski, William Sullivan, Sam Thurston, Sidney Tillim, Louis Tytell, and Neil Welliver.
Fred Uhl Ball papers
The papers of enamelist and sculptor, Fred Uhl Ball, measure 1.0 linear feet and date from 1936 to 2002. The collection provides scattered documentation of Ball's career through biographical material, family photographs, photographs of artwork, and printed material. The collection also includes a small group of papers concerning Ball's father, ceramicist F. Carlton Ball, his mother, illustrator and enamelist Kathryn Uhl Ball, and his grandfather, silversmith George Uhl.
Mary Frank papers
The papers of sculptor and painter Mary Frank measure 4.2 linear feet and date from 1884-2017. Included are correspondence, writings, photographs, artwork and printed material documenting Frank's career. Correspondence is both personal and professional. Writings include dreams recounted in detail, poems, and ideas for works of art, some illustrated. Black and white photographs are of Frank, her sculptures, friends and family, and source material. Artwork includes drawings and sketches in dry point, pencil and watercolor. Printed material includes exhibition catalogs, announcements, brochures and clippings.
Grace Borgenicht Gallery Records
The records of New York City Grace Borgenicht Gallery date from circa 1953 to 1996 and measure 18.2 linear feet. The records include administrative files, correspondence, financial and legal records, exhibition files, printed material, two scrapbooks, and photographic negatives of artwork. The majority of the collection consists of artists' files.
Robert Hughes papers
The papers of art critic, author, and historian, Robert Hughes measure 16.6 linear feet and date from 1952 to 2012. The collection provides a glimpse of Hughes' personal life and documents his extensive career through biographical material, personal and professional correspondence, interviews, journals, writings, project files related to books and television programs, research files, personal business records, printed material, and photographic material.
Helga Teiwes photograph collection
3126 Slides (photographs)
433 Photographic prints
16 Linear feet
The Helga Teiwes photograph collection contains over 7,000 negatives, slides and prints made by Teiwes between 1965 and 2002. For over thirty years Teiwes worked as a staff photographer for the Arizona State Museum, photographing and documenting Native American communities across the American Southwest. During this time, Teiwes also privately took photographs and built personal relationships among members of the Akimel O'odham, Tohono O'odham, Apache, Diné (Navajo) and Hopi tribes. These photographs include portraits of artists at work, families in their homes, daily life on the reservation, special events and landscape photography. Additionally, the Teiwes collection includes photographs from a 1975 trip to Peru and photographs of the Tarahumara (Rarámuri) community in Chihuahua, Mexico.