Building Files
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- Creators:
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Smithsonian Institution. Office of Architectural History and Historic Preservation
- Dates:
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circa 1850-2006
- Size:
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59 cu. ft. (59 record storage boxes) (10 oversize folders)
- Collection ID:
- Accession 06-225
- Repository:
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Smithsonian Institution Archives
This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. These records were compiled by the Office of Architectural History and Historic Preservation (OAHP), research associates, and volunteers. Items in brackets describe cross-references ...
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 25-July 6, 1975
- Size:
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516 Sound tape reels (approximate)
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1975
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
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- Creators:
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Whitehead, Henry P. (Prenton), 1917-2002
- Dates:
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1843-2010
bulk 1940-1986
- Size:
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156.91 Linear feet (178 boxes)
- Collection ID:
- ACMA.06-042
- Repository:
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Anacostia Community Museum Archives
The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.
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- Creators:
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National Museum of History and Technology. Office of the Director
- Dates:
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1957-1973
- Size:
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3 cu. ft. (3 record storage boxes)
- Collection ID:
- Record Unit 621
- Repository:
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Smithsonian Institution Archives
These records document the involvement of the Office of the Director in exhibition planning at the Museum of History and Technology (MHT) from its creation in 1957 through its development into the National Museum of History in Technology. The Directors for this period were Frank A. Taylor, 1957-1965; John C. Ewers, 1965-1966; Robert P. Mu...
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- Creators:
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Smithsonian Institution. Conservation Analytical Laboratory
- Dates:
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1963-1983
- Size:
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15.5 cu. ft. (15 record storage boxes) (1 document box)
- Collection ID:
- Record Unit 576
- Repository:
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Smithsonian Institution Archives
These records document the Conservation Analytical Laboratory's (CAL) work with Smithsonian Institution curators and collections during the tenures of John H. Olin, Robert M. Organ, Jacqueline S. Olin, and Eleanor McMillan. They also document the Laboratory's extensive training programs and its wide contacts with other museums, both in th...
Found In
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- Creators:
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Lodge, Arthur
National Association of Manufacturers
Arthur Lodge Productions.
- Dates:
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1950 - 1959
- Size:
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42.5 Cubic feet
- Collection ID:
- NMAH.AC.0507
- Repository:
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Archives Center, National Museum of American History
Industry on Parade was a television series created by the National Association of Manufacturers (NAM) from 1950-1960. The series consisted of weekly episodes that highlighted American manufacturing and business. Hundreds of companies and products were documented during the programs decade-long run.
Found In
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- Creators:
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Orth, Edward J.
Exhibition Collectors Historical Organization
- Dates:
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1835-1992
- Size:
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130 Cubic feet (417 boxes, 23 map-folders)
130 Cubic feet (417 boxes, 23 map-folders)
- Collection ID:
- NMAH.AC.0560
- Repository:
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Archives Center, National Museum of American History
Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes materials on other world's fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and Disney.
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- Creators:
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Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1929-1989
- Size:
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87 Boxes
The subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.06
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
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- Creators:
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Smithsonian Institution. Office of American Studies
- Dates:
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1962-1987
- Size:
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21.5 cu. ft. (21 record storage boxes) (1 document box)
- Collection ID:
- Record Unit 609
- Repository:
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Smithsonian Institution Archives
These records document the operations of OAS. They also contain records from an organizational predecessor, the Department of American Studies, Museum of History and Technology, which had been chaired by Washburn. OAS records deal with the work of the Office and its involvement with other Smithsonian offices and bureaus; its work with num...
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- Creators:
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Kent, Rockwell, 1882-1971
- Dates:
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circa 1840-1993
bulk 1935-1961
- Size:
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88 Linear feet
- Collection ID:
- AAA.kentrock
- Repository:
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Archives of American Art
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.