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Creators:
Gilliam, Sam, 1933-
Dates:
1957-1989
Size:
7.9 Linear feet
Collection ID:
AAA.gillsam
Repository:
Archives of American Art

The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life from his time as a student through his teaching, professorial, and artistic career. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation taking place in 1960s through 1980s America, specifically in Washington D.C.

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Creators:
Cornell, Joseph
Dates:
1750-1980, bulk 1930-1972
Size:
196.8 Linear feet
186 Nitrate negatives
Collection ID:
SAAM.JCSC.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

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Creators:
Hopkins, Edna Boies, 1872-1937
Dates:
1902-1903
Size:
0.2 Linear feet ((on 1 microfilm reel))
Collection ID:
AAA.hopkedna
Repository:
Archives of American Art

A scrapbook of lecture notes and student exercises for the 1902-1903 class on design taught by Edna Boies at the Veltin School for Girls, Manhattan. This scrapbook provides unusual documentation of the kind of instruction and course work found in an art class at the turn of the century. The chronologically arranged lecture notes are composed of dir...

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Creators:
Rubenstein, Lewis W. (Lewis William), 1908-2003
Dates:
1923-1993
Size:
5.5 Linear feet
Collection ID:
AAA.rubelewi
Repository:
Archives of American Art

Journals, correspondence, writings, sketchbooks, interview, photographs and printed material document Rubenstein's painting career. A series of files relate to Rubenstein's longtime friendship with his teacher, Rico Lebrun.

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Creators:
Tarbell, Edmund Charles, 1862-1938
Dates:
circa 1855-circa 2000
bulk 1885-1938
Size:
7.2 Linear Feet
Collection ID:
AAA.tarbedmu
Repository:
Archives of American Art

The papers of Boston painter Edmund Charles Tarbell measure 7.2 linear feet and date from circa 1855-circa 2000, bulk 1885-1938. The collection includes biographical material, correspondence, writings, diaries, personal business records, printed material, photographs, albums, glass plate negatives, and a scrapbook.

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Creators:
Bourgeois, Stephan, 1881-1964
Dates:
1908-circa 1964
Size:
4.2 Linear feet
Collection ID:
AAA.bourstep
Repository:
Archives of American Art

The papers of New York art dealer and consultant Stephan Bourgeois measure 4.2 linear feet and date from 1908 to circa 1964. The papers include biographical material, correspondence, writings, personal business records and printed material.

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Creators:
Davidson, Nancy, 1943-
Dates:
1970s-2016
Size:
5 Linear feet
Collection ID:
AAA.davinanc
Repository:
Archives of American Art

The papers of New York based interdisciplinary artist Nancy Davidson measure 5 linear feet and date from 1970s-2016. The collection includes biographical material, correspondence, illustrated notebooks and notes, gallery and exhibition files, printed material, photographic material, and two sketchbooks. Nearly one linear foot of correspondence arranged chronologically is both personal and professional. Notable correspondents include Michiko Itatani, Joyce Kozloff, Eunice Lipton, Sabra Moore, and Nancy Spero. Galleries and museums include Marianne Denson Gallery; Museum of Contemporary, Chicago; N.A.M.E. Gallery, of which Davidson was an artist member; the Walker Art Center; and White Columns. Over thirty notebooks capture Davidson's work process, evolution of ideas, related sketches in pen and pencil, reflections from readings and lectures, and notes from critiques with fellow artists Rosemary Mayer, Joyce Kozloff, Ray Yoshida, and Richard Halstead. A large sequence of printed material includes announcements, books, bulletins, newsletters, calendars, clippings, exhibition catalogs, periodicals, press releases, programs, and a few other items of printed matter relating to Davidson's professional career.

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Creators:
Kushner, Robert, 1949-
Dates:
1967-2011
Size:
4.6 Linear feet
Collection ID:
AAA.kushrobe
Repository:
Archives of American Art

The papers of the artist Robert Kushner measure 4.6 linear feet and date from 1967 to 2011. The collection documents primarily the early career of Robert Kushner through performance videos and other media artworks, correspondence, notes, lab records, inventories, an exhibition proposal, and subject files regarding critic Amy Goldin.

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Creators:
National Portrait Gallery. Office of the Registrar
Dates:
1985-1994
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 98-141
Repository:
Smithsonian Institution Archives

This accession consists primarily of exhibition loan information and include loan agreements, correspondence, memoranda, condition reports (with photographs of objects), receipts, and notes. Exhibitions include: American Colonial Portraits; On the Air: Pioneers of American Broadcasting; First Federal Congress; Isamu Noguchi: Portrait Scul...

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Creators:
D'Harnoncourt, Rene, 1901-1968
Dates:
1921-1983
Size:
2.4 Linear feet
Collection ID:
AAA.dharrene
Repository:
Archives of American Art

The papers of Austrian born curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.

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