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Creators:
Blackmun, Barbara Winston
Dates:
circa 1969-1994
Size:
1,469 color slides
Collection ID:
EEPA.2016-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.

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Creators:
Taylor, Prentiss, 1907-1991
Dates:
1885-1991
Size:
20.4 Linear feet
Collection ID:
AAA.taylpren
Repository:
Archives of American Art

The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

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Creators:
Los Angeles Institute of Contemporary Art
Dates:
1973-1988
Size:
18 Linear feet
Collection ID:
AAA.losangin
Repository:
Archives of American Art

The records of the Los Angeles Institute of Contemporary Art measure 18 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides.

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Creators:
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery
Dates:
1961-2006
Size:
50 Linear feet
0.001 Gigabytes
Collection ID:
AAA.parkplag
Repository:
Archives of American Art

The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

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Creators:
Fendrick Gallery
Dates:
1952-2001
Size:
106.4 Linear feet
0.008 Gigabytes
Collection ID:
AAA.fendgall
Repository:
Archives of American Art

The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

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Creators:
Spencer, Frank, 1941-1999
Langham, Ian, 1942-1984
Dates:
1836-1999
bulk 1970-1999
Size:
40 Linear feet (94 boxes, 1 oversized box)
Collection ID:
NAA.2002-21
Repository:
National Anthropological Archives

Frank Spencer was a historian of biological anthropology who began his career as a medical laboratory technician. His papers include correspondence, manuscripts, notes, research files, teaching materials, photographs, and audiotapes. Spencer's research on the Piltdown hoax as well as the Piltdown research of Ian Langham, whose work Spencer continued after his death in 1984, and Spencer's research on the life and career of Aleš Hrdlička for his dissertation are both represented in the collection.

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Creators:
Meyerowitz, Eva Levine-Richter, 1899-1994
Meyerowitz, Herbert Vladimir, 1900-1945
Dates:
circa 1936 - circa 1937
Size:
88 negatives (photographic) (black and white, 35 mm)
268 copy negatives (black and white, 35 mm)
285 Photographic prints ((0.4 cubic feet; 3 binders), black and white, 8 x 10 inches or smaller)
16 contact sheets (black and white, 8 1/2 x 11 inches or smaller)
Collection ID:
EEPA.1987-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection consists of negatives and photographic prints taken in 1936 and 1937 by Eva L.R. Meyerowitz in Nigeria, Benin and Ghana. Peoples depicted include the Akan, Fon, Konkomba, and Tallensi and subjects include artisans, blacksmiths, dancing, markets, artwork and objects that were originally displyed in King Bezu's palace in Abomey, potters, shrines, and vernacular architeture.

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Creators:
Parish Gallery
Dates:
1940-2013
bulk 1991-2013
Size:
6.4 Linear feet
11.73 Gigabytes
Collection ID:
AAA.parigall
Repository:
Archives of American Art

The records of Parish Gallery, located in Washington, D.C., measure 6.4 linear feet and 11.73 gigabytes and date from 1940 to 2013, with the bulk of the collection dating from 1991 to 2013. This collection consists primarily of exhibition files, but also includes administrative files, as well as some biographical material related to Norman Parish's career before opening the gallery.

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Creators:
Washburn, Wilcomb E
Dates:
1951-1993
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Accession 94-044
Repository:
Smithsonian Institution Archives

These papers document much of the career of Wilcomb E. Washburn (WEW), the greater part of it spent on the staff of the Smithsonian Institution as a curator at the National Museum of American History and as director of the Office of American Studies. The papers include correspondence, draft and finished scholarly and popular articles, and...

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Creators:
Watkins, C. Malcolm
Dates:
1935-1979 and undated
Size:
3.6 linear meters.
Collection ID:
Record Unit 7322
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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