A resume; a typescript of a news release by the Federal Works Agency, Public Buildings Administration, regarding Thwaites' mural LUMBERING and its installation in the post office at Greenville, Michigan; 3 exhibition catalogs; several newspaper and magazine clippings; and ten photographs of Thwaites and his works of art.

This accession consists of two websites and a blog maintained by the Smithsonian American Art Museum (SAAM). The SAAM website, crawled twice on August 30, 2017, provides information about the museum and its collections, exhibitions, educational programs, and research programs. It also includes press releases and resources for teachers and stu...

Letters, 1904-1922, from Zuloaga to Brinton regarding paintings, exhibitions, thoughts on art and social activities; clippings; photographs of Zuloaga and art works; materials relating to Zuloaga including letters from various members of the Zuloaga family and memorabilia.

These records document the tenures of Frank A. Taylor, John C. Ewers, and Robert P. Multhauf as Directors of the Museum of History and Technology (NMHT); of Daniel J. Boorstin, Brooke Hindle, and Roger G. Kennedy as Directors of the National Museum of History and Technology; and of Roger G. Kennedy as Director of the National Museum of Am...

The William Ockleford Oldman Archive research materials are comprised of digital surrogates of the business records of Oldman held by the Museum of New Zealand Te Papa Tongarewa. William Ockleford Oldman (1879 – 1949) was a British collector and dealer of ethnographic art and European arms and armour. His business W.O. Oldman, Ethnographical Specimens, London was active between the late 1890s and 1913. These records include detailed information about his purchases and sales of objects including names of original sources for objects he acquired and sold. Oldman dealt extensively with the Museum of the American Indian, Heye Foundation, the predecessor institution to the National Museum of the American Indian between 1909 and 1937. This provenance information is critically important to documentation of NMAI's collections and related research.

The California Art Club guest register and scrapbooks measure 1.5 linear feet and date from 1916 to 1961. Included are guest registers spanning 1927 to 1931; a Year Book 1916 of the California Art Club containing images of member artwork and essays; and eleven scrapbooks with clippings, exhibition materials, club bulletins, and place settings.

The papers of art patron Harriet Collins Allen measure 0.2 linear feet and date from 1897-1925. Found within the papers are letters primarily written by Solon Borglum and his wife, Emma, to Harriet Collins Allen. The letters were written from Omaha, London, Paris, and New York and provide a cursory overview of some of the events in Borglum's career and insights into his relationship with his older brother sculptor Gutzon Borglum. Borglum writes about meeting and working with other sculptors in Paris and New York and his wife writes about conflicts between the two brothers and exhibitions of Solon's work. Also found within the papers are clippings, a brochure for Borglum's book A Comparative Analysis of Natural Forms and Their Relation to the Human Figure, and photographs of Borglum in his studio and of his works.

A resume; miscellaneous writings, undated; corespondence, 1981-1983; clippings, 2 exhibition announcements; and a xerox copy of a proclamation Cahana's tribute to Raoul Wallenberg "From Ashes to the Rainbow" Dedication Day, Houston, Texas, 1982.

This accession consists of records documenting objects used in exhibitions at the Hirshhorn Museum and Sculpture Garden. Materials consist of correspondence, memoranda, loan agreements, object lists, loan record sheets, shipping records, insurance records, condition notes, and indemnities.

This collection include correpsondence, brochures, biographical files, artist's statements, interview transcripts, loan agreements, contact sheets, and photographs. All research gathered in prepartion for an exhibition on the art of Ed Dwight that was cancelled in 1983. Of interest is photographic documentation of Mr. Dwight in his studdio taken by museum staff.