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Creators:
Miller, Richard McDermott, 1922-
Dates:
1962-2001
Size:
3.4 Linear feet
Collection ID:
AAA.millrimc
Repository:
Archives of American Art

The papers of sculptor Richard McDermott Miller measure 3.4 linear feet and date from 1962 to 2001. The papers document his work as an artist and teacher in New York City through biographical material, financial and business records, writings, subject files, and correspondence. His personal records about the National Academy of Design, of which he was an active member and president, are included.

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Creators:
Tatti, Benedict, 1917-1993
Dates:
1936-2011
bulk 1945-1993
Size:
1.8 Linear feet
Collection ID:
AAA.tattbene
Repository:
Archives of American Art

The papers of New York sculptor, painter, educator, and video artist, Benedict Tatti (1917-1993) measure 1.8 linear feet and date from 1936-2011, with the bulk of the collection dating from 1945-1993. Papers consist of biographical material, correspondence, project files, subject files, exhibition files, writings, notes, and lists, printed materials, and photographs. Exhibition files and printed material, such as catalogues and checklists provide an overview of Tatti's activities as a sculptor and video artist. Also, photographs of artwork are a rich source of provenance-related information on Tatti's sculptures.

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Creators:
Black, Julian, Mrs.
Black, Julian (boxing manager)
Dates:
1935-1944
Size:
109 Volumes
Collection ID:
NMAH.AC.0002
Repository:
Archives Center, National Museum of American History

The collection consists of 109 scrapbooks of newspaper clippings assembled by Julian Black, manager of Joe Louis, heavyweight boxing champion from 1937 to 1949. They document Louis's career from 1935 to 1944.

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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Creators:
Porter, Fairfield
Dates:
1888-2001
bulk 1924-1975
Size:
9.3 Linear feet
Collection ID:
AAA.portfair
Repository:
Archives of American Art

The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. Papers document Porter's life and career through correspondence, writings, business records, printed materials, photographs, and artwork.

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Creators:
Graham, John, 1887-1961
Dates:
1799-1988
bulk 1890-1961
Size:
11.2 Linear feet
Collection ID:
AAA.grahjohn
Repository:
Archives of American Art

The papers of painter, collector, and writer John Graham measure 11.2 linear feet and date from 1799 to 1988, with the bulk of materials dating from 1890 to 1961. Papers document the life of John Graham, born Ivan Dombrowsky, through personal documents related to military service and family history, passports, artifacts, correspondence, appointment books, financial records, inventories, wills, extensive writings and notes, books, clippings, exhibition catalogs, photographs of Graham and his family and friends, and artwork created and collected by Graham.

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Creators:
Casas, Mel, 1929-2014
Dates:
1963-1998
Size:
1 Linear foot
Collection ID:
AAA.casamel
Repository:
Archives of American Art

The papers of San Antonio painter and educator Mel Casas measure 1 linear foot and date from 1963 to 1998. The collection is comprised of biographical material including files on the art collective Con Safo, correspondence regarding business and exhibitions, writings by Casas on Chicano art, printed materials documenting Casas's career and Con Safo events, and photographic materials, including photos and slides of Casas and others, his artwork, and an exhibition.

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Creators:
National Museum of American History (U.S.). Division of Electricity and Modern Physics
Hammer, William J. (William Joseph), 1858-1934 (electrical engineer)
Dates:
circa 1847-1989
Size:
36 Cubic feet (124 boxes, 3 map-folders)
Collection ID:
NMAH.AC.0069
Repository:
Archives Center, National Museum of American History

Original documents and papers generated by William J. Hammer and by various companies and individuals with whom he was associated. Includes material related to the research and inventions of Edison, Bell, Tesla, the Curies, etc.

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Creators:
Carulla, Ramón, 1938-
Dates:
1971-1996
Size:
0.3 Linear feet
Collection ID:
AAA.caruramo
Repository:
Archives of American Art

The Ramón Carulla papers contain letters, photographs, printed material, an interview, sketchbooks, and artwork documenting the career of Cuban American painter Ramón Carulla.

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Creators:
Schwartz, Sanford, 1946-
Dates:
1948-2011
Size:
0.7 Linear feet
Collection ID:
AAA.schwsanf
Repository:
Archives of American Art

The papers of exhibition curator Sanford Schwartz measure 0.7 linear feet and date from 1948-2011. The papers document the preparation and organization of two exhibitions curated by Schwartz, the Myron Stout retrospective at the Whitney Museum of American Art in 1980, and The Early Work of William King at Alexandre Gallery in New York City in 2007. Materials regarding Provincetown, Massachusetts painter Myron Stout (1908-1987) include correspondence with Stout and lenders to the exhibition; notes, writings, and sketches by Schwartz pertaining to the exhibition; and photographs of Stout, including one with Hans Hofmann teaching in Provincetown in 1948. Material regarding sculptor William King (1925-1990) includes correspondence between Schwartz and King, exhibition research and notes, photographs of artwork, and printed material.

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