5300 records — Page 233 of 530
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Creators:
Barbara Mathes Gallery (New York, N.Y.)
Dates:
1989-1995
Size:
1.4 Linear feet
Collection ID:
AAA.barbmatg
Repository:
Archives of American Art

The Barbara Mathes Gallery records pertaining to Rio Nero lawsuit measure 1.4 linear feet and date from 1989-1995. The records, assembled by Barbara Mathes, relate to the lawsuit Greenberg Gallery, Inc., et al. v. Patricia Bauman, et al. and the authenticity of the Alexander Calder mobile Rio Nero. The files contain correspondence, purchase and shipping records, and legal documents. The collection also includes printed material and photographs of the mobile.

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Creators:
Brown, Judith S., 1931-1992
Dates:
circa 1940-2002
Size:
3.3 Linear feet
Collection ID:
AAA.browjudi
Repository:
Archives of American Art

The papers of sculptor, painter, and dancer Judith Brown measure 3.3 linear feet and date from circa 1940 to 2002. The papers document Brown's career through personal and professional files, printed material, photographs, artwork, and one videocassette recording.

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Creators:
National Museum of American History (U.S.). Division of History of Technology
Snow, J. Parker
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering
National Museum of American History (U.S.). Division of Work and Industry
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Dates:
1882-1933
bulk 1930-1933
Size:
0.5 Cubic feet (1 box)
Collection ID:
NMAH.AC.1000
Repository:
Archives Center, National Museum of American History

The J. P. Snow Papers document Snow's history of wooden bridges and his work as a civil engineer. The history was written in the 1930s with Robert Fletcher, Director Emeritus of the Thayer School of Civil Engineering at Dartmouth College.

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Creators:
Hartford Electric Light Company.
Foster Wheeler Corporation
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering
Stone and Webster.
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Dates:
1920 - 1961
Size:
4 Cubic feet (11 boxes)
Collection ID:
NMAH.AC.0968
Repository:
Archives Center, National Museum of American History

The Emmet Mercury Boiler Records contains information about General Electric Company and Hartford Electric Light Company's development, installation, and use of William Le Roy Emmet's mercury boiler units. The mercury boiler units used mercury fluid along with steam power to improve cycle efficiency in converting coal or oil to electric power. The collection contains articles, news clippings, reports, instruction manuals, log books, data sheets, photographs, and drawings related to the experimental unit installed at Dutch Point, Connecticut, and the first commercial use of a mercury boiler at the South Meadow Station in Hartford, Connecticut.

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Creators:
National Museum of American History (U.S.). Division of History of Technology
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering
Parsons, Brinckerhoff, Quade and Douglas
Dates:
1906-2003
bulk 1906-1918
Size:
5 Film reels
5 Cubic feet (11 boxes)
Collection ID:
NMAH.AC.0969
Repository:
Archives Center, National Museum of American History

Collection documents the engineering firm of Parsons, Brinckerhoff, Quade and Douglas through reports prepared for a variety of clients.

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Creators:
Leonard, Herman, 1923-2010
National Museum of American History (U.S.). Division of Musical History
Dates:
1948-1993
Size:
5.6 Cubic feet (10 boxes)
Collection ID:
NMAH.AC.0445
Repository:
Archives Center, National Museum of American History

This collection consists of 110 black-and-white photographic prints depicting musicians performing at various American and European jazz clubs between 1948 and 1991. The collection contains mounted and unmounted 11" x 14" and 16" x 20" prints made by Leonard. Artists represented among these photographs are Billie Holiday, Charlie Parker, Dizzy Gi...

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Creators:
Christine Burgin Gallery
Dates:
1980-2016
Size:
18 Linear feet
52.28 Gigabytes
Collection ID:
AAA.chriburg
Repository:
Archives of American Art

The records of Christine Burgin Gallery, a New York City gallery representing conceptual artists from the United States and Europe, measure 18 linear feet and 52.28 GB, and date from 1980-2016. The collection documents the gallery's activities, projects, and relationships with artists through administrative files and business records, artist files, exhibition files, and client files. Artist files comprise nearly half of the collection and contain correspondence with artists and project files for numerous publications and editions the gallery produced in collaboration with artists. Some material is in born-digital form, including images of artwork and installations, slide shows, document files, as well as audiovisual recordings. The collection also contains two analog video recordings. Files dating from after the gallery's closure include additional correspondence, invoices, and project files.

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Creators:
Grand Central Art Galleries
Dates:
1931-1968
bulk circa 1952-circa 1965
Size:
1.3 Linear feet
Collection ID:
AAA.grancent
Repository:
Archives of American Art

The records of New York City's Grand Central Art Galleries measure 1.3 linear feet and date from 1931 to 1968, with the bulk of the material from circa 1952 to circa 1965. The majority of the records are related the Grand Central Moderns, the modern art division of Grand Central Art Galleries. The collection includes group exhibition files, artists' files, printed material and photographs.

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Creators:
Louis K. Meisel Gallery
Dates:
1964-2003
Size:
0.4 Linear feet
Collection ID:
AAA.louikmei
Repository:
Archives of American Art

The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.

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Creators:
Owen Gallery
Dates:
1929-2010
bulk 1980-2010
Size:
9.4 Linear feet
0.093 Gigabytes
Collection ID:
AAA.owengall
Repository:
Archives of American Art

The records of Owen Gallery measure 9.4 linear feet and 0.093 GB and date from 1929-2010, bulk 1980-2010. The gallery, which operated from 1986 to 2009 in New York, specialized in late nineteenth and early twentieth century American art with an emphasis on The Eight, Ashcan, and early American modernism. Michael Owen and James Yost owned and directed the gallery. Found within the records are exhibition files; inventory and sales records; printed and digital material; and records regarding painter Yasuo Kuniyoshi. Material dating from before 1986 when the gallery was established is research related to an artwork's provenance.

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5300 records — Page 233 of 530