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Creators:
Pepper, George H. (George Hubbard), 1873-1924
Dates:
1895-1918
Size:
1292 negatives (photographic)
23 Photographic prints (black & white)
Collection ID:
NMAI.AC.001.034
Repository:
National Museum of the American Indian

George Hubbard Pepper specialized in the study of cultures of the American Southwest and Ecuador. Tribes which he studied are Acoma, Aztec, Blackfeet, Cochiti, Hopi, Isleta, Jemez, Laguna, Nambe, Navajo, Picuris, Pojuaque, Puye, San Carlos Apache, San Felipe, San Ildefonso, San Juan, Sandia, Santa Ana, Santa Clara, Taos, Tarascan, Tesuque, Ute, Zia, and Zuni. Photographs in the collection are of an excavation in Tottenville, New York, 1895; Pueblo Bonito in Chaco Cañon, New Mexico: Hyde Expedition, 1896-1900; and expeditions to the occupied Pueblos of the Southwest, 1904; Mexico, 1904, 1906; Guatemala; and Ecuador, 1907. There are also photos which complement a study Pepper did of the technique of Navajo weaving, and miscellaneous scenic and personal photos.

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Creators:
Orchard, William C.
Museum of the American Indian, Heye Foundation
Dates:
circa 1899-1937
bulk 1900-1902
Size:
27 negatives (photographic) (black and white)
324 Photographic prints (black and white)
34 lantern slides (color)
Collection ID:
NMAI.AC.001.020
Repository:
National Museum of the American Indian

The majority of the images are individual and group portraits of Southwestern tribes, photographed between 1900-1902, including Laguna Pueblo, Hopi Pueblo, Zuni Pueblo, Taos Pueblo, San Juan Pueblo, White Mountain Apache, Ute, San Carlos Apache, and Navajo Indians.

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Creators:
Hersh, Phyllis
Lensen-Tomasson, Nancy, 1931-
Dates:
1974-2008
bulk 1975-1980
Size:
89 negatives (photographic)
536 Photographic prints
1.3 Linear feet
Collection ID:
NMAI.AC.023
Repository:
National Museum of the American Indian

The Phyllis Hersh collection consists of papers and photographs associated with a book project on contemporary Hopi, Navajo, Santo Domingo, and Zuni jewelry and jewelers. The collection measures 1.3 linear ft. of mansucript materials, 521 photographic prints, and 85 photographic negatives, and dates from 1974 to 2008, with the bulk of the material dating from 1975 to 1980. The papers primarily document Hersh's work on "The Indian Jewelers' Art," an unfinished book on contemporary Native American jewelry.

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Creators:
National Museum of the American Indian. Film and Video Center
Dates:
1977-2016
Size:
21.5 cu. ft. (21 record storage boxes) (1 document box)
Collection ID:
Accession 17-252
Repository:
Smithsonian Institution Archives

This accession consists of records that document the breadth and history of the programs and work of the FVC, including the NAFVF, film screenings, the Native Americans on Film and Video publications, and the Native Networks / Redes Indigenas website. Some materials date to when the before the National Museum of the American Indian as was...

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Creators:
Bogert, Charles M. (Charles Mitchill), 1908-1992
Dates:
1952-1965
Size:
79 Sound tape reels (1.6 cubic feet)
Tapes are in original boxes.
Collection ID:
CFCH.BOGE
Repository:
Ralph Rinzler Folklife Archives and Collections

Five boxes containing sixty-four 5 inch and fifteen 7 inch open reel tapes recorded primarily by American herpetologist Charles M. Bogert from 1953-1965. This collection has two parts: the first focusing mainly on traditional music and liturgical music from several regions in Mexico: Oaxaca, Jalisco, Nayarit. Also included is music recorded in the Southwestern United States. The second portion of the collection contains amphibian, bird, and insect calls and choruses, mostly from these same regions in Mexico, the Southwestern, Western, and Southern United States, and Sri Lanka.

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Creators:
Young, Stanley Paul, 1889-1969
Dates:
1921-1965
Size:
5.29 cu. ft. (9 document boxes) (1 12x17 box) (1 5x8 box)
Collection ID:
Record Unit 7174
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Jennerson, Horace G.
Bratley, J. H. (Jesse H.)
Dates:
bulk circa 1887-1902
circa 1887-1940
Size:
1 Linear foot
28 glass plate negatives
30 Photographic prints
Collection ID:
NMAI.AC.224
Repository:
National Museum of the American Indian

This collection contains photographs was shot circa 1887-1899 by Jesse Hasting Bratley and Horace G. Jennerson while they served as teachers on the Rosebud and Pine Ridge Reservations.

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Creators:
Donnald, Morrill
Torrence, Vernon Keith, 1921-1946
Kansas Wesleyan University
United States. Federal Bureau of Investigation
More …
Dates:
1940-1942
Size:
0.8 Cubic feet (1 flat box)
Collection ID:
NMAH.AC.0717
Repository:
Archives Center, National Museum of American History

Photographs, a Kansas Wesleyan University yearbook (with personal messages and inscriptions), diplomas, correspondence regarding Torrence's disappearance, newspaper clippings, his memorial service booklet or program, and a diary which he kept during a week-long adventure as a "hobo" in Kansas.

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Creators:
Faris, James C.
Dates:
1960-2014, undated
Size:
7.67 Linear feet
Collection ID:
NAA.2016-36
Repository:
National Anthropological Archives

James Faris (1936 – present) is an American cultural anthropologist and epistemologist who received his PhD from Cambridge University in 1966. He conducted fieldwork in the fishing settlement of Cat Harbour, Newfoundland, among the Nuba of Southeastern Kordofan in the Sudan, and among the Navajo in the American Southwest. His research specializations include cognitive anthropology, art and aesthetics, ritual, social organization and reproduction, anthropological linguistics, and visual anthropology and critical theory and representation. The James Faris Papers, 1960-2014, primarily document his fieldwork with the Nuba peoples of Southeastern Sudan. His papers also include materials related to representation of the Nuba peoples and various controversies in visual anthropology and documentary film that related to Leni Riefenstahl and her filmmaking among the Nuba. During the 1960s Faris was drawn into activism against the Vietnam War while at the University of Connecticut and his papers contain ephemeral materials on radical anthropology and racism from that period. The collection consists of field notes, correspondence, photographs, sound recordings, films (including scripts and transcriptions), videos, book and papers drafts, and news and magazine clippings.

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Creators:
Ross, Gloria F.
Dates:
circa 1924-1998
Size:
14.5 Linear feet
Collection ID:
AAA.rossglor
Repository:
Archives of American Art

The papers of New York tapestry éditeur Gloria Ross measure 14.5 linear feet and date from circa 1924-1998. The bulk of the papers consist of project files that document her collaborations with artists to make tapestries of their paintings and collages. Also found are scattered biographical material, professional correspondence, exhibition files, professional activity files, personal business records, printed material, photographs, and artwork.

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