402 records — Page 25 of 41
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Creators:
Koppelman, Chaim, 1920-2009
Dates:
circa 1930s-2006
bulk 1942-2005
Size:
4 Linear feet
Collection ID:
AAA.koppchai
Repository:
Archives of American Art

The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

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Creators:
Bransom, Paul, 1885-
Dates:
1862-1985
Size:
10.1 Linear feet
Collection ID:
AAA.branpaul
Repository:
Archives of American Art

The papers of wildlife illustrator, painter, and cartoonist Paul Bransom measure 10.1 linear feet and date from 1862 to 1985. Almost half of the collection is comprised of Bransom's correspondence, which is particularly rich in documenting his early career as an illustrator, and his relationships with authors, art editors, and publishers from the 1900s to the 1940s. Correspondence also contains a wealth of cards, many of which bear reproductions or original artwork by his many artist friends. Also found in the papers are biographical essays, certificates and awards, memorabilia, writings and notes, business files, bibliographies, an artwork inventory, exhibition catalogs, clippings, printed illustrations, pamphlets, photographs, scrapbooks, and original artwork.

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Creators:
Hirshhorn Museum and Sculpture Garden
Dates:
1969-2005
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 10-140
Repository:
Smithsonian Institution Archives

This accession consists of audio recordings created or maintained by the Hirshhorn Museum and Sculpture Garden (HMSG). The majority of the recordings document lectures, speeches, talks, and other events at the museum, including the HMSG groundbreaking and dedication. Other recordings are interviews of artists performed by staff or interviews ...

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Creators:
Rubin, David S., 1949-
Dates:
1960-2017
Size:
23 Linear feet
57.68 Gigabytes
Collection ID:
AAA.rubidavi
Repository:
Archives of American Art

The papers of curator and art critic David S. Rubin measure 23 linear feet and 57.68 gigabytes and date from 1960 to 2017. The papers are comprised of biographical materials, interviews, correspondence, writing projects and notes, artists' files, exhibition files, professional files, subject and research files, printed materials, and photographic materials documenting Rubin's work in California, Arizona, and other locations throughout the United States.

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Creators:
Cooper-Hewitt Museum. Department of Exhibitions
Dates:
1969-1992
Size:
25 cu. ft. (25 record storage boxes) (oversize materials)
Collection ID:
Record Unit 531
Repository:
Smithsonian Institution Archives

These records document the conceptualization, development, design, and execution of several exhibitions held by the Cooper-Hewitt Museum from 1973 through 1992, and of exhibitions rejected or cancelled by the museum. Exhibition files include proposals; research files; correspondence with object lenders, scholars, and exhibition designers; ...

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Creators:
Costume, Division of (NMAH, SI).
Shaver, Dorothy, 1893-1959
Shaver, Elsie
Dates:
circa 1920-1959; undated
bulk 1945-1959
Size:
14 sound recordings
32 cassette tapes
1 electronic discs (cd)
6 Cubic feet (22 boxes)
Collection ID:
NMAH.AC.0631
Repository:
Archives Center, National Museum of American History

This collection contains the personal and professional papers of Dorothy Shaver, one of the best-known female executives in the 1950s; Shaver became the first female president of Lord & Taylor in 1945.

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Creators:
Rice, Moses P.
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1888-1996
Size:
200 Cubic feet
Collection ID:
NMAH.AC.0618
Repository:
Archives Center, National Museum of American History

The collection includes approximately 250,000 photonegatives, photoprints, color transparencies from the photographic business founded by Addison Scurlock in Washington, D.C. Collection also includes business records and ephemera.

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Creators:
Cooper-Hewitt, National Design Museum. Department of Design
Dates:
1975-1995
Size:
18 cu. ft. (18 record storage boxes)
Collection ID:
Accession 99-015
Repository:
Smithsonian Institution Archives

This accession consists of exhibition files (arranged mostly in alphabetical order), including proposals, designs, planning and development files, exhibition scripts, photographs and slides of objects and installations, meeting minutes, catalogs, and floor plans. Records also include rejected and accepted exhibition proposals, exhibition ...

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Creators:
Faison, S. Lane (Samson Lane), 1907-2006
Dates:
1922-1981
bulk 1950-1976
Size:
5.1 Linear Feet
Collection ID:
AAA.faislane
Repository:
Archives of American Art

The papers of art historian and Monuments Man S. Lane Faison measure 5.1 linear feet and date from 1922 to 1981, bulk from 1950-1976. Faison was an art history professor at Williams College, Massachusetts and, during World War II, he was a member of the Art Looting Intelligence Unit (ALIU) of the U.S. Office of Strategic Services. The collection includes scattered correspondence; writings; teaching files; subject files on exhibitions and projects; artists files; and printed materials. There are two folders of documents and photographs related to Faison's World War II work in the U.S. Art Looting Intelligence Unit.

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Creators:
Armstrong, Lucille
Bechet, Sidney, 1897-1959
Armstrong, Louis, 1900-1971
Condon, Eddie, 1905-1973
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Dates:
1895-2001
Size:
25 Cubic feet (75 boxes )
Collection ID:
NMAH.AC.0849
Repository:
Archives Center, National Museum of American History

The collection documents Gabler's involvement in the recording industry and the evolution of Commodore Records. The documentation begins with the Commodore Radio Shop through its evolution to Commodore Music Shop. The collection also includes the beginnings of the Commodore record label and information detailing Gabler's 30 years as staff producer and later Vice-President in Charge of Artists and Repertoire at Decca Records (1941-1974). There is a small collection of black and white photographs chronicling the early years at the Commodore Music Shop, as well as jam sessions, often held at Jimmy Ryan's on 52nd Street. The collection also includes a vast array of audio recordings (mainly audiodiscs).

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402 records — Page 25 of 41