The papers of sculptor and teacher Thomas Morin measure 4.7 linear feet and date from 1952-2015. His career at several universities and art schools as well as his work as a sculptor and metalsmith are documented through biographical material, correspondence, writings, professional files, printed material, and artwork. The bulk of the collection consists of photographs and slides of Morin's artwork and the fabrication process.

The papers of painter and educator Robin Tewes measure 8.4 linear feet and date from 1950-2016. The collection documents the life of a veteran New York artist, active in artist run galleries, such as Fifth Street Gallery, and in artists' organizations. Among the papers are biographical material, correspondence, nine notebooks, project files, teaching files, personal business records, printed material, photographic material, artwork, nine sketchbooks, and a few artifacts.

An interview of Wayne Thiebaud conducted 2001 May 17-18, by Susan Larsen, for the Archives of American Art, in New York.

The majority of the collection consists of project files, ca. 1932-1981, containing correspondence, sketches and printed material from Cascieri's many commissions of church sculptures. Also found are Cascieri's pencil studies as a student, ca. 1930's, sketches from his projects, and miscellaneous drawings.

The papers of painter, teacher, and writer Hans Hofmann measure 29.92 linear feet and 5.00 GB and date from circa 1904 to 2011, with the bulk of the materials dating from 1945 to 2000. The majority of the papers were created after 1932 and document Hofmann's life and professional career after settling in the United States. Among his papers are personal and professional correspondence; records of his schools in Munich, New York City, and Provincetown, Mass.; writings and notes; financial records; photographs; printed matter; estate records; and a small number of personal papers of his second wife, Renate Schmitz Hofmann. Hofmann's personal papers are augmented by a large selection of printed matter, including exhibition catalogs, articles, news clippings, and monographs about Hofmann and modern art, as well as documentary projects including Tina Dickey's compilation of oral histories and records of Hofmann's students, and research materials, sound and video recordings, digital material, and motion picture film created and gathered by Madeline Amgott during the production of two video documentaries about Hans Hofmann released in 1999 and 2002. Hofmann's Library was acquired with his papers; inscribed/annotated volumes have been retained with the collection.

Scrapbooks; correspondence; exhibition catalogs; photographs; and some biographical material.

The Robert Richenburg papers, circa 1910s-2008, measure 5.3 linear feet and 4.32 GB. Biographical material, correspondence, subject files, writings, sound and video recordings, printed material, and photographs document the professional career and personal life of the educator and New York School painter and sculptor best known for his Abstract Expressionist paintings.

The papers of painter, writer and educator Berta N. Briggs measure 1.3 linear feet and date from 1908-1976. Found within the papers are biographical material, scattered letters primarily discussing her activities with various arts organizations, notes and writings, artwork including sketchbooks and drawings, scrapbooks, printed material, and photographs primarily of her artwork.

An interview of Jack Kufeld conducted 1981 Oct. 5, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.

The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.