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Creators:
Holstein, Otto, 1883-1934
American Geographical Society
Dates:
1925-1926
Size:
425 Photographic prints
68 Copy negatives
Collection ID:
NMAI.AC.114
Repository:
National Museum of the American Indian

Photographic prints and copy negatives made by Major Otto Holstein in and around the ruins of Chan Chan, Peru between 1925 and 1926. Some of these photographs were later used by Holstein to illustrate his article publication "Chan-Chan: Capital of the Great Chimu" in the American Geographical Society's publication Geographical Review.

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Creators:
National Museum of Natural History. Office of Exhibits
Dates:
circa 1955-1990 and undated
Size:
31.73 cu. ft. (31 record storage boxes) (1 tall document box) (1 oversize folder)
Collection ID:
Record Unit 363
Repository:
Smithsonian Institution Archives

This record unit contains a variety of records documenting the planning, design, and production of permanent and temporary exhibitions at the NMNH. It also contains smaller amounts of records concerning exhibitions held at the National Museum of History and Technology, National Air and Space Museum, National Collection of Fine Arts, Anacostia ...

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Creators:
Curtis, Edward S., 1868-1952
Dates:
circa 1895-2001
bulk 1898-1951
Size:
86 Linear feet
Collection ID:
NAA.2010-28
Repository:
National Anthropological Archives

The Edward S. Curtis papers and photographs, circa 1895-2001 (bulk 1898-1951) primarily relate to Curtis's work on his opus, the North American Indian (NAI), although other subjects are documented as well. The papers relate closely to the Edward S. Curtis papers at the University of Washington Libraries Special Collections (UW), as that collection ...

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Creators:
Freeman, Linda, 1941-
Dates:
1971-2015
bulk 1990-2011
Size:
32.9 Linear feet
Collection ID:
AAA.freelind
Repository:
Archives of American Art

The papers of multimedia artist and filmmaker Linda Freeman measure 32.9 linear feet and date from 1971-2015, with the bulk of the material dating from 1990-2011. The collection primarily consists of the production archives of Freeman's video documentary production company L and S Video, producer of 27 short subject documentaries on contemporary American art and artists. Subjects include Emma Amos, Benny Andrews, Romare Bearden, Charles Burchfield, Elizabeth Catlett, Chuck Close, Robert Colescott, Jimmy and Max Ernst, Red Grooms, Jacob Lawrence, Richard Mayhew, Howardena Pindell, Horace Pippin, Faith Ringgold, and Betye and Alison Saar. Additional documentaries on subjects other than single artists include works on Luba artists of Central Africa, the creative process (on Freeman and five other artists featured in other documentaries in the collection), mixed media artists (on Alvin Loving, Flo Oy Wong, and Alison Saar), self-taught artists (on William Hawkins, Bill Traylor, and Grandma Moses), and a six-part series on art subjects for children called I Can Fly.

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Creators:
Vose Galleries of Boston
Dates:
circa 1876
1890s-1996
bulk 1920-1940
Size:
25.6 Linear feet
Collection ID:
AAA.vosegall
Repository:
Archives of American Art

The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

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Creators:
Bulliet, C.J. (Clarence Joseph), 1883-1952
Dates:
circa 1888-1959
Size:
34.6 Linear feet
Collection ID:
AAA.bullclar
Repository:
Archives of American Art

The C. J. (Clarence Joseph) Bulliet papers measure 34.6 linear feet and are dated circa 1888-1959. Biographical materials, correspondence, writings, subject and artist files, printed material, photographs, and artwork document the career of the influential Chicago art critic and writer. The records contain extensive information about art and artists in Chicago and the Midwest from the early to mid-twentieth century.

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Creators:
Engineering and Industry, Division of, NMAH, SI.
Frick Company, George (Waynesboro, Pa.)
Dates:
1852-1961
bulk 1860-1920
Size:
26 Cubic feet (49 boxes, 4 oversize folders)
Collection ID:
NMAH.AC.0293
Repository:
Archives Center, National Museum of American History

This collection documents, in correspondence, publications, forms, paperwork, drawings, newspaper clippings, diplomas and photographs, the operations and products of the Frick Company of Waynesboro, Pennsylvania, manufacturers of steam-powered engines (portable, stationary, and traction), sawmills, threshing machines, grain separators and other mechanized agricultural harvesting implements, refrigeration, mechanical cooling systems, and ice making plants, from its founding in 1852 through 1961.

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Creators:
Bellanca, Giuseppe M., 1886-1960
Dates:
1919-1959
Size:
248.5 Cubic feet (245 boxes)
Collection ID:
NASM.1993.0055
Repository:
National Air and Space Museum Archives

This collection consists of the archives of Giuseppe M. Bellanca and his company, including the following types of mediums: drawings, stress analysis tests, reports, photographs/negatives, documents, correspondence, patent information, newspaper clippings, business records, and financial statements.

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Dates:
1987
Size:
2 videotapes (Reference copies). 11 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9533
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Preloran, Jorge, 1933-2009
Dates:
1954-circa 2008
Size:
50 Film reels (50 completed films and 1 film series; 110,600 feet of original film outtakes (51 hours); 412 hours of audiotape; 31 digital books)
22 Linear feet (Papers and photographs)
Collection ID:
HSFA.2007.10
Repository:
Human Studies Film Archives

Documentary filmmaker Jorge Prelorán was best known for his intimate approach to ethnographic film, a style known as "ethnobiography." The majority of Prelorán's films were shot in rural areas of Argentina, particularly the Andean highlands and the Pampas (plains), often in communities of mixed Indian and Spanish heritage. Prelorán documented a wide range of subjects, including art, folk crafts, agriculture, ranching, markets, religious rituals and festivals, and social and cultural change. This collection contains edited films and videos, film outtakes, audio tapes, photographic prints and transparencies, digital books, correspondence, production files, scripts, project files, and press clippings spanning 1954-2008.

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