Query: Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Scurlock Studio Records, Subseries 4.2: Black and white negatives in freezers arranged by job number
Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
More …
Dates:
1931-1971
Size:
320 Boxes
The materials in the subseries are black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.02
Repository:
Archives Center, National Museum of American History

The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of …

Digital Content Available

Loading...
in NMAH.AC.0618.S04.02 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
John Peabody Harrington papers
Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

Digital Content Available

Loading...
in NAA.1976-95 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Carleton College Library educational film collection
Dates:
circa 1952-1986
Size:
153 Film reels (color black and white sound; 145,000 feet, 16mm)
Collection ID:
HSFA.2005.10
Repository:
Human Studies Film Archives

Film prints formerly used for courses in Asian and Religious studies at Carleton College. Films were made by various filmmakers and production companies and distributed by various educational distribution companies. Please note that the contents of the collection and the language and terminology used reflect the context and culture of …

Loading...
in HSFA.2005.10 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
UNESCO Collection of Traditional Music of the World records
Creators:
UNESCO
Dates:
circa 1961-2006
Size:
27 Boxes
Collection ID:
CFCH.UNES
Repository:
Ralph Rinzler Folklife Archives and Collections

This collection, which dates from circa 1961-2006, contains audiorecordings from the UNESCO Collection of Traditional Music of the World, as well as related business records. Includes recordings of tradition and sacred music from Benin, Cameroon, Central African Republic, Côte d'Ivoire, Ethiopia, Madagascar, Malawi, Niger, Sudan, Argentina, Bolivia, Brazil, Chile, Cuba, Peru, Afghanistan, Australia, Cambodia, China, Korea, the Solomon Islands, India, Bali, Java, Japan, Laos, Mongolia, Uzbekistan, Pakistan, Thailand, Vanuatu, Vietnam, Algeria, Bahrain, Egypt, Iraq, Morocco, Oman, Syria, and Turkey.

Loading...
in CFCH.UNES for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Glynn Ll. Isaac papers
Creators:
Behrensmeyer, Anna K.
Isaac, Barbara
Leakey, Mary D. (Mary Douglas), 1913-1996
Leakey, Louis S. B.
More …
Dates:
1954-1997
Size:
100 Linear feet
Collection ID:
NAA.2002-06
Repository:
National Anthropological Archives

The Glynn Isaac Papers document his lifelong interest in the study of human origins and evolution. A significant portion of the collection consists of files relating to Glynn Isaac's field work at Koobi Fora, Olorgesailie, Lake Natron, and Naivasha/Nakuru (1961-1985). These files contain accession records, catalogs, correspondence, drawings, field notes, grant proposals, lectures, manuscripts, maps, printouts, photographs, publications, reports, and slides. Glynn Isaac's teaching experiences at University of California - Berkeley and Harvard are also well represented with class notes and other teaching materials. His studies at the University of Cape Town and the University of Cambridge are also documented. Among the extensive correspondence files are letters from the members of the Leakey family along with students and colleagues studying hominid development in Africa. The collection also features copies of his lectures and a complete set of his publications including reviews.

Loading...
in NAA.2002-06 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Ralph Leon Beals papers
Creators:
Beals, Ralph L. (Ralph Leon), 1901-1985
Dates:
1919 - 1970
Size:
48 Linear feet
Collection ID:
NAA.1980-54A
Repository:
National Anthropological Archives

The Beals papers in the National Anthropological Archives include field notes, correspondence, printed materials, copies of historical documents, drafts and final manuscripts of writings, photographs, and cartographic materials. Most relate to research projects and sometimes include materials of colleagues and assistants. Especially notable is the abundant material regarding Oaxaca markets. There are some materials relating to aspects of Beals's career other than his research but they are generally widely distributed throughout the collection. Materials relating to events that happened to occur at the time of certain field work are often interfiled with the material relating to that certain field work. There are also some personal materials included. Conspicuously missing from the papers are notes on Beals's archeological work, which he has retained. There are relatively few materials relating to his teaching career, although some of the letters exchanged with Alfred Louis Kroeber concern the establishment of anthropology at the University of California at Los Angeles; and correspondence with students in the field concerns teaching as well as research activities. A typesript of notes on the Nisenan are at the Bancroft Library of the University of California at Berkeley. Some of the letters concern Elsie Clews Parsons and Carlos Castenada.

Loading...
in NAA.1980-54A for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Scurlock Studio Records, Series 1: Black and White Photographs
Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
More …
Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

Digital Content Available

Loading...
in NMAH.AC.0618.S01 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Grace Murray Hopper Collection
Creators:
Hopper, Grace Murray, 1906-1992
Dates:
1944-1965
Size:
2.5 Cubic feet (7 boxes, 1 map-folder)
Collection ID:
NMAH.AC.0324
Repository:
Archives Center, National Museum of American History

Papers and photographs of Grace Murray Hopper (1906-1992) computer and Naval pioneer.

Digital Content Available

Loading...
in NMAH.AC.0324 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Jackson Miles Abbott Papers
Creators:
Abbott, Jackson Miles
Dates:
circa 1931-1988
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 92-117
Repository:
Smithsonian Institution Archives

This accession consists of the papers of Jackson Miles Abbott, noted bird watcher and authority on the American bald eagle. Papers include records of his bird sightings, his work on the preservation of the bald eagle, extensive notes on Virginia birds, as well as birds of other parts of the …

Loading...
in Accession 92-117 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
Early Aviation Collection [Arango]
Dates:
bulk 1900-1929
1905-1918
Size:
4.46 Cubic feet
641 Megabytes
Collection ID:
NASM.2022.0033
Repository:
National Air and Space Museum Archives

Early aviation catalogs, photographs, periodicals, and scrapbooks as well as other materials collected by Javier Arnago detailing the evolution of early aircrafts built before and during World World I.

Loading...
in NASM.2022.0033 for Day Without Art (Exhibition) (1992-1993: New York, N.Y.)
257 records — Page 25 of 26