This accession consists of the administrative records of the Joseph Henry Papers Project under editors Nathan Reingold (1966-1985) and Marc Rothenberg (1985-2006). They cover the general administration of the Project and its relations with other Smithsonian Institution offices. Materials include correspondence, notes, reports, newspaper clippings, postcards, floor plans, and photographs.
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Ferargil Galleries records
The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.
Macbeth Gallery records
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.
Bean, Arthur Sanders
Collection includes photographs, brief biographies and some correspondence of 105 prominent osteopaths, all submitted in 1918 apparently as the result of a circular written request by Dr. George A. Still, a trustee of the American School of Osteopathy, Kirksville, Missouri, and a great-nephew of the founder of that institution, Dr. A.T. Still …
These papers consist of incoming and outgoing correspondence (1946-1951) that documents, in part, the history of the United States National Museum, Department of Botany, Division of Cryptogams, while George Albert Llano was an associate curator with the Division (1948-1951), as well as Llano's scientific activities and personal matters. Material includes correspondence with …
Paul Oman Papers
These papers consist of incoming and outgoing correspondence mostly documenting Oman's career as a research entomologist at the USDA and his study of leafhopper systematics. Most of the letters were exchanged between Oman and professional colleagues and concern the identification of specimens. Correspondence after 1950 was created primarily by David A …
Scurlock Studio Records, Series 1: Black and White Photographs
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.
Howard Wise Gallery records
The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.
These records are the official files of the Branch Chief, Paleontology and Stratigraphy Branch, USGS, and document its research program and administration from 1900 to 1987. Included is a large amount of correspondence of the first two Branch Chiefs, Stanton and Reeside, which concerns the identification of specimens, field work of USGS …