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Creators:
Isaacs, Charles
Saché, John Edward, 1824-1882
Beato, Felice, b. ca. 1825
Kusakabe, Kimbei, 1841-1934
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Dates:
circa 1850-1900
Size:
73 albumen prints (various sizes.)
Collection ID:
FSA.A2002.01
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

73 albumen photo prints, some mounted, many signed and numbered in the negative and some with hadwritten penciled identifications, various sizes. A small number are hand-tinted. Images depict Sri Lanka, Pakistan, Japan and China. Subjects include portraits, people in daily activities, street scenes, city views, architecture, fauna and gardens, and ...

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Creators:
DeFeo, Jay, 1929-1989
Dates:
circa 1940s-1970s
Size:
1.3 Linear feet
Collection ID:
AAA.defejay
Repository:
Archives of American Art

The papers of artist Jay DeFeo measure 1.3 linear feet and date from circa 1940s to circa 1970s. The collection documents her career through biographical material, correspondence with friends, personal business records, writings, printed material, artwork, and photographs.

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Creators:
Alonge, Solomon Osagie, Chief, 1911-1994
Dates:
1926-1989
Size:
100 photographic prints (black and white, hand-colored.)
4 photographic albums
1,800 negatives (photographic) (120 mm.)
150 negatives (photographic) (glass plate)
Collection ID:
EEPA.2009-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of approximately 1,950 glass plate and large format film negatives,100 hand-tinted and black-and-white prints and four photographic albums containing prints of various sizes, taken by Chief Solomon Osagie Alonge, the royal photographer to the Oba of Benin, Akenzua II (1933-1978). These images span six decades (1926 - 1989) and represent a dynamic, continuous record of the Benin Royal Court in Nigeria. Alonge documented the pageantry, ritual and regalia of the Obas, their wives and retainers for over a half-century, including the coronation of the King and the Iyoba, or queen mother. The collection also documents historic visits to Benin by Queen Elizabeth and Prince Philip (1956), Princess Alexandra (1960), foreign dignitaries, traditional rulers, political leaders and celebrities. The collection preserves an important historical record of Benin art and culture during the periods of British colonial rule and Nigerian independence in the 20th century. The rarity and historical value of the collection are enhanced by Alonge's privileged access to the Palace as a chief in the Iwebo Palace Society, a position which presents a unique insider's view of Benin royalty. The quality of the collection is testament to Alonge's technological skills in photography and his professionalism in keeping the collection ordered and well-preserved despite the heat, humidity and tropical climate of Nigeria.

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Creators:
Marmon, Lee Howard, 1925 -
Dates:
circa 1950-1987
Size:
36 Photographic Prints (black and white; color)
2 contact sheets (2 contact sheets (9 photographs each), color)
Collection ID:
NMAI.AC.054
Repository:
National Museum of the American Indian

The Lee Howard Marmon photographic prints and contact sheets contain 36 color and black and white photographic prints and two color contact sheets of 9 images each. Subjects include Laguna and Acoma elders (1950-1965), publicity images of celebrities (1967-1973), Native American portraiture (circa 1987), the New Mexico pueblos and landscape, and the potter Lucy M. Lewis, her daughters, and their pottery (1987).

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Creators:
Kathleen Ewing Gallery
Dates:
1946-2009
bulk 1975-2009
Size:
3.8 Linear feet
0.475 Gigabytes
Collection ID:
AAA.kathewig
Repository:
Archives of American Art

The records of Kathleen Ewing Gallery, a Washington, DC, gallery that specialized in the work of photographers, measure 3.8 linear feet and 0.475 GB and date from 1946 to 2009, with the bulk of the papers dating from 1975 to 2009. Artists' files make up the bulk of the collection and include exhibition planning documents, correspondence, price lists, publicity, artist statements, and photographs of artwork. Also found are one file of gallery history, two letters, and printed material. Printed material consists of press clippings and a complete set of gallery exhibition announcements. Some of the materials are in digital format.

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
undated
Size:
1 Item (album (99 photoprints), b&w, 31.2 cm. x 41.6 cm. (sheet))
62 albumen prints (b&w, 25 cm. x 20 cm. or smaller)
Collection ID:
FSA.A2011.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

A large album of prints by photographer Antoin Sevruguin, likely dating from his early career in Iran in the 1870s and 1880s. The collection also includes a number of loose, unbacked prints, many duplicating the photographs in the album. Roughly half of the mounted prints have English handwritten captions.

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Creators:
Roche, John P.
Roche, Mary Alice
Dates:
circa 1954-1970
Size:
0.5 Cubic feet
28 Transparencies (col. , 4 x 5 in.)
62 Photographic prints (b&w , 8 x 10 in.)
1 Photographic print (col. , 2.5 x 3.5 inches)
3 Transparencies (col. , 120mm)
Collection ID:
AAG.ROC
Repository:
Archives of American Gardens

The Roche Collection documents some of the work of John and Mary Alice Roche, garden photographers who photographed numerous gardens throughout the United States. Several of the Roches' images appeared in popular gardening magazines and books on flower arranging from the 1950s and 1960s.

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Creators:
Shamir, Marli
Dates:
1966-1976
Size:
33 negatives (photographic) (color, 35mm)
1790 negatives (photographic) (black and white, 120mm)
1,519 color slides (35mm)
Collection ID:
EEPA.2013-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Locations include Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, and textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.

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Creators:
Caffin, Charles Henry, 1854-1918
Dates:
circa 1883-1973
bulk 1883-1918
Size:
1.2 Linear feet
Collection ID:
AAA.caffchar
Repository:
Archives of American Art

The scattered papers of art critic and writer Charles Henry Caffin measure 1.2 linear feet and date from circa 1883-1973, bulk circa 1883-1918. Found within the papers are an interview transcript, two letters, printed materials, one scrapbook, and family photographs dating from circa 1883 to circa 1911, many by noted photographers Arnold Genthe, Frances Benjamin Johnston, Gertrude Käsebier, Edward Steichen, and Alfred Stieglitz. The scrapbook contains Caffin's columns for the New York American, 1913-1915.

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Creators:
Green, Mark L., 1932-2004
Dates:
1954-1991
bulk 1954-1978
Size:
1.1 Linear feet
Collection ID:
AAA.greemark
Repository:
Archives of American Art

The papers of San Francisco Beat era photographer, journalist, and poet Mark Green consist of correspondence, biographical information, photographs, Nanny Goat Hill Gallery exhibition announcements, printed materials, and exhibition files for "Rolling Renaissance" (1968) and "A Kind of Beatness: Photographs of a North Beach Era, 1950-1965" (1975) exhibitions that Green helped to organize. Photographs by Mark Green are of notable figures and places in the Beat movement, including Allen Ginsberg, Robert Rauschenberg, and Clyfford Still, as well as photographs by others of Lawrence Ferlinghetti, Mark Green, and Jack Kerouac among others.

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