8601 records — Page 247 of 861
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Creators:
Suttman, Paul, 1933-1993
Dates:
1947-1998
Size:
9.9 Linear feet
8 Items (rolled docs)
Collection ID:
AAA.suttpaul
Repository:
Archives of American Art

Biographical material, correspondence, subject and teaching files, photographs, works of art, financial records, motion picture film and video recordings, and printed material concerning Suttman and his career as a sculptor and educator.

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Creators:
Gordon, Elizabeth, 1906-2000
Dates:
1958-1987
Size:
3 Linear feet
Collection ID:
FSA.A1988.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

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Creators:
Morris, William, 1957-
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2009 July 13-14
Size:
7 Items (Sound recording: 7 wav files (5 hr., 5min.), digital)
105 Pages (Transcript)
Collection ID:
AAA.morris09
Repository:
Archives of American Art

An interview of William Morris conducted 2009 July 13-14, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Morris' home, in Stanwood, Washington.

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Creators:
Archives Center, NMAH, SI.
Dates:
1910-2016
Size:
120 Posters (14 map- folders)
Collection ID:
NMAH.AC.0751
Repository:
Archives Center, National Museum of American History

An artificial collection of posters on various subjects, at present organized according to donor. Examples of contents include movie posters and propaganda posters.

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Creators:
Oldman, W. O. (William Ockleford), 1879-1949
Dates:
1902-1916
Size:
1,789 Digital images (7 digitized ledgers)
Collection ID:
NMAI.RM.001
Repository:
National Museum of the American Indian

The William Ockleford Oldman Archive research materials are comprised of digital surrogates of the business records of Oldman held by the Museum of New Zealand Te Papa Tongarewa. William Ockleford Oldman (1879 – 1949) was a British collector and dealer of ethnographic art and European arms and armour. His business W.O. Oldman, Ethnographical Specimens, London was active between the late 1890s and 1913. These records include detailed information about his purchases and sales of objects including names of original sources for objects he acquired and sold. Oldman dealt extensively with the Museum of the American Indian, Heye Foundation, the predecessor institution to the National Museum of the American Indian between 1909 and 1937. This provenance information is critically important to documentation of NMAI's collections and related research.

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Creators:
Willard Gallery
Dates:
circa 1940-1956
Size:
0.6 Linear feet
Collection ID:
AAA.willagall
Repository:
Archives of American Art

The records of New York Willard Gallery measure 0.6 linear feet and date from circa 1940 to 1956. The collection relates to artist David Smith and includes printed materials regarding exhibitions, artist statements, a set of notecards containing detailed information on artworks by Smith, and correspondence between Smith, Marian Willard, and Smith's wife Dorothy Dehner, and with galleries and clients concerning exhibitions, loans, and sales.

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Creators:
National Museum of African American History and Culture
Dates:
2014
Collection ID:
Accession 15-041
Repository:
Smithsonian Institution Archives

This accession consists of National Museum of African American History and Culture's website and Tumblr blog as they existed on October 1, 2014. The website includes information about the museum and the building it is constructing; collections and traveling exhibitions; public and school programs; and ways to get involved. It also includes ...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1750-1988
Size:
10.02 Cubic feet (consisting of 14.5 boxes, 10 oversize folders, 4 map case folders, 6 flat boxes (2 full, 4 partial).)
Collection ID:
NMAH.AC.0060.S01.01.Art
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Art forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Museum of Natural History. Office of Exhibits
Dates:
circa 1970-1999
Size:
3.43 cu. ft. (3 record storage boxes) (1 12x17 box)
Collection ID:
Accession 00-082
Repository:
Smithsonian Institution Archives

These records primarily document the work of Frank M. Greenwell, Smithsonian Taxidermist 1957-1999. Greenwell retired in 1999 and had achieved the title of Chief, Taxidermy/Conservation, National Museum of Natural History, Office of Exhibits. Greenwell was also a member of the National Taxidermists Association. Materials include information on...

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Creators:
Pearlstein, Philip, 1924-
Dates:
circa 1940-2008
Size:
31.8 Linear feet
16.68 Gigabytes
Collection ID:
AAA.pearphil
Repository:
Archives of American Art

The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

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8601 records — Page 247 of 861